Japanese Monkey Suaka

Bronze sculpture with dark brown patina of a cicada. The cicada (in Japanese, semi) is considered as a symbol of humanity. Together with a praying mantis and a spider, they represen...

Boxwood netsuke of a seated professional sneezer depicted as an old man with his right hand raised, holding an stick to tickle himself. His head is slightly raised, his eyes practica...

Netsuke in boxwood representing a puppy with incrusted eyes made of buffalo horns. Its mouth is open, as if it was barking, it also wears a knotted collar and holds a ball between it...

Small round hare in bronze with dark brown patina, standing on its four legs. In Japanese, the hare and the rabbit are referred to by a single word: usagi. The animal is one of the t...

Featuring Seven Japanese Macaques Form our Japanese collection, we are delighted to offer this Japanese Bronze Monkey Group by Shosai. The Japanese Bronze Group displaying a male father monkey and his infants playing around and being mischievous with Persimmon fruit. The monkeys modelled as Japanese macaque monkeys (snow monkey). The bronze okimono is beautifully patinated with a highly lifelike and naturalistic casting signed to the underside Shosai 正齊鋳. The Bronze group dates to the Meiji Period (1868-1912) circa 1885. Japanese macaque (snow monkey) is a terrestrial Old World monkey species that is native to Japan. They are known as snow monkeys because some live in areas where snow covers the ground for long periods each year hence their nickname. No other non-human primate lives further north or in a colder climate than the snow monkey. Individuals have brownish grey fur, pinkish-red faces, and short tails. Two subspecies are known and their conservation Status is of least concern. In Japan, the species is known as Nihonzaru ニホンザル, 日本 (Japan/Nihon) and saru 猿 (monkey) to distinguish it from other primates, but the Japanese macaque is the only species of monkey in Japan. The Japanese macaque features heavily in the religion, folklore, and art of Japan, as well as in proverbs and idiomatic expressions in the Japanese language. They are often seen in paintings, block prints and represented in all manner of carvings from Okimono to netsuke. Many of these art forms reside in the world’s most famous museums and collections, some of the most prominent pieces by artists such as Mori Sosen and Kawanabe Kyosai. In Shinto belief (Japan’s indigenous religion/nature religion) legendary mythical beasts known as raiju sometimes appeared as monkeys and kept Raijin (the god of lightning/storms) company. In another well known tale the three wise monkeys who warn people to “see no evil, hear no evil and speak no evil” can be seen depicted in relief over the door of the famous Tosho-gu shrine in Nikko. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

19th Century Japanese Kutani large size gold gilded porcelain mother monkey figure nurturing her baby.  

An amusing Showa Period (1926-1989) hand carved hardwood netsuke depicting a monkey riding atop a turtle, the eyes of the monkey inset with cabochon pupils, signed with etched charac...

Japanese Meiji period letter opener. An exceptional letter opener, created during the imperial Japan in the Meiji period, back in he 1900. The letter opener has been carefully carve...