Chinese Early Qing Dynasty "Water and Land Ritual" Painting, 17th Century

A very fine and rare Chinese Qing Dynasty walnut wood (hetao mu) kang table with folding legs, 17th to 18th century, China. Crafted in walnut wood (hetao mu), this ingenious table...

A small and interesting cast bronze archaistic scholar vase with loose ring handles and taotie mask design, late Ming or early Qing Dynasty, mid 17th century, China. The small vase of archaistic hu form, and cast with archaistic designs. Sitting on a tall splayed ring foot, the round body is cast with a large band featuring a ferocious taotie (ogre) mask. The taotie mask in this case id decidedly feline, with a ruyi shaped snout above a whiskered mouth. Two flanges stick out to either side of the mask, reminiscent of ears. A wide, tall neck rises from the body, terminating in a slightly everted mouth. The archaistic cast design on the neck is not as clear, but most likely represents Fusang, a mythical island in the Eastern Sea where the legendary Fusang tree grows. The Fusang tree, home to the mythical Sun Bird...

A delightful Japanese six panel painted paper screen featuring the beloved figure Hotei, Edo Period, early 19th century. Hotei, called Budai in China, and known as the Laughing Buddha or Fat Buddha in the West, is considered to be an emanation of Maitreya, the Buddha of the Future. In Japan, he also holds a special place as one of the Seven Lucky Gods, being the god of fortune, and protector of children. He is always portrayed as a mirthful and corpulent man, dressed in loose robes that show off his round belly. He carries a sack with him, said to be filled with treasure. As the protector of children, he is often portrayed with them playing on or around him, as he is here. The children portrayed in this screen are dressed in Chinese style clothing...

A small and lovely Chinese cast bronze garlic head scholar's "chilong" vase, early Qing Dynasty, Kangxi period, late 17th century, China. The elegant vase of beautiful proportion...

A Chinese Qing Dynasty period framed painting from the 19th century of an official's wife with bird-adorned buzi, painted on a linen canvas. Created in the North-Eastern province of Shanxi during the Qing dynasty, this 19th century painting showcases a frontal depiction of an official's wife recognizable thanks to the bird-themed rank badge sitting on an elegant armchair with scrolling arms and carved apron. Wearing a red robe and topped with an ornate headdress, the figure is highlighted with gold foil accents and stands out beautifully on a linen canvas. The print size is 17.5"W x 41.5"H. These paintings traditionally come from Shanxi province which was home to many of the wealthy merchant families associated with the imperial court during the Qing dynasty. Set inside a custom made frame, this 19th century Qing Dynasty official's wife painting...

Drawn with a fine line and fresh, sketched quality, this folk hanging unites two scenes of lucky hoho lotus boys circumscribed in frames punctuated with fruits such as pomegranate, symbolic of prosperity and good fortune. On top, the two explore the natural wonders of the world...

A Chinese late Qing Dynasty period framed painting from the early 20th century of a royalty related couple with dragon motifs painted on a linen canvas. Created in China during the late Qing Dynasty in the early years of the 20th century, this custom framed painting depicts a couple wearing either a red (a symbol of luck in China) or green robe. The depiction of dragons relates them to the Imperial family, but having four claws and not five as codified, the couple is likely part of the royal family, not the Imperial couple themselves. Accented with typical motifs such as bats, flaming pearls and rain-filled clouds, the robes are filled with symbols. Wearing ornate headdresses, the couple is sitting on elegant chairs. Set inside custom made frames, the paintings show great signs of age. While the entire piece measures 40.5"W x 1"D x 53"H, the painting itself is 36.5"W x 49". With its vivid colors and interesting subject, this Chinese Qing Dynasty painting...

This Chinese portrait depicts a young woman and was painted using a reverse glass painting technique. Painting in reverse on the opposite side of a piece of glass meant the painter h...