Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Early 20th Century Japanese Nihonga Screen. Bamboo Forest.

$32,000
£24,280.86
€27,763
CA$44,695.32
A$49,695.12
CHF 25,948.05
MX$604,910.59
NOK 331,085.80
SEK 310,211.57
DKK 207,200.35
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Anonymous Bamboo Forest Early Taisho era. Circa 1910-1915. Six-panel Japanese Screen. Mineral pigment, gofun and ink on silk. A six-panel Japanese folding screen, painted on silk in mineral pigments, gofun or clam shell gesso, and sumi ink. It is painted in the exquisite traditions of Japanese Nihonga of the early Taisho period. The scene conveys the tranquility of a bamboo forest with winter sunshine creating exquisite shadows on the still surface of a pond. A small bird sits quietly on a Chinese black pine tree. The nature scene is a skillful marriage between naturalism in the Japanese Maruyama-Shijo tradition and Western-inspired plein-air observation and accurate delineation. The receding bamboo and fallen leaves were inspired by the masterful works of Hishida Shunso. The atmospheric blurred style (morotai) which the artist has used here to depict shadows and light filtering through the forest was also created by Shunso. The brilliantly blooming camellia tree rising abruptly in the foreground is a modernist interpretation of classical idioms in Japanese Rinpa painting such as Ogata Korin's Maki (Chinese black pine) and maple trees. Shunso was similarly inspired by the decorative arts of the Rinpa school. This early Taisho era work (circa 1910-1915) encapsulates the short but explosive period of Japanese art which began the Nihonga (Japanese painting) movement. Hishida Shunso, Yokoyama Taikan and Shimomura Kanzan were key figures in the movement, which sought to revitalize indigenous painting in the face of the rising influence of Western art. At the time, Japanese painting was widely regarded as flat and simple compared to Western painting. The artists were challenged to find new ways of expressing light and air and were urged to look within the traditions of China and Japan so that their solution might be authentically Asian. The signature reads Mansho and the seal reads Heijuro. We are presently unable to find further information relating to the artist.
  • Dimensions:
    Height: 67 in (170.18 cm)Width: 148 in (375.92 cm)Depth: 0.75 in (1.91 cm)
  • Style:
    Taisho (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    Circa 1910-1915
  • Condition:
    Refinished. Wear consistent with age and use. Restored and remounted at an earlier date.
  • Seller Location:
    Kyoto, JP
  • Reference Number:
    1stDibs: LU2472341917282

More From This Seller

View All
19th Century Japanese Screen for Tea-Ceremony, Ink Bamboo and Plum on Gold Leaf
Located in Kyoto, JP
Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...
Category

Antique Mid-19th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Circa 1925. Taisho era Japanese Nihonga Screen. Camellia & Bamboo.
Located in Kyoto, JP
Anonymous Camellia & Bamboo Taisho era Two-panel Japanese Screen. Mineral pigment, gofun and ink on silk. A small Japanese Nihonga screen capturing...
Category

Early 20th Century Japanese Taisho Paintings and Screens

Materials

Silk

Early 20th Century Japanese Screen. Flowers of the Four Seasons.
Located in Kyoto, JP
Anonymous Flowers of the Four Seasons A four-panel Japanese screen. Ink, gofun and pigments on gold leaf. This Japanese screen is a rich visual celebration of the flowers of the fo...
Category

Early 20th Century Japanese Taisho Paintings and Screens

Materials

Gold Leaf

Early 20th Century Japanese Cherry Blossom Screen by Kano Sanrakuki
Located in Kyoto, JP
Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...
Category

Early 20th Century Japanese Showa Paintings and Screens

Materials

Gold Leaf

Japanese Screen Painting, Early 19th Century, Autumn Flowers by Sakai Hoitsu
Located in Kyoto, JP
A two-fold Japanese screen by the Rimpa school artist Sakai Hoitsu (1761-1828), Japan, 19th century, Edo period. This small Japanese folding screen pai...
Category

Antique Early 19th Century Japanese Edo Paintings and Screens

Materials

Wood, Silk

19th Century Japanese Screen Pair. Flowers & Birds of the Four Seasons
Located in Kyoto, JP
Flowers & Birds of the Four Seasons Pair of six-fold Japanese Screens. Ink, color, gofun and gold on paper. Second half of the 19th Centur...
Category

Antique Late 19th Century Japanese Meiji Paintings and Screens

Materials

Wood, Paper

You May Also Like

Japanese antique screen - EDO period - Willow over a stream
Located in Prahran, Victoria
Antique Japanese 6 panel screen from the early Edo period (C1650). One of a pair (both available). This magnificent golden screen shows...
Category

Antique 1650s Japanese Edo Paintings and Screens

Materials

Gold Leaf

Japanese Two Panel Screen: Bamboo on Gold
Located in Hudson, NY
Bamboo grove on a knoll with stylized gold mist. Mineral pigments on gold leaf with silk brocade border.
Category

Antique Early 19th Century Japanese Paintings and Screens

Materials

Gold Leaf

Japanese Six Panel Screen: Bamboo Grove with Bird and Meandering Stream
Located in Hudson, NY
Japanese Six Panel Screen: Bamboo Grove with Beautifully Painted Bird and Meandering Stream. Excellent Rimpa School painting with very finely rendered bird, raised gold fencing, wit...
Category

Antique Mid-18th Century Japanese Paintings and Screens

Materials

Gold Leaf

Antique 19th Century Japanese Two-Panel Screen ‘Byobu’, Kano School, Edo Period
Located in London, GB
Japanese Kano School Edo period two-panel screen depicting flowering prunus and bamboo on a rock formation, with colorful birds next to a body of water. ...
Category

Antique Mid-19th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Japanese Two-Panel Screen, Pine, Cherry, and Maple
Located in Hudson, NY
Cherry blossoms and maples among ragged pines. Mineral pigments on mulberry paper with gold mist clouds. Completely remounted utilizing an antique silk brocade...
Category

Antique Mid-19th Century Japanese Paintings and Screens

Materials

Gold, Bronze

19th Century Japanese Edo Six Panel Kano School Landscape Screen
Located in Rio Vista, CA
Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...
Category

Antique 19th Century Japanese Edo Paintings and Screens

Materials

Silk, Wood, Paper