Antique Ming Dynasty Chinese Earthenware Horse Sculpture Míngqì Tomb Figure

A monumental Hindu Nandi temple gate-guardian architectural ornament, born in India, dating to the 19th century, hand carved and painted, richly detailed, polychrome decorated, the wooden sculpture depicting Nandi, a sacred bull, gatekeeper, and vahana religious deity figure. Provenance: Acquired from The Neiman Marcus Corporate Art Collection. Details below. Dimensions: (approx) 49.5" x 43" x 12" An important religious folk art work, the Nandi is of carved wood and gessoed cloth, then hand-painted. In Hindu religion, Nandi is the mythical mount of Shiva. The four legs represent truth, righteousness, peace and love. More than a means of conveyance, Nandi is considered Shiva's constant companion on all his travels, so much so that in any temple dedicated to Shiva, there is a sculpture of Nandi. This symbol is a deity in its own right, and in India there are temples dedicated exclusively to Nandi. In Hindu symbolism, the bull represents both strength and ignorance. The white or light color of the bull symbolizes purity and justice. Symbolically, the seated Nandi towards sanctum in Shiva temples, represents an individual jiva (soul) and the message that the jiva should always be focused on the Parameshwara. From the yogic perspective, Nandi is the mind dedicated to Shiva, the absolute. In other words, to understand and absorb light, the experience, and the wisdom is Nandi, which is the guru within. The fact that Shiva uses it as a mount symbolizes how this divine figure removes ignorance while instilling strength and wisdom. A superb example, the life size work is in great overall shape, and presents wonderfully, having beautifully aged patina over the whole, highly desirable original, worn, rustic, naturally distressed, chippy paint, craquelure finish, that's delicate, and enhances the artistic antique character and rich historic depth. Detailed Condition Report: Fragile / delicate by design. Loss to one ear, age related checking and separation to carvings, fabric to hind quarters is released and tattered with minor loss, rubbing to paint throughout with wear indicative of age and use; later grey painted mounting blocks are attached to back and hooves. White glove in-home shipping/delivery available. Pickup available near Dallas, Texas Additional Provenance: Property from the Neiman Marcus Collection. Acquired from Heritage Auction, Design District Gallery, Dallas, Texas. From The Dallas Morning Newspaper; April 12th, 2021 Neiman Marcus is selling some of its history and valuables that have been displayed and stored for decades as part of the luxury retailer’s corporate art collection. The Neiman Marcus corporate art collection dates back to 1951, when Stanley Marcus (1905-2002), a life long avid art collector, purchased Mariposa, a large mobile by Alexander Calder and started a long tradition of buying original artwork for new stores as they opened. The Mariposa sold at a Sotheby’s auction last month fetching $18.2 million. The items are being offered through Sotheby's auction house, NYC, New York and Heritage Auction, Dallas, Texas. Many of the pieces were personally collected by Stanley Marcus from the 1960s through the 1980s. Some of the pieces are from corporate spaces, stores and the company’s archives, among the items are important antique textiles, tribal robes...

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The figure stands on a rectangular base. The horse is depicted in a poised stance, with strong, muscular legs and a slightly bowed head. The mane is carefully sculpted with deep, flowing grooves, adding a dynamic texture to the piece. The head features expressive details, including a well-defined muzzle, flared nostrils. The bridle and harness are delicately painted in faded green, contrasting against the creamy beige body. The saddle is adorned with intricate details, including decorative tassels and a textured pattern, indicative of the elaborate tack used in the Ming period. Traces of original polychrome pigments in green, black, and ochre remain on the surface, hinting at the sculpture’s once-vibrant appearance. The weathered patina and areas of flaking paint add to its historical authenticity, reflecting centuries of age. The overall craftsmanship and detailing exemplify the Ming Dynasty’s refined ceramic artistry, making this piece a remarkable representation of of asian culture during this period. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Condition : Good(chips on the upper saddle.) Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

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