Pair Chinese Export Green Parrots

This is an outstanding near pair of Chinese Sancai terra cotta pedestals or stands. This pair dates to the early 20th c. and has acquired a rich ...

This is a large Chinese 17th Century Stoneware Martaban Jar. Martancan Jars were created to store food items such as grain, tea, oil, etc. The ...

This is a very unusual pair of large antique Chinese carved wood bactrian camels. The camels date to the 19th century and are in the Tang dynasty style. The camels retain their beaut...

This is a classic near pair of 19th century Japanese storage jars. The jars are decorated with a stylized mask, raised waves and mid-point carrying handles. Both jars are in good used condition with great natural patina. The jars have a zen sensibility and would integrate into multiple interior designs from modern to Renaissance inspired. We have several other Japanese and Chinese antique storage jars...

Pair #3: Chinese Export Porcelain Green Sancai Glazed Parrots China, Late 19th Century This fine pair of Chinese Export Porcelain Green Sancai Glazed Parrots, crafted in the late 1...

A Trio of Chinese Export Porcelain Green Sancai Glazed Parrots China, Late 19th Century This exquisite trio of Chinese export porcelain green Sancai-glazed parrots, crafted in the late 19th century, presents a captivating collection of finely modeled birds. Each parrot is gracefully perched, showcasing exceptional craftsmanship with delicate, organic detailing. The vibrant green Sancai glaze, a hallmark of traditional Chinese ceramics, lends a rich, lustrous finish that accentuates their elegant forms. The set features two larger parrots...

Fine vintage pair of 'Blanc de Chine' porcelain Guanyin statues - each figure holding an applied flower and standing on a lotus leaf and decorative stan...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...