Japanese Giltwood Medicine Buddha, Yakushi Nyorai, Muromachi Period 16th Century

A sublime and well carved Korean lacquered and gilt wood figure of Amitabha Buddha (Amita Bul), Joseon Dynasty, early 19th century, Korea. The Budd...

A sublime and rare late 18th century Burmese Ava period carved, lacquered and gilt Buddha. The historical Buddha, Shakyamuni, is portrayed in bhumisparsha mudra, the gesture of calling the Earth to witness, commemorating the moment the Buddha reached enlightenment. The Buddha is dressed in patchwork...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

Chinese late Ming dynasty bronze figure of the Bodhisattva Avalokiteshvara, also known as Guanyin (Quan Yin, Kwan Yin, Kuan Yin), 17th century, China  The figure well cast in two ...

A Japanese giltwood sculpture of Kannon Bosatzu Japan, Edo period, Early 19th century H. 50 X W. 58.3 cm Provenance: - The Somerwil Collection of ...

Intricately carved and finished with gilt black lacquer, this seated figure depicts the bodhisattva Guanyin, known in Japanese Buddhism as Kannon. Described as the "Buddha of Infinite Compassion," Kannon is the embodiment of mercy and makes himself available to all who call upon him with all their mind. Kannon is depicted here seated in diamond position upon a double lotus plinth, set above a stepped base. He is dressed in gracefully draped robes and wears a tall crown bearing a minuscule figure of Amida, the Buddha of Infinite Light. He has a serene expression of calm and holds his right hand in the abhaya mudra, a gesture of comfort, blessing, and protection. Backed by a magnificent leaf-form nimbus, this Kannon figure...

A large, antique Chinese figure of the Medicine Buddha Bhaishajyaguru made of hand crafted gilded, partly lacquered Tropical wood, in good condition. The sculpture is dressed in a fl...

A seated Buddha sculpture in gilt carved wood from the Edo Period. This is a superbly refined carved wooden figure of a seated Buddha with fabulous pure gold gilt. The sculpture has...