Japanese Two Panel Screen: Water Fowl by River's Edge

Mineral pigments on gilded silk with gilded bronze hardware. Signature reads: Shunkan.

Mineral pigments on gold leaf, signature and seal read: Kenzan.

Japanese Six Panel Screen: Snow Scene at Water's Edge with Flowers and Waterfowl. Edo period painting (mid 19th century) of plum, bamboo, white camellias, cranes and mandarin ducks ...

Japanese Six Panel Screen: Wild Grasses and Peonies by Rivers Edge. Early Meiji period (1868 - 1912) painting of a grassy knoll next to a running brook or river. A soft breeze is m...

Dramatic Showa period two panel folding byobu screen depicting a large white goose in flight in an evening snow covered winter landscape. Made in the American school style watercolor...

Whimsical Japanese late Edo period two-panel screen circa 1800 by Yokoyama Kazan (Japanese 1784-1837). The screen depicts four of the seven Gods or deities ...

Fantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...

Eagle on a pine branch with traces of white snow. A rare subject for this mid-century two-panel screen, painted in mineral pigments on gilded paper. The screen is a nice size and is ...