Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 20

Antique obi textile art " Pine forest ~ Longivety ~ " by ikasu Green , Japan

$3,800
£2,905.30
€3,346.32
CA$5,324.97
A$5,944.82
CHF 3,115
MX$72,770.47
NOK 39,560.50
SEK 37,300.53
DKK 24,973.94

About the Item

<< Story behind the work >> Obi fabric I used for this artwork is taken from three different over 100-years-old antique sashes, and is framed in wood taken from antique chest-of-drawers in which these sashes have been closed for decades. The concept brings out the issue of abandoned traditions and forgotten roots. The golden lines are inspired by the concept of “kintsugi” taken from pottery, where broken item is united back by golden glue to live second life, even more beautifully. Kintsugi lines, together with traditional pine pattern - a symbol of longevity on all three obis, represents the idea of reviving traditions. << Period / Story >> Meiji period (Early 1900ies) << Explanation of colors and patterns >> In traditional Japanese culture, the pine pattern on a kimono carries several symbolic meanings: Longevity and Strength: The pine tree is known for its evergreen nature, remaining green and vibrant throughout the year. This resilience and longevity symbolize endurance, strength, and longevity. In Japanese culture, it is often associated with wishes for a long and prosperous life. Eternal Youth: The pine tree's ability to retain its green color even in harsh conditions has led to its association with eternal youthfulness. Therefore, the pine pattern on a kimono can symbolize youthful vigor and vitality. Fertility and Renewal: In some contexts, the pine tree's association with greenery and vitality extends to symbolize fertility and renewal. This symbolism is particularly prominent in Shinto beliefs, where natural elements like trees are often revered for their life-giving properties. Protection and Warding Off Evil: Historically, pine trees were also believed to have protective qualities, guarding against misfortune and evil spirits. Therefore, the pine pattern on a kimono can sometimes be seen as a talisman for protection and good luck. Overall, the pine pattern on a kimono is rich in symbolism, representing concepts such as longevity, strength, youthfulness, fertility, renewal, and protection. It adds depth and significance to the garment, reflecting the cultural and spiritual values of Japanese society. << Characteristics of the fabric >> A fukuro obi is a type of sash or belt worn with a traditional Japanese kimono. It is one of the most formal and decorative types of obi, typically worn with formal attire such as a furisode (long-sleeved kimono) for unmarried women or a kurotomesode (short-sleeved kimono) for married women. Overall, the fukuro obi is prized for its exquisite craftsmanship, intricate designs, and formal elegance, making it an essential component of traditional Japanese formal attire. << About the frame >> Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests, which offered fire resistance and protection from moisture and insects. Traditionally, when a daughter was born, a paulownia tree would be planted. Upon her marriage, the tree would be cut down, and the wood would be used to craft a chest for her as a wedding gift. Following the Ansei Earthquake during the late Edo period in 1855, paulownia chests gained popularity due to their ability to withstand fires and even float in water, thereby safeguarding their contents during floods. I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it?
  • Creator:
    Kimono ikasu (Artist)
  • Dimensions:
    Height: 33.86 in (86 cm)Width: 39.38 in (100 cm)Depth: 1.58 in (4 cm)
  • Style:
    Japonisme (In the Style Of)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    early 1900ies
  • Condition:
  • Seller Location:
    Setagaya City, JP
  • Reference Number:
    1stDibs: LU10079243698452

More From This Seller

View All
Vintage kimono textile art "Fern ~Connection to Nature~" by ikasu Black , Japan
By Kimono ikasu
Located in Setagaya City, JP
This work uses an antique tomesode (festive kind of kimono) with fern design to evoke feelings of tranquility, harmony, and appreciation for the beauty of the environment. Can be used both vertically and horizontally. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation of colors and patterns >> In Japanese traditional culture, ferns, particularly the Japanese painted fern (Athyrium niponicum), hold several meanings and symbolisms: ・Elegance and Beauty: Ferns are admired for their graceful, delicate appearance and intricate leaf patterns. In Japanese aesthetics, they are appreciated for their natural beauty and are often used in gardens, landscapes, and floral arrangements to add a sense of refinement and elegance. ・Resilience and Perseverance: Ferns are known for their ability to thrive in diverse environments, including shady forests, rocky cliffs, and damp soil. Their resilience in the face of challenging conditions is seen as a symbol of endurance and perseverance. In Japanese culture, ferns may represent the ability to overcome adversity and flourish despite obstacles. ・Connection to Nature and Tranquility: Ferns are native to forested areas and are often associated with the natural world. In Japanese traditional culture, they symbolize a deep connection to nature and the importance of maintaining harmony with the environment. The lush green foliage of ferns evokes feelings of tranquility and peacefulness, making them popular motifs in Zen gardens and traditional landscape paintings. ・Purity and Simplicity: Ferns are emblematic of simplicity and purity in Japanese aesthetics. Their unassuming beauty and understated elegance reflect the principles of wabi-sabi, an aesthetic worldview that values imperfection, impermanence, and simplicity. Ferns may be used in tea ceremonies, Ikebana (flower arranging), and other traditional arts to evoke a sense of tranquility and appreciation for life's fleeting moments. Overall, ferns in Japanese traditional culture symbolize elegance, resilience, connection to nature, purity, and simplicity. Their presence in art, literature, and landscape design underscores their enduring significance as symbols of natural beauty and spiritual resonance. << Characteristics of the fabric >> This vintage textile is hand-painted with a traditional Japanese technique called "yuzen". << About the frame >> Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category

