Qing Ceramics

A wonderful green glaze adorns this early 20th century Chinese ceramic pork lard storage jar. The characters on its front side translate to "Pork Lard". This jar features a wonderful...

Japan, silver inlaid bronze vase, Meiji period (1868-1912), the bulbous vase inlaid with a temple in a landscape, 28-6-22-1-12 Condition no real damages found, just a small pr...

A very nicely decorated Qianlong dinner plate. Dating to circa 1710 5-6-18-AR-557 Condition Overall condition with rimfritting and a restored reglued chip size 268mm P...

Remarkable pair of diminutive Chinese porcelain Fencai vases featuring beautifully decorated landscape scenes. Vibrant famille rose colors depict a scholar and his attendant offering him a peach with a pine tree and waterfall in the background. Each vase has Chinese script on the back, probably a poem. Each vase stamped with a Tong zhi...

The phoenix tail vase dates from the bronze age and has remained a popular shape for its clean lines and graceful curves. Dating from circa 1900, this vase depicts a peacock in a lovely garden setting. Lavishly detailed and masterfully painted, the vase demonstrates the high level of craft obtained by Qing-dynasty ceramic...

A visibly old ceramic wine bottle from 18th century China in a dark brown glaze. This bottle comes from Shanxi Provence and is a wonderful example...

Tracing its roots back into the Han dynasty, this early 20th-century vessel emulates the full-bodied shapes and unusual glazing found in ancient ceramics...

The form of this 19th century porcelain vase is called "phoenix tail" for the way its flared mouth and slender waist mimic the shape of the auspicious bird. The vibrant painted scene...

This ceramic jar from China's Shandong province has a bottle-neck shape meant for storing vinegar or wine made from rice and grain. Dated to the early 20th century, the jar was likel...

An excellent bowl for the Islamic or Persian market. Jiaqing or Qianlong Condition Overall condition 1 small chip to rim. 2 man holes in the base rim. Size 138 x 63mm Period 18th...

A very nice bowl. Transitional or early Kangxi period. Nice and beautiful addition all-over the bowl and a nice symbol in the interior. The bowl came from a lot of Bleu de Hue por...

A very nicely decorated set of dinner plates plate. Very rare type of decoration. Dating to circa 1780-1790. Overglaze blue of superb cobalt color...

Lovely and rare piece. A superb blue and white porcelain Dish bowl, with a leaf pattern. Made by Fuji Shumei Fujii Mr. Aki Fujii's specialty is the technique of drawing a mount...

Fabulous Japanese earthenware Satsuma candle sticks with nice decoration of flowers and figures decoration marked. Meiji period, 19th century L...

An excellent, deep and large octagonal serving dish, exceptionally finely painted in underglaze blue with central reserve containing four pineapples and foliage, surrounded by a wide...

A rare and quality painting plate. It's a chine de commande dish but unusual because the central painting of a Chinese person with a Chinese person h...

Two very nicely decorated Late Kangxi / early Yongzheng Klapmutsen/Bowls Decorated in opaque enamels of the famille rose palette (fencai) with an European boat waiting the arrival o...

A very nicely decorated set of 6 plates. Dating to circa 1720-1740 A scene of peony Peony Peony - Mu-Dan - Queen of Flowers, the peony is a emblem of wealth and distinction....

Perfect for interior wall decoration. We offer sets of 18th-19th century Chinese/Japanese Imari plates in different sizes. Available in every quantity needed. The selection in the pictures might not be available due to stock changes, but we have around 100 Japanese/Chinese Imari plates...

The jar features a straight mouth, rounded shoulders, a tucked-in belly, and outward-turned feet, with a high rounded lid topped with a bead. Its shape, resembling a general's helmet...

The form of this 19th century porcelain vase is called "phoenix tail" because of the way its flared mouth and slender waist mimic the shape of the bird. The vibrant landscape leaps o...

A very nicely decorated set of dinner plates plate. Very rare type of decoration. Dating to circa 1760 Condition Overall condition B (Good Use...

A kangxi Imari plate made into a lamp by my brother who is a technician. Condition: Dish has a restored chip. Size: 232 x 90mm D x H Period: 18th ce...

Circa 1780 Chinese export "elephant & mahout" oval vegetable dish. Qing dynasty, Qianlong period. Retailed by Sarah potter conover, early label. One of ...

A matching pair of porcelain plaque from late Qing dynasty nicely framed in giltwood carved as bamboo. The Famille Jaune plaques were likely ...

The central motif features a figure, likely a scholar, seated in a tranquil outdoor setting. This person is holding what seems to be a fan, a common accessory for scholars in traditi...

A 19th century Chinese blue and white porcelain candle stand.

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman would use a rigid headrest or neck pillow to keep her head elevated. Whether functional or pure...

White cartouches open on this vibrant vase’s persimmon orange field like parting clouds, revealing scenes of young boys practicing martial arts. Perhaps c...

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman would use a rigid headrest or neck pillow to keep her head elevated. Whether functional or purely decorative, such headrests were crafted from a variety of materials and were often decorated with elaborate patterns or symbolic motifs. This porcelain headrest...

One of the primary functions of the Chinese garden was to provide a setting for literary gatherings, places where poets and scholars convened with nature and commemorated the affair ...

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman once used this ceramic headrest as a pillow. This headrest is shaped in the form of a baby boy,...

At once ancient and contemporary, this beautiful urn speaks to the timelessness of Chinese ceramic design. Made in northern China in the early 20th century, the urn pays respect to m...

This ceramic vessel was handcrafted in the Jiangxi region of China in the spirit of ancient temple jars. The style and glaze is reminiscent of Han dynasty burial vessels designed to ...

Pair of 19th century Chinese porcelain Ginger Jars converted into table lamps with wood bases. The pair is beautifully painted with delicate images of flowers and green leaves.

Translated as “After the New Year, spring will begin in Suzhou (China’s garden city),” the beautifully scripted phrase painted at the top of this elegant vase is accompanied by the s...

This porcelain stemcup has a domed foot, a high stem and an elongated deep bowl with a partially broken flared rim. River landscapes featuring trees, pavilions, bridges and figures, ...

In Qing-dynasty China, large glazed jars such as this were used to store wines, foods, and other consumable items. The combination of high shoulders textured by an irregular, faceted...

The phoenix tail vase form dates back as far as the bronze age and has remained a popular shape for its clean lines and graceful curves. Created in the early 20th century, this parti...

Sculpted in a traditional Chinese phoenix tail vase form, this elegant early 20th century vase is adorned with a scene of magpies flitting between branches covered in cherry blossoms...

The scene specifically depicts individuals in a pavilion and a garden. In the central image, we see a couple sitting closely, engaged in conversation, likely depicting a scene of int...

A very nicely decorated SET of 2 dishes Flower scene with dragonfly also. Condition Both with some frits, 1 dish with a hairline. Size 23x2.5CM DiameterxHeight Period 18th century ...

A very nicely decorated SET of 4 dishes. These were used for usage but also redecoration of houses in the Netherlands. Floral scene. Similar dishes are well documented in the Liter...

Qianlong, 18th century, The plate with the allegorical figures of Concorde and Liberty and the inscription UTICA is believed to be from after the French Revolution of 1789. The two ...

A pair of large Cloisonné Enamel bottle vases late Qing Dynasty, 19th century These exquisite pair of Cloisonné Enamel bottle vases feature a stunning and intricate floral design re...

A Pair Of Large Cloisonne´ Enamel Double Gourd Bottle Vases Late Qing Dynasty, 19th century The Chinese bottle vases are made of porcelain with an intr...

A stunning pair of Asian Chinese porcelain vases, adorned with a beautiful floral motif, featuring a vibrant yellow color scheme. These vases are designed in the shape of double gourds, symbolizing good fortune and prosperity in Chinese culture. Crafted with exceptional attention to detail, the porcelain vases showcase intricate hand-painted floral patterns that reflect the rich heritage of Chinese artistry. Delicate blossoms and lush foliage in various shades of pink, red, and green gracefully intertwine across the surface of the vases, creating a captivating visual display. The yellow glaze of the vases adds a touch of warmth and radiance to any space, making them an excellent decorative choice for both traditional and contemporary interiors. The glossy finish enhances the vibrancy of the colors and lends an air of elegance and sophistication to the overall design. Standing at an impressive height, the vases make a striking statement piece. They feature a slender neck that gradually widens into a rounded body, mirroring the shape of a gourd. The double-gourd form symbolizes harmony and abundance, making these vases not only visually appealing but also culturally significant. Whether displayed individually or as a pair, these porcelain vases are sure to become the focal point of any room. They are perfect for showcasing fresh or dried flowers, adding a touch of nature's beauty to your living space. Alternatively, they can be admired as standalone decorative objects, exuding timeless charm and artistic craftsmanship. Each vase has been meticulously crafted by skilled artisans, ensuring exceptional quality and durability. They are in pristine condition, making them a valuable addition to any collection or a thoughtful gift for collectors and enthusiasts of Chinese art. Embrace the allure of Asian Chinese aesthetics with this exquisite pair of floral motif yellow double gourd bottle...

This unusual squat vessel would have been kept near a Kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This unusual squat vessel would have been kept near a Kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

Chinese Lotus Form Longquan Celadon Glazed Bowl, on ebonized carved wood stand. 3.5" H x 11.5" Diameter. Provenance: From an Upper East Side Collec...

This unusual squat vessel would have been kept near a kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This unusual squat vessel would have been kept near a kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This ceramic vessel was handcrafted in the Jiangxi region of China in the spirit of ancient temple jars. The style and glaze is reminiscent of Han dynasty burial vessels designed to ...

Beautiful large Chinese enameled porcelain jardiniere with carved wooden stand. Jardiniere features a white background with four round medallions depicting country life scenes. Decor...

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...