Carved Wood Gilt-Lacquered Sculpture of Seated Japanese Edo Buddha Amida Nyorai

Amazing piece. Heavy and solid. Carved from a single block of wood and wonderfully colored and decorated. Buddha has a serene facial expression with hands in the "Calling The Earth to Witness" Mudra position. Likely Burmese or Northern Thai. We are listing as 20th century but could be older. From a large collection of Asian artifacts...

A wonderful serene Japanese Amida Nyorai Buddha statue/sculpture with gilt decoration - likely applied as temple or shrine blessing or offerings. The B...

A finely carved and detailed seated wood temple shrine Buddha. Likely Northern Thai or lower Burmese. This particular Buddha has a wonder...

This is truly a wonderful piece with clear age and a nice patina to it. Very unique. We have not seen another quite like it. The monk appears to have glass eyes which gives his expression a very humanistic feel. The head is removable (please see the last image). From a collection of Japanese arts and artifacts. Most likely dates back to the Edo period. Would make for a nice addition to any Japanese or Asian artifacts...

A serene and evocative seated Vietnamese Buddha sculpture. Expertly hand-carved from wood, this statue captures the timeless grace and spiritual depth of Buddhist iconography. The Bu...

A large and serene vintage sculpture of the historical Buddha, Shakyamuni, carved of teak wood, gilt, and embellished with glass "gems", circa 1970's, Burma. The sculpture depicts t...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

Material: wood 35,8 cm high 28,7 cm wide and 20,5 cm deep Weight: 3.05 kgs Gilded with 24 krt. gold Mandalay style Bhumisparsha mudra Originating from Burma 19th century With inlaye...