Lacquered Lacquer

Antique Burmese Gilt Lacquered Kammavaca Manuscript, Consisting of 2 lacquered wood end covers and 16 double sided folios of lacquered cloth in red and black with gold leaf. This Kam...

The Inro is comprised of three stacked compartments and features a deer motif with mother of pearl accents, an ojime and a wooden frog netsuke. Inros were used to store items like m...

This is a lacquered wooden tray made in the latter half of the Edo Period (1700-1868). The black and vermilion lacquer are well balanced on the front and back, making this a simple a...

Japanese lacquer box with mandarin ducks motif on cover. One lacquer tray and one small lacquer plank inside the box.

This is a wooden bucket used by Japanese lacquerware craftsmen to store lacquer. It is believed to have been used from the Meiji period to the first half of the Showa era (1868-1940)...

Two Asian Red Lacquer Wedding Round Wooden Plates with Painted Motif for wedding dessert. They are not match pair, but very similar sizes. Selling two plates together for the price

Charming antique Chinese oxblood red lacquer square solid wood tray with forged iron metal reinforced corners and beautifully aged warm rich dark heavily worn distressed patina and l...

Pretty Japanese lacquered box decorated with birds and foliage. signed Lacquered inside and outside Late 19th century Without key Nice lock Ideal for storing jewelry.

Beautiful Japanese box in red lacquered wood. The lid is decorated with flowering magnolia branches and signed by the artist. The inside of the box is covered with a paint loaded wit...

19th century Chinese lacquer sewing box from the Qing dynasty. Colored black and gold all-over beautifully with intricate designs.

A Chinese Timber Black and Gilt Lacquerware Pillow Box, Early 20th Century ...

South Asian Burmese black and red lacquer box, offering vessel urn with compartment for storage. This round lacquer ware box from Burma is made from bamboo and lacquer. In Burma (now...

Japanese wooden lacquered lower table / stand. Age: Japan, Showa Period, Early 20th Century Size: Length 51.8 C.M. / Width 33 C.M. / Height 12.7 C.M. Condition: Nice condition overall.

An early 20th century Asian black lacquer screen with carved coloured hardstone figures and scenery.

Antique 19th century Chinese canton export gilt lacquer brise fan from the Qing Dynasty.

19th Century rare large 25'' Chinese export gilt decorated black lacquer gaming board box, finely decorated with gold on a black background of characters, f...

19th century Chinese export gilt decorated black lacquer gaming board. The game board painted with gilt seated figures in various poses on a black ground within a landscape vignette ...

A high quality, antique, Japanese black lacquer document box. It has an external design of gold maki e plum blossoms. In Japanese culture plum blossom symbolises the beginning of Spring, having its own festival, the Ume Matsuri, alongside the more famous cherry blossom festival...

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

These trays were made after the late Edo period in Japan (after 1800). This particular type of tray is known as "Negoro-bon." Negoro lacquerware is a specific style of Japanese lacqu...

A Chinese vintage lacquer game box from the mid 20th century, with gold leaf hand-painted landscape and floral décor. Created in China during the midcentury period, this vintage game box features a black lacquer ground perfectly accented with gilded hand-painted traditional landscapes and pagodas. The circular body, flanked with straight splaying supports, is topped with a lid revealing the small storage space. With its elegant lines and complimenting colors, this vintage Chinese game box...

A fine and elegant Korean black lacquer and abalone mother of pearl inlay "longevity" box, circa 1930s, Korea. The box, most likely used to sto...

A remarkable Japanese maki-e lacquer box for incense accessories, kobako, with interior fitted tray, kakego, designed with a temple complex scene, late Edo Period, mid 19th century, ...

Tabako Bon, or tobacco smoking set, adorned with gold and black fundame lacquer, in the form of cross braces and floret of the Hanabishi flower. The regular pattern is dotted with ci...

Tebako box with two compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of ...

