Lacquered Lacquer

PRESENTED BY THE 21ST PRESIDENT OF JAPAN From our Japanese collection, we are absolutely delighted to bring to market this Important Japanese Lacquer Presentation Box. The Presentat...

Antique Burmese Gilt Lacquered Kammavaca Manuscript, Consisting of 2 lacquered wood end covers and 16 double sided folios of lacquered cloth in red and black with gold leaf. This Kam...

Chinese Export Coromandel lacquer and gilt six fold screen. Exceptional and rare six panel intaglio lacquer carving from the mid-20th century. It depi...

This is a wooden bucket used by Japanese lacquerware craftsmen to store lacquer. It is believed to have been used from the Meiji period to the first half of the Showa era (1868-1940)...

An exceptional 19th-century Burmese Kammavaca manuscript, composed of 14 lacquered palm-leaf-style panels, each meticulously decorated in orange and ...

Japanese lacquer box with mandarin ducks motif on cover. One lacquer tray and one small lacquer plank inside the box.

Japanese wooden lacquered lower table / stand. Age: Japan, Showa Period, Early 20th Century Size: Length 51.8 C.M. / Width 33 C.M. / Height 12.7 C.M. Condition: Nice condition overall.

A rare and large kodansu in gold lacquer, executed in takamaki-e, hiramaki-e, and gold leaf, shaped as a traditional cottage and decorated with chrysanthemums. The front features sev...

Pretty Japanese lacquered box decorated with birds and foliage. signed Lacquered inside and outside Late 19th century Without key Nice lock Ideal for storing jewelry.

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

This album photo was made and dedicated to Madame Thirion who was probably their teacher. 2 students signed their names and dated Saigon 1954. The album photo is in perfect condition...

Antique Burmese Lacquer Rectangular Box with Incised Decoration of Elephants and Figures. The box crafted of wood and covered in several layers...

Four Tier Japanese Gilt Jubako Maki-E box with red Interior. This is a beautiful decorative presentation Jubako box created in the Imperial Japan during the early Meiji period (1868...

This captivating early 20th-century lacquerware box transports you to a serene Chinese farming village. The fully carved lid unfolds a scene of daily life: two men, one seated on a ...

An early 20th century Asian black lacquer screen with carved coloured hardstone figures and scenery.

Fabulous 10 panel coromandel lacquer 19th century Chinese Screen from Paris. Has beautifully detailed handpainted design with original cast...

19th century Chinese lacquer sewing box from the Qing Dynasty. Decorated all over beautifully with intricate designs and images of ancient C...

Antique 19th century Chinese canton export gilt lacquer brise fan from the Qing Dynasty.

These trays were made after the late Edo period in Japan (after 1800). This particular type of tray is known as "Negoro-bon." Negoro lacquerware is a specific style of Japanese lacqu...

Antique Chinese red lacquer low Kang table, c. 1910's. The Kang table has a rich history as it was used in everyday life for dining, having tea, playing games and meditation. The ta...

Natsume in dark red lacquer, decorated with autumn leaves and cherry blossoms in hiramaki-e and nashiji. Interior in black lacquer. Maple leaves (Momiji) are celebrated in literature...

This is a good papier mâché, circular, black lacquered tray, hand enameled and gilded, made in Japan during the 19th century, Meiji period. This circular tray is very decorative, ...

19th century Chinese export gilt decorated black lacquer gaming board. The game board painted with gilt seated figures in various poses on a black ground within a landscape vignette ...

Japanese Inro from the Meiji Period (1868-1912). Beautiful Inro, created in Japan during the Meiji imperial period, circa 1870. It was carefully crafted in carved precious wood with applications of lacquer and decorated with orientalism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Meiji 1868-1912, Period of Emperor Mutsuhito. Approximate Date: 1870. Motif: Organic design with cascade landscape scene and five flying cranes. Drawers: Five. Shape: Cylinder. Very unusual and rare shape. Technique: Carved wood, Lacquer, hiramaki-e, takamaki-e, Gilding. Ojime: 17mm, round with Ebony wood. Netsuke: Carved dressed...

Kyoto, circa 1680 The writing box has bevelled edges and a kabusebuta (overhanging lid), and is completely covered in black lacquer in maki-e and decorated in gold, silver and red h...

A large and magnificently decorated Japanese lacquer document box, ryoshibako, signed Umeboshi/Baikyo, late Edo or early Meiji Period, mid 19th century, Japan. The large document box, ryoshibako, of tall, rectangular shape with rounded corners, and fitted with an inrobuta (flush-fitting) cover with beveled edges. The exterior of this exquisite box is decorated all over with fifteen different raised reserves shaped as uchiwa (paddle) fans against a lush and intricate krikane ground imitating shagreen. The uchiwa shaped reserves all of takamaki-e, and exquisitely painted with designs of animals, flowers, and landscapes in silver, gold, maki-e, hiramaki-e, and takamaki-e, with kirikane, nashiji, and polychrome embellishments, upon gold lacquer fudame grounds. The interior of the lid is nothing short of spectacular, featuring a large design of a magnificent and beautifully detailed rooster and hen with chicks gathered around a lazy stream. Large stalks of chrysanthemum bloom behind them. All against an ethereal nashiji ground. The cover of the box features five reserves: 1. Three minogame (turtles with long tails), symbolizing longevity 2. "Narihira Crossing the Sumida" from The Tales of Ise...

