Qing Dynasty Pair of Emperor Horse Roof Tiles

Monumental Pottery Watch Tower in Green Glaze; Han Dynasty (2016 BC -AD 220) Earthenware three-storied pavilion from the Eastern Han Dynasty. Each of the...

18th/19th Century Chinese Wood Sculpture Of A Emperor or General. Retains Some Polychrome Decoration And Horsehair Beard, Male Figure Seated On ...

A wonderful pair of Ex Sotheby’s painted Polychrome Equestrian Horse and Riders made from gray pottery, Presents beautifully and guaranteed authentic with provenance and COA. Measures: Height 11.5 inches and width 11 inches Condition: Possible professional restorations but not detectable. Provenance: Sotheby’s London. 16th November, 1999. Lot 12 (2 of 4 horses in that lot). Sotheby’s New York, NY September 14, 2019. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered. Horses were believed to be related to mythological dragons, reflecting their sacred status within society. During the unification of China under the Han Dynasty, bands of mounted nomadic warriors from the north threatened the country. In order to thwart their attacks, the Chinese sought to import stronger, faster steeds from Central Asia (as opposed to the Mongol ponies used by the invaders), eventually leading to the creation of the Silk Road. This small sculpture of a mounted soldier reveals the crucial military role of the horse. When compared to the diminutive stature of the rider, the importance of the horse becomes readily apparent. This creature provided security and strength, allowing the Empire to secure its borders and expand its influences across Central Asia. The magnificent regalia of the horse, including a brilliantly painted saddle in red and green/gold, reflect the respect this animal received. The warrior as well is gorgeously decorated with a painted red tunic and gray chest...

A wonderful pair of Ex Sotheby’s painted Polychrome equestrian horse and riders made from gray pottery, presents beautifully and guaranteed authentic with provenance and COA. Measures: Height 11.5 inches and width 11 inches Condition: Possible professional restorations but not detectable. Provenance: Sotheby’s London. 16th November, 1999. Lot 12 (2 of 4 horsed in that lot) Sotheby’s New York, NY September 14, 2019. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered. Horses were believed to be related to mythological dragons, reflecting their sacred status within society. During the unification of China under the Han Dynasty, bands of mounted nomadic warriors from the north threatened the country. In order to thwart their attacks, the Chinese sought to import stronger, faster steeds from Central Asia (as opposed to the Mongol ponies used by the invaders), eventually leading to the creation of the Silk Road. This small sculpture of a mounted soldier reveals the crucial military role of the horse. When compared to the diminutive stature of the rider, the importance of the horse becomes readily apparent. This creature provided security and strength, allowing the empire to secure its borders and expand its influences across Central Asia. The magnificent regalia of the horse, including a brilliantly painted saddle in red and green/gold, reflect the respect this animal received. The warrior as well is gorgeously decorated with a painted red tunic and gray chest...

A fantastic piece. Wonderfully glazed and colored work of a seated man with brightly colored robes riding a mythical galloping horse. We believe this is Qing Dynasty (1644-1912) ...

A Qing Dynasty period tricolor glazed terracotta roof fragment from the 19th century depicting a running boy in raised relief amidst leaves. This Qing Dynasty period terracotta roof fragment, dating back to the 19th century, showcases a vibrant tricolor glaze that breathes life into the depicted scene of a running boy amidst foliage in raised relief. Its historical value and artistic merit are evident through the skillful execution and vivid colors, which have been preserved remarkably over centuries. This piece, along with several others available, serves as a testament to the rich cultural heritage and intricate craftsmanship of the period. It can effortlessly transform any living space by introducing an element of classical Chinese artistry. Imagine this exquisite fragment mounted on a stand or displayed prominently on a wall, where it not only becomes a focal point but also sparks conversations about its origin and the symbolism behind the depicted motifs. Perfect for collectors or enthusiasts of Asian antiques, this piece bridges the gap between traditional decor and contemporary spaces, adding a touch of antiquity and sophistication. Its presence in a home office, library, or living room not only embellishes the space but also pays homage to the timeless elegance of Qing Dynasty art.

Chinese Qing Dynasty Vase Circa 1900 Origin China Decoration with traditional scenes (1644 - 1911) Glazed and enamelled technique Blue and white colour Po...

Faux bamboo Chinese vases were a type of decorative art that emerged during the Qing Dynasty (1644-1912) in China. These porcelain vases were designed to mimic the appearance of bamboo, a plant highly regarded in Chinese culture for its resilience, elegance, and symbolism. Bamboo is associated with attributes such as flexibility, strength, and modesty, making it a popular motif in Chinese art. In the Qing Dynasty the color yellow held significant symbolism and represented imperial authority, power, and the emperor himself. Yellow was considered the most sacred and prestigious color in Chinese culture, and it had strong associations with the emperor's position as the Son of Heaven and the ruler of all under heaven. The marks at the bottom of the vases indicate that these were crafted more specifically during the Tongzhi period – an emperor who reigned from 1861 to 1875, which effectively lasted nthrough his adolescence and was largly overshadowed by the rule of his mother, Empress Dowager Cixi. Although he had little influence over state affairs, the events of his reign gave rise to what historians call the “Tongzhi Restoration”, an unsuccessful modernization program. The polychrome enamels representing on one vase a traditional Chinese kite...