Postmodern Manhattan 5th Avenue CD Rack Tower from Koziol, Germany, 1990s

Postmodern table or floor lamps from the manhattan series from the german manufacturer koziol from the early 90s. the best -known objects of the manhattan series are the striking cd...

Vintage German Postmodern Wall Clock by Lehn and Diehl for Koziol, 1990s

Postmodern Metal and Marble CD Rack Tower, 1980s, in Very Good conditions. Designed 1980 to 1989 Additional information: Materials: Marble, Metal Color: Black Item Type: Vintage, An...

Minimalist wardrobe from the renowned manufacturer Schönbuch. A simple design of special materiality. The element of lacquered wood is bent at 90 degrees, forming a shelf on the upp...

A sublime molded stucco head of a young male donor from the ancient