Spectacular 3 Piece Japanese Satsuma Peacock Vases and Tea Pot Set

A pair of exquisite Murano blown glass vases with gold inclusion and aqua glass wings applied with hot application.Signed Costantini, Murano. Purshased in Italy and imported to the ...

The sleek shape and tapered legs speak for themselves concerning this French Art Deco chair and ottoman set in exotic wood by Maurice Jallot...

This Boule vase “Ornament “ is a rare limited edition numbered 1/5 by Elizabeth Garouste was born in 1949 in Paris and Mattia Bonetti in 1952 in Lugano (Switzerland). They pooled their work from 1980 to dedicate themselves to the creation of pieces of furniture and interior decoration. They start with the decoration of the Palace that Fabrice Eamer asks them to design. Then shortly after, the Néotu Gallery publishes them. Their furniture, baroque and barbarian, surprises, made up of heterogeneous and unusual materials, such as rock, hammered bronze, raffia, leather, skin, logs and glass ... They are at the instigation of fashion "barbaric". For their work, they use references such as the Middle Ages, Africa, through the poetry of Cocteau, the Venetian baroque and neoclassicism. They have also been edited by the “Waiting for the Barbarians” galleries, David Gill, Kréo, Lou Fagotin...

Emile Galle, Nancy. Vase, 1920s. Measures: H. 26 cm. Cased glass, clear, amber and opal white. A unique French overlay technique is used in this extremely rare and limited series wit...

These are a very good quality pair of earthenware Japanese Satsuma vases, beautifully hand decorated and from the Meiji period, circa 1880. The vases have a hexangular shape raised o...

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A Satsuma Earthenware vase and cover, Japanese, Meiji period, (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with samurai on ...