Japanese Gilt Traveling Shrine of Seated Kannon, circa 1900

Intricately carved and finished with gilt black lacquer, this seated figure depicts the bodhisattva Guanyin, known in Japanese Buddhism as Kannon. Described as the "Buddha of Infinite Compassion," Kannon is the embodiment of mercy and makes himself available to all who call upon him with all their mind. Kannon is depicted here seated in diamond position upon a double lotus plinth, set above a stepped base. He is dressed in gracefully draped robes and wears a tall crown bearing a minuscule figure of Amida, the Buddha of Infinite Light. He has a serene expression of calm and holds his right hand in the abhaya mudra, a gesture of comfort, blessing, and protection. Backed by a magnificent leaf-form nimbus, this Kannon figure...

This seated Burmese figure captures a musician in eternal song. The wooden figure is hand-carved with a seated posture, legs crossed and arms outstretch...

A wonderful Japanese Buddhist portable traveling zushi shrine altar with Amida Buddha (Amitabha) concealed inside the folded wood doors. This work dat...

A fine lacquer decorated carved boxwood netsuke of a Noh dancer in a Hannya role, unsigned, Meiji period, late 19th century, Japan. The boxwood netsuke finely carved as a kneeling Noh dancer dressed in striking geometric patterned robes. The actor holds an opened war fan behind their back in one hand, a Shinto wand slung over the shoulder in the other. The war fan, tessen, decorated in red lacquer with a golden rising sun at the center. Tessen were sturdy fans used by samurai as protective devices, and sometimes as weapons. The wand, called an onusa, is a traditional Shinto ritual implement comprised of folded paper streamers, shide, attached to a wooden wand, often used in purification rituals. Here, the shide are crafted from silver maki-e, with the handle of the natural boxwood. The actor wears a fierce and unearthly hannya mask...