Antique Burmese Shan Wood, Lacquer and Gold Leafed Buddha, 19th Century

19th Century Gilded Wood Mandalay Standing Buddha, Myanmar Gilded and jeweled robe with a serene expression standing in a lotus shaped pedestal. The gilt and the jewels show some m...

Antique Shan (Tai Yai) Jambupati Buddha Image, wood, lacquer and gold leaf, Konbaung Empire (1752-1885) A crowned style that displays Northern Thai iconography merged with the aesthetic of Burmese rule in the region. The figure is depicted in the popular Theravada seated position of padmasana, (interlocking legs position) and the hand mudra in bhumisparsa (earth touching) wherein the feet are souls  up, the fingers of the right hand extend beyond the right shin and the left hand palm up resting above the lap. Remnants of the leaf-like kirita crown remain.  The image is dressed in Burmese royal costume with thayo rolled lacquer relief decoration modeled into cuffs, epaulettes, knee pads and a detailed “U” shaped necklace covering the chest. There is also a lappet of clothing between the legs draping down toward the base. The figure is seated upon a tall and waisted throne pedestal having rows of lotus petal grooves on the diagonal portions . The  base and body are carved from one solid piece of hard wood. All covered in black lacquer with thayo lacquer details, red pigment for the lips and gold leaf overall. The Jambupati style Buddha illustrates the tale of the Buddha’s life when he came across the arrogant King Jambupati, a king who terrorized his subjects and who lacked humility and compassion for his people. The Buddha on meeting the King asked that he forsake his evil ways and instead practice kindness to his fellow man. Ignoring the Buddha’s request, the King continued to terrorize the people. The Buddha then in his efforts to change the King of his evil ways, one day magically appeared to him in resplendent royal attire. King Jambupati was in awe of the Buddha’s appearance prostrated himself in obeisance and from that day onward accepted the Buddhist precepts. In Southeast Asian countries like Burma, where rulers have very high if not semi-divine status, tales of this type, reinforced the need for the leader to worship the Buddha, the King of Kings. Condition: Heavy deterioration of the underside of the base as well as the interior portion of the crown, other losses include crown flanges, the crown spire, earrings, the tip of the left thumb, one base corner edge, rolled lacquer losses and general wear of the gold leaf surface, all commensurate with age and wear. Measuring: 22.25 in. high x 8.75 in. wide x 7.75 in. deep(56.5cm x 22.2cm x 29.7cm). Weight: 10.8 lbs. Age: Late 18th century. Provenance: Lark...

Arakanese Gilt Lacquered Bronze Mahakyain phara (Royal Oath) Buddha Image, a seated figure depicted in the bhumisparsa (earth touching) mudra, with small “fruit” in left hand, a maje...

Burmese Mandalay carved wood figure of the standing Buddha on a square base, the left hand is in the varada or boon-granting mudra the right held up towards the chest, costumed in ed...

A rare and exquisite 18th century Ava period Shan Burmese figure of the Buddha. Carved from a single block of wood, lacquered and gilt, the immensely s...

Antique Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold. Age: Burma, Shan Period, 18th Century Size: Height 41.6 C.M. ...

A stately Shan Burmese seated Buddha of carved hardwood, lacquered and gilt, 18th century or earlier, Shan States, Burma (Myanmar). The dignified Buddha sits slightly pitched forwar...

Material: wood 29,3 cm high 15,3 cm wide and 10,5 cm deep Weight: 1.150 kgs Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 19th cent...