Vintage Burmese Betel Box “Kun-It”, a cylindrical woven container with a deep lid and shallow interior tray, all covered in layers of red black and...

A fine and unusual Japanese lacquer box for incense accessories, kobako, featuring a tagasode (whose sleeves?) design, Meiji Period, circa 1900, Japan. The exquisite box of simple rectangular shape worked in maki-e lacquer, taka-maki-e, and raden, all against a lush ground of gold nashiji. Fitted with silver rims. The main decorative element of the box depicts a six panel folding screen, byobu, showing an interior scene with kimono strewn over a rack, a motif known as tagasode (whose sleeves), all in raised taka-maki-e lacquer and inlaid raden. The screen depicts an intimate room with tatami mats on the floor and sliding shoji doors in the background. The foreground depicts a large clothing...

19th century Chinese lacquer sewing box from the Qing dynasty. Colored black and gold all-over beautifully with intricate designs.

Japanese Inro from the Edo period (1615-1868) created by Kajikawa. Beautiful Inro, created in Japan by one of the Kajikawa family during the Edo period (1615-1868), circa 1810. Has been carefully crafted in carved precious wood with applications of gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Edo period (1615-1868). Shogunate. Approximate Date: 1790-1810 Motif: A family of birds consisting of a cockerel, the hen and three chicks. Drawers: Five. Shape: Rectangular navette. Technique: Carved wood, lacquer and decorated in iroe-hiramaki-e on a gold ground. Ojime: 15mm 20mm, oval carved from natural translucent agate. Netsuke: None Weight: 47.70 Grams. Measurements: Inro is 78 mm by 55 mm by 18 mm (3.07 x 2.17 x 0.71 Inches). Signatures: Kajikawa Saku, in the underside with the signature KAJIKAWA. By a member of the Kajikawa family, signed Kajikawa 梶川 Japan, late 18th century to early 19th century, Edo period (1615-1868). The Kajikawa family Kajikawa family, flourished in the 19th century, they was Japanese lacquerware artists whose school in Edo (now Tokyo) flourished for more than 200 years. This family is perhaps the most famous of all the dynasties of Japanese lacquer artists, and certainly the name most often found on inro. The family is said to have been founded by Hikobei at Edo in the early 17th century, although some claim that the family’s great reputation really stemmed from his son and pupil Kyujiro. In any event, Hikobei worked for the shogunate, as did his successors until well into the 19th century. Kijirō excelled in designing particularly delicate lacquer inrō, portable medicine cases...

19th century Chinese lacquered and giltwood frame fan with chinoiserie decoration double leaf depicting Chinese daily scenes, animals and flowers with origi...

This a Lacquer on wood signed and dated in the lower left corner. Pham Chinh Trung was born in 1955 in Vietnam. He graduated from Hanoi university of industrial fine arts in 1979. Sp...

Exceptional Japanese rectangular gold lacquer tebako (box for personal accessories) with a slightly domed well-fitted lid and raised by four low bracket feet. The lid finely carved with pointed shapes as if it is covered by folded papers. On top of this embossed surface it is decorated with gold and silver hiramaki-e (low-relief design) and takamaki-e (high-relief design) depicting a wild winding river landscape with along the waterfront...

Late 19th century Japanese Kamakura carved lacquer & wood box. A bird perches in a flowering tree on the top surface. Often mistaken for Chinese carved lacquer. Good overall conditio...

A Chinese vintage lacquer game box from the mid 20th century, with gold leaf hand-painted landscape and floral décor. Created in China during the midcentury period, this vintage game box features a black lacquer ground perfectly accented with gilded hand-painted traditional landscapes and pagodas. The circular body, flanked with straight splaying supports, is topped with a lid revealing the small storage space. With its elegant lines and complimenting colors, this vintage Chinese game box...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Pair of Asian Chinese style (19th Century) red lacquered carved filigree door panels with scenes (PRICED AS Pair).

Early 19th century Chinese export lacquer and gilt Davenport desk, the entire finely decorated with the typical figural landscape and foliate gilt decoration, the sloped top opening ...

