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Chinese Carved Bamboo Figure of a Sage, Qing Dynasty, 18th Century
About the Item
A sweet and lovely Chinese bamboo carving of the sage Dongfang Shuo, mid-Qing dynasty, 18th century, China.
Well carved form a single section of bamboo, the carving depicts the historical Han dynasty figure Dongfang Shuo. The sage, scholar, court jester, and later, Taoist transcendent, wears a knowing smile on his face, his long hair tied into a neat topknot, his long beard falling gracefully.
Dongfang Shuo is portrayed as a sage, seated upon a rocky outcrop, dressed in loose robes and sandals, holding a basket overflowing with lingzhi (the fungus of immortality) in one hand, clutching the sash of his robe in the other. At his back are a double gourd flask (a symbol often associated with Taoist sages), and a long handled axe.
The bamboo with a lovely and warm, dark reddish brown patina.
For a very similar example, please see lot 3025 of Sothebys Hong Kong April 7, 2015 sale, as well as Christie's Hong Kong December 3, 2008 sale, lot 2324.
- Dimensions:Height: 6 in (15.24 cm)Width: 5 in (12.7 cm)Depth: 4.82 in (12.25 cm)
- Style:Qing (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:19th Century
- Condition:Wear consistent with age and use. In fine condition, with some dust accumulation to the crevices. The bamboo seemingly with some holes plugged during the carving. Please see photos.
- Seller Location:Austin, TX
- Reference Number:1stDibs: LU894711158401
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Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia.
Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent.
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