A small Japanese black and gold lacquer suzuribako (writing box) with cartwheels in water, by the artist Hattori Toshio (1943). Of rectangular form with rounded corners, bearing a lustrous rôiro ground throughout, the exterior sides of the box and exterior of the cover finely decorated in gold and little silver takamaki-e with cartwheels flowing in a dynamically executed body of water with many swirls and gushes as well as scattered dew drops, the interior tray fitted with a rectangular ink stone and silver suiteki (waterdropper). The underside signed ‘Toshi’. With the original wooden tomobako with hakogaki reading Namikuruma makie suzuribako (The writing box set, with a design of wheels in water), as well as a leaflet written in Japanese with the artist’s biography up to 1987. Hattori Toshio (b. 1943), art name Hattori Shunsho, was first selected for the Nitten exhibition in Showa 38 (1963). Since then, he has exhibited more than twenty times at the Nitten and other exhibitions, winning numerous prestigious awards. In 1995, he had an audience with Pope John Paul II and presented the Pope with a lacquer reading table. In 2004, he created the shelves for the guest room of the Kyoto State Guest House of the Government of Japan. He is a member of the Kyoto Crafts Artists Association, the Kyoto Lacquer...

Vintage South Asian / Kashmir hand painted papier mâché box with removeable lid - featuring a profuse floral pattern over the top and sides set against a black lacquer background - h...

A very fine Japanese lacquer tebako, box for personal accessories, in the form of rolled bolts of brocade fabric, Meiji Period, late 19th century, Japan. The box is whimsically shap...

Vintage Burmese Betel Box “Kun-It”, a cylindrical woven container with a deep lid and shallow interior tray, all covered in layers of red black and...

In many southeast Asian cultures, offering guests a betel quid to chew was the fundamental symbol of hospitality. A blend of leaves, nuts, seasonings, and sometimes tobacco, betel was kept in finely worked and decorated boxes. This round container was originally the lid to a Burmese betel box...

Chinese Export Coromandel lacquer and gilt six fold screen. Exceptional and rare six panel intaglio lacquer carving from the mid-20th century. It depi...

A finely decorated vintage Japanese box for precious incense, kogo, in the shape of a male mandarin duck, oshidori, by Zohiko, Showa Era, 1960's, or earlier. The lovely and whimsic...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Beautifull inro of six compartments made of black gold, silver and tin lacquer, representing a dragon on each side, surrounded by black and silver clouds, the inside is made of nas...

This is a good papier mâché, circular, black lacquered tray, hand enameled and gilded, made in Japan during the 19th century, Meiji period. This circular tray is very decorative, ...

An extremely rare, possibly unique, Chinese export lacquer bureau for the Dutch market Canton, circa 1737 H. 118 x W. 102.5 x D. 63 cm Provenance: - Private collection, The Netherlands - J.K. Driessen Antiques, Arnhem (Art Fair Breda, 1989) - Noble collection, Belgium Literature: - C.J.A. Jörg, ’De handel van de V.O.C. in Oosters lakwerk in de 18de eeuw’ in: Nederlands Kunsthistorisch Jaarboek , Jr. 31 (1980), pp. 355-363 (ill.) - Annigje Hofstede, Nederlandse meubelen van Barok tot Biedermeier, 1700-1830, Waanders, Zwolle 2004, pp. 35-37 (ill.) This lacquer bureau is one of the four writing desks purchased in Canton in 1737, and as far as is known, this is the only remaining bureau of its type from the period. As the VOC believed that large pieces of import took up too much valuable space in their trading ships...

Antique Chinese red lacquer low Kang table, c. 1910's. The Kang table has a rich history as it was used in everyday life for dining, having tea, playing games and meditation. The ta...

A rare Japanese export lacquer medical instrument box Edo-period, 1650-1700 L. 19 x W. 6 x H. 8.5 cm This unconventionally shaped lacquer b...

This captivating early 20th-century lacquerware box transports you to a serene Chinese farming village. The fully carved lid unfolds a scene of daily life: two men, one seated on a ...

A large and magnificently decorated Japanese lacquer document box, ryoshibako, signed Umeboshi/Baikyo, late Edo or early Meiji Period, mid 19th century, Japan. The large document box, ryoshibako, of tall, rectangular shape with rounded corners, and fitted with an inrobuta (flush-fitting) cover with beveled edges. The exterior of this exquisite box is decorated all over with fifteen different raised reserves shaped as uchiwa (paddle) fans against a lush and intricate krikane ground imitating shagreen. The uchiwa shaped reserves all of takamaki-e, and exquisitely painted with designs of animals, flowers, and landscapes in silver, gold, maki-e, hiramaki-e, and takamaki-e, with kirikane, nashiji, and polychrome embellishments, upon gold lacquer fudame grounds. The interior of the lid is nothing short of spectacular, featuring a large design of a magnificent and beautifully detailed rooster and hen with chicks gathered around a lazy stream. Large stalks of chrysanthemum bloom behind them. All against an ethereal nashiji ground. The cover of the box features five reserves: 1. Three minogame (turtles with long tails), symbolizing longevity 2. "Narihira Crossing the Sumida" from The Tales of Ise...