A Japanese export lacquer tripod table with feet shaped as bats Nagasaki, 1850-1860 H. 73 x diam. 108 cm The six-lobbed top is decorated with reverse-painted mother-of-pearl in a sprawling motif of plum blossom, bamboo, and peonies, surrounded by fluttering sparrows enhanced by details in maki-e. The table, made to appeal to a foreign audience, incorporates a curious mixture of seasonal references. In addition to the decoration of foliage from late winter and spring, the column is decorated with grapes and a rabbit pounding rice, both Japanese motifs for autumn and the month of September. The feet, shaped like bats that almost appear to wake up from hibernation, symbolise luck and happiness in Japan. The present flamboyant Nagasaki-style table is depicted in the Asada workshop drawings of 1856. These drawings, titled Aogai makie hiinagata hikae (memorandum of designs for lacquer with inlaid pearl...

A fine Japanese pictoral style lacquer cabinet with gilt-metal mounts Kyoto, Edo period, 1670-1690 Decorated in Japanese relief lacquer work, black lacquer ground decorated...

Vintage South Asian / Kashmir hand painted papier mâché box with removeable lid - featuring a profuse floral pattern over the top and sides set against a black lacquer background - h...

A finely decorated vintage Japanese box for precious incense, kogo, in the shape of a male mandarin duck, oshidori, by Zohiko, Showa Era, 1960's, or earlier. The lovely and whimsic...

We have a unique Japanese aesthetic sense. And only we can introduce unique items through our purchasing channels in Japan and the experience we have gained so far, in such a way tha...

A remarkable Japanese maki-e lacquer box for incense accessories, kobako, with interior fitted tray, kakego, designed with a temple complex scene, late Edo Period, mid 19th century, ...

This box with many drawers is a Japanese tabako-bon, or 'tobacco tray,' used to store tobacco and smoking accessories. Believed to have evolved from the t...

Miniature tea house with a crane and bamboo motif in black and gold takamaki-e lacquer on a rankaku (eggshell inlay) base. It has several compartments and trays on the roof, walls an...

Large Vintage Burmese Red Lacquered Offering Tray, referred to as a “Dang Lan” crafted of woven and assembled bamboo covered in a thick red and black lacquer, having thin strips of b...

Exceptionally large and rare lacquer cabinet. According to the heraldry, visible on the headgear in one of the panels, it was made for the Inaba family, a high ranking Daimyo family,...

A wooden vessel used from the Meiji era to the Taisho era. Probably a beech tree. It is made by hollowing out. It's very cool, isn't it? It is a lacquered tall foot round tray made ...

19th Century rare large 25'' Chinese export gilt decorated black lacquer gaming board box, finely decorated with gold on a black background of characters, f...

Antique 19th century Chinese gilt lacquer landscape fan 100 faces from the Qing dynasty. The fan is painted with scenes of court life enclosed in a demilune glazed frame. Overall goo...

A pair of fine Japanese export lacquered cutlery boxes Kyoto or Nagasaki, late 18th century H. 33.5 x W. 24 x D. 21 cm The bow-fronted boxes with sloping lids flat at the top are made of hinoki wood (Cypress), coated with Japanese paper and decorated in lacquer with scattered gold birds and flowers on a nashiji background. The Japanese mounts are made of copper and both boxes still have internal partitions to keep the cutlery upright. The form of these boxes is similar to a pictorial-style knife box in the collection of the Groninger Museum (inv. 1989- 347), dated between 1730 and 1780, but the style of the decoration is more like that on a knife box in the Peabody Essex Museum in Salem (inv. E62271), which was brought to Salem by James Devereux, Captain of the Franklin, in 1799. Provenance: Henriette Jeane Christine van Neukirchen, called Nyvenheim (1807- 1849) and Nicolaas Johan Steengracht van Oostcapelle (1806-1866), thence by descent to the last owners, Ludolphine Emilie baronesse Schimmelpenninck van der Oye (1944) married in 1969 to Roland Daniel van Haersma Buma (1944), the last residents of castle Duivenvoorden near Voorschoten and the great-great-granddaughter of Nicolaas Johan Steengracht van Oostcapelle. There is no evidence that Nicolaas Johan himself, or any of his or his wife’s ancestors had ever been in Japan. However, Nicolaas’ grandfather (Nicolaas Steengracht, 1754-1840) was a director of both the VOC and WIC (West Indies Company...

The Inro is comprised of three stacked compartments and features a deer motif with mother of pearl accents, an ojime and a wooden frog netsuke. Inros were used to store items like m...

Chinoiserie hand painted 19th century Chinese export jewelry cabinet circa 1880; is fronted by a pair of raised panel double doors; decorated in gilt with scenes of Chinese figures, ...

19th century Qing Dynasty Chinese lacquer jewelry box detailed with various genre scenes in gold detail. Pink silk lining, can be locked, does not ...

A fine and elegant Korean black lacquer and abalone mother of pearl inlay "longevity" box, circa 1930s, Korea. The box, most likely used to sto...

Decorative handcrafted vase with mother-of-pearl inlay.

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...

Rare pair of Japanese Nagasaki Export lacquered wood knife boxes with mother-of-pearl inlay of flowers and birds, now converted to letter boxes...

This stunning Chinese screen is an exceptionally well-crafted piece, beautifully decorated with intricate semiprecious hardstone carvings. Measuring ...