Japanese Painted Wood Figure of a Guardian King, Edo Period, 18th Century

Two exquisite Japanese musha ningyo dolls, crafted as courtiers, Edo Period, early 19th century, Japan. The older man can be identified as the h...

An exquisite Japanese carved hinoki and gilt lacquered standing figure of Amida Nyorai, Amitabha Buddha, Edo Period, 18th century, Japan. The spectacular fully gold gilt figure of A...

A tall and impressive Japanese carved and black lacquered figure of Sho Kannon Bosatsu, Momoyama or Edo Period, mid 17th century, on a later mid 19th century carved, painted, and gilt wood lotus...

A rare and exquisite 18th century Ava period Shan Burmese figure of the Buddha. Carved from a single block of wood, lacquered and gilt, the immensely s...

An Indian carved teak wood guardian lion sculpture from the mid-18th century, with traces of original paint. Handcrafted in India during the 1740s-1760s in order to take place in a monument, this teak architectural carving features a guardian lion, his teeth resting on a man's head. The sculpture shows traces of its original paint, while carving technique presents a great attention to details. The flat top suggests this was used as a column base, perhaps in a temple. With its expressive character and original paint, this Indian mid 18th century carved lion figure...

An incredible Edo Period Japanese gilt and lacquered carved wood shrine depicting a Bodhisattva with piercing glass eyes, a contemplative expression, and h...

This beautiful sculpture realized in China in the 18th century depicts Guanyin, a Bodhisattva associated with compassion. The female form holds a pot in her hands. She appears draped...

An exceptional and wood statue of Buddhism Guardian Seitaka Doji from Japan circa Edo period (1603-1868), likely the earlier part of 17th century. One of two chief attendants of Fudou Myouou (the other being Kongara Doji), the name of Seitaka Doji is a transliteration of Sanskrit "Cetaka", meaning servant, slave, and he is said to personify expedient action. He is most commonly found on the right side of Fudou, together with Kongara Doji on the left, forming the Immovable triad, Fudou Sanzon, the terror of evil doers. Seitaka largely adheres to the iconography of a wrathful youth with fleshy body and face, skin in the color of a red lotus, has his hair tied in five knots, and holds a vajra in his left hand and a vajra-club in his right hand, but the actual artistic representations of him in Japan do...