19th Century Japanese Scroll of Hollyhocks

Edo period (18th century) furosaki screen (tea screen), with seal of the artist: Jakyu. Korin School painting, employing Kenzan style of split image. (see "Morning Glories" Metropoli...

With the vibrant colors, and fine attention to detail and surface typical of a Rimpa painting. Using Rimpa style tarashikomi painting technique with mineral pigments on mulberry pape...

Wonderfully large and bold tiger painted in ink and mineral pigments on silk mounted with silk brocade border. Seal reads: Miyaguchi (alternative reading: ...

Very soft and tranquil, red and white hollyhocks painted in mineral pigments on mulberry paper with natural wood trim. Signature and seal: Kohyo

A Japanese hanging scroll or Kakejiku, circa 1890, depicting bamboo grass and a rabbit, framed by top and bottom ribbons of brocade silk. In ...

Shunga Unknown artist Meiji era, circa 1880 Hand-scroll mounted with 12 paintings Ink, pigment and gofun on silk Dimensions: Each image measures H. 23.2 cm x W. 34.4 cm (9.15” x 13.5”) The hand-scroll measures H. 28 cm x W. 540 cm (11” x 212”) A set of 12 late 19th century Japanese Shunga paintings mounted as a hand-scroll. Two of the leaves bear the signature and seal ‘Setsuzan’, although we are unable to confirm the identity of the artist using this art name. 6 of the 12 images are taken almost directly from Katsukawa Shuncho’s late 18th century woodblock series, ‘Erotic Pictures...

Maruyama–Shijo style painting C0ndition; Good but some stains. Overall dimensions: width of about 28.2 cm and Length of about 173.8 cm Painting width of about 25.5 cm × leng...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...