Vintage 1960s Japanese Japonisme Paintings and Screens

Materials

Silk, Wood

Antique kimono textile art "Kobachi ~ Green Collection ~" by ikasu Green, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by the green color palette, and is framed in paulownia wood originally used for a kimono chest-of-drawers. In this artwork, the aim was to capture the wide pal...
Category

Vintage 1920s Japanese Japonisme Paintings and Screens

Materials

Silk, Wood

Antique kimono textile art " Waves and clouds ~Eternity~ " by ikasu Beige, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by traditional hand-dying technique edo-komon, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is elegantly framed with paulo...
Category

Vintage 1920s Japanese Japonisme Paintings and Screens

Materials

Silk, Wood

Vintage obi textile art "Golden Landscape ~Perennity~" by ikasu Gold, Japan
By Kimono ikasu
Located in Setagaya City, JP
About This Panel This exceptional textile panel is crafted from a vintage obi, showcasing the rich tradition of Japanese weaving artistry. The design depicts a poetic waterside lands...
Category

Vintage 1970s Japanese Japonisme Decorative Art

Materials

Canvas, Silk

Vintage obi textile art "From the Ashes ~Serendipity~" by ikasu Beige, Japan
By Kimono ikasu
Located in Setagaya City, JP
About This Canvas This canvas has been upcycled from an early 20th-century maru-obi, featuring a subtle yet sophisticated depiction of the phoenix—a legendary symbol of peace and ren...
Category

Vintage 1910s Japanese Japonisme Decorative Art

Materials

Canvas, Silk

Antique kimono textile art "Prosperity Tree" by ikasu Black, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work uses an antique kimono fabric dated Taisho era (early 1910th), with a pine tree motif, and arranges it so that it looks like a tree decorated with various auspicious symbols - persimmons, pines, peonies, etc. The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation and meaning of pattern and colors >> The art work features the matsu - pine pattern, which depicts the Japanese pine tree spreading over deep black fabric. It appears as if the pine dranches are decorated with various auspicious symbols - persimmons, pines, peonies, etc. In East Asia, the pine tree is revered as a symbol of longevity due to its vibrant green leaves, even during the winter season. In Japan, it's often referred to as the "evergreen tree" because its leaves remain green throughout the year, making it a symbol of good fortune that has been cherished for a long time. << Characteristics of the fabric >> The fabric is hand-painted in traditional Japanese technique "yuzen". << About the frame >> Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category

Early 20th Century Japanese Japonisme Paintings and Screens

Materials

Gold Leaf

You May Also Like

Japanese Two Panel Screen: Antique Kimono Fabric Mounted on Screen
Located in Hudson, NY
Japanese Two Panel Screen: Late Nineteenth Century Kimono Fabric Mounted on Early Twentieth Century Screen. In the Heian period (eighth century to the twelfth century), noblemen wou...
Category

Early 20th Century Japanese Meiji Paintings and Screens

Materials

Silk, Wood, Paper

Antique Japanese Brocade Monk's Robe Kesa Meiji Period
Located in Atlanta, GA
A Japanese Kesa (Monk's Vestment) made from thirteen columns of patchworks of shimmering woven brocades. The elaborate motifs feature repetitive elaborat...
Category

Antique Late 19th Century Japanese Meiji Textiles

Materials

Brocade, Silk

Japanese 17th Century Two Panel Screen, Pine with Gold Dust
Located in Hudson, NY
Beautiful 17th century painting of pine trees. Painting in good condition on 19th century mounting. Mineral pigments and gold dust on mulberry paper w...
Category

Antique 17th Century Japanese Edo Paintings and Screens

Materials

Paper

Japanese Two Panel Screen: Textile Landscape
Located in Hudson, NY
"The Garden of Tenryu-ji Temple" Mineral pigments on fabric in a black lacquer trim with bronze mounts. signature and seal read: Minagawa Taizo. ...
Category

20th Century Japanese Paintings and Screens

Materials

Fabric, Lacquer

Antique Japanese Noh Outer Cloak Chōken with Stencil Decoration
Located in Atlanta, GA
A large and striking Japanese outer cloak for Noh performance (known as Choken) circa 19th century (late Edo to early Meiji period). The robe was woven from a natural bast-fiber (kno...
Category

Antique 19th Century Japanese Edo Textiles

Materials

Natural Fiber

Framed Japanese Woven Textile Panel with Dragon Meiji Period
Located in Atlanta, GA
A framed Japanese woven textile circa late 19th century of Meiji Period. Likely a fragment of a priest robe or kesa, the multi-paneled textile was finely woven with gold foiled threads that depicts a five-clawed dragon slithering in the clouds and water...
Category

Antique 19th Century Japanese Meiji Textiles

Materials

Silk, Wood