Japanese Edo Period Painting Scroll Ônishi Chinnen '1792 - 1851' Artist Signed

[Authentic work] ◆ Seiki Yokoyama ◆ Landscape ◆ Rural landscape ◆ Japanese painting ◆ Shijo school ◆ Hand-painted ◆ Paperback ◆ Hanging scroll ◆ Seiki Yokoyama [Art yearbook appra...

Fuko Matsumoto, order of the rising sun, Size: Axis, vertical 212.5 cm next to 84.7 cm Painting, vertical 140.8 cm horizontal 66.7cm ? Differs slightly in size. Condition: The state is good, but, wrinkle-thin stain Biography Fuko Matsumoto 1840-1923 Japan painter. Ibaraki prefecture production. Imperial Art Academy member. Fuko was born as the 3rd son of Matsumoto Soan in Kawachi County of Hitachi Province (Now Inashiki City of Ibaraki Prefecture) on September 14 of the 11th year of the Tenpo era. His real given name was Toshiro. In 1853, when Fuko was 14 years old, he went to Edo and studied painting under Oki Ichiga, who was an official painter of Tottori Domain. Ichiga was a painter who studied the Kano, the Rinpa and the Nanpin styles, and was good at expressing flowers & birds in deep colors. Later, Fuko studied painting under Satake Eikai, who was best pupil of Tani Buncho...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...