Rare Published Japanese Ceramic Bowl Makuzu Kozan with Original Inscribed Box

Tri-pod ceramic bowl likely used as an incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji period. The signature indicates that it was produce...

On offer is a rare ceramic bowl with overglazed design by the famed Japanese ceramic artist Makuzu Kozan (1842-1916), circa 1906-1916. The bowl is rather unusual from the potter's repertoire with its unique glaze colors and decoration, and it likely belonged to a small series that Kozan made in and after 1906. A bowl of similar glaze and nearly identical dragon motif was recorded as a diplomatic present to the British royalty Arthur Connaught (1883-1932) when he represented King Gorge V in Japan in 1906. Other pieces, such as this bowl, were likely made with similar materials and designs afterwards. Essentially round in form, the bowl has a generous volume with six harmonious lobes. The bottom of the interior showcases a coiled dragon in red, green and gold slithering on a cobalt blue background. The roundel shares an echoing lobed perimeter, which is further outlined by red and turquois bands and rising sun design. The exterior of the bowl features six stylized Japanese camellias...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A ceramic bowl by Japanese Imperial potter Makuzu Kozan (1842-1916) circa 1891 of late Meiji period. A very fine example of the artist's work that belongs to the middle period of his...

Decorated in iron-red and green enamels with an overall design of three shish frolicking with a brocade ball, signed on the base with an impressed seal Makuzu. The storage box ti...

An exceptionally rare, wonderfully designed Chawan tea bowl by famed Japanese master woodblock printmaker/ artist Shiko Munakata (1903-1975) who is widely considered to be the most important Japanese visual artist of the 20th century and the Pablo Picasso of Japan. This hand-painted work clearly illustrates Munakata's whimsical side as it is of a Koma - a child's spinning top toy. Very few examples of Munakata's work in ceramics exist still today. The work is signed by Munakata on the base as well as the original wood protective storage box (his seal can also be seen faintly in the lower-left corner). The bowl has a small kintsugi or "golden joinery" repair - the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold - on the inside. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise. Munakata who is often compared to Picasso was primarily associated with and a principal figure in both the Sosaku-Hanga (which stressed the artist as the sole creator ) and the Mingei (folk art) movements. His many accolades and awards include the "Prize of Excellence" at the Second International Print Exhibition in Lugano, Switzerland in 1952, and first prize at the São Paulo Bienal Exhibition in Brazil in 1955, followed by the Grand Prix Award at the Venice Biennale in 1956, and the Order of Cultural Merit, the highest honor in the arts by the Japanese government in 1970. In 1960 after returning from a year abroad exhibiting his work in the United States, the Horinji Temple in Kyoto bestowed upon him the honorary rank of “Hokkyo”. In 1962, he received the rank of “Hogan” from Nisseki Temple in Toyama prefecture. He also received a Medal of Honor in 1963 and the Asahi Shimbun culture prize in 1965. Munakata's work can be found in numerous international collections and museums including: The Britsih Museum, UK The Chicago Art Institute Museum of Modern Art (MOMA), NY The Metropolitan Museum of Art (The Met), NY The Philadelphia Museum of Art The Smithsonian American Art Museum (SAAM), Washington DC Kemper Art Museum, St. Louis And his own museum The Munakata Shiko...

Handcrafted Japanese ceramic bowl signed Jin Kobayashi. Large stoneware plate hand made and hand painted with autumn leaves design. Hand-carved ge...

O/1393 - This bowl is more antique tha I wrote. This is one piece from a large collection of ancient pottery, gathered 35 years ago and never exhibited to the public. I woud like to sell...