Chinoiserie hand painted 19th century Chinese export jewelry cabinet circa 1880; is fronted by a pair of raised panel double doors; decorated in gilt with scenes of Chinese figures, ...

An antique black lacquer document box with an exquisitely detailed, finely wrought design from The Tale of the Genji depicted in gold maki e across the lid. Internally, the box is de...

A very beautiful set of six (6) Japanese black lacquer and gold sake, Champagne flutes, or wine stemware glasses, circa 20th century, Japan. Each with a different botanical design in...

A fine Japanese pictoral style lacquer cabinet with gilt-metal mounts Kyoto, Edo period, 1670-1690 Decorated in Japanese relief lacquer work, black lacquer ground decorated...

Splendid and vintage Burmese Box, red lacquered and engraved, unusual size. O/5307 -

This beautiful, unique red lacquered stand is a stunning showcase for calligraphy horsehair brushes, each crafted from antique pieces of bone, coral,...

Fabulous 10 panel coromandel lacquer 19th century Chinese Screen from Paris. Has beautifully detailed handpainted design with original cast...

A wonderful Japanese lacquer incense box, kogo, with a design of plovers in flight, late Momoyama or early Edo Period, circa 1600, Japan. The small box, called a kogo, was used to s...

19th century large Chinese lacquer wedding or travel box from the Qing dynasty. Beautiful intricate designs all-over with images of ancient Chi...

Exceptionally large and rare lacquer cabinet. According to the heraldry, visible on the headgear in one of the panels, it was made for the Inaba family, a high ranking Daimyo family,...

Kyoto, circa 1680 The writing box has bevelled edges and a kabusebuta (overhanging lid), and is completely covered in black lacquer in maki-e and decorated in gold, silver and red h...

Tebako lacquer maki-e box embellished with gold decorations depicting a Buddhist temple surrounded by majestic Matsu pines. The interior and base are finished in nashiji lacquer. The...

An elegant and refined Japanese lacquer koro, incense burner, in the form of a chaire, tea caddy, Edo Perio, mid 19th century, Japan. The barrel shaped koro formed as a traditional ...

This stunning Chinese screen is an exceptionally well-crafted piece, beautifully decorated with intricate semiprecious hardstone carvings. Measuring ...

A fine and unusual Japanese lacquer box for incense accessories, kobako, featuring a tagasode (whose sleeves?) design, Meiji Period, circa 1900, Japan. The exquisite box of simple rectangular shape worked in maki-e lacquer, taka-maki-e, and raden, all against a lush ground of gold nashiji. Fitted with silver rims. The main decorative element of the box depicts a six panel folding screen, byobu, showing an interior scene with kimono strewn over a rack, a motif known as tagasode (whose sleeves), all in raised taka-maki-e lacquer and inlaid raden. The screen depicts an intimate room with tatami mats on the floor and sliding shoji doors in the background. The foreground depicts a large clothing...

A bold and wild vintage Japanese lacquer tea caddy, Tsugaru nuri natsume, Heisei Era, circa 1990's, Aomori Prefecture, Japan. The striking ...

A rare Japanese Koto made from carved Paulownia wood and lavishly decorated with lacquer Maki-e circa late 19th century of Meiji Period (1868-1912). The ...

A Japanese export lacquer tripod table with feet shaped as bats Nagasaki, 1850-1860 H. 73 x diam. 108 cm The six-lobbed top is decorated with reverse-painted mother-of-pearl in a sprawling motif of plum blossom, bamboo, and peonies, surrounded by fluttering sparrows enhanced by details in maki-e. The table, made to appeal to a foreign audience, incorporates a curious mixture of seasonal references. In addition to the decoration of foliage from late winter and spring, the column is decorated with grapes and a rabbit pounding rice, both Japanese motifs for autumn and the month of September. The feet, shaped like bats that almost appear to wake up from hibernation, symbolise luck and happiness in Japan. The present flamboyant Nagasaki-style table is depicted in the Asada workshop drawings of 1856. These drawings, titled Aogai makie hiinagata hikae (memorandum of designs for lacquer with inlaid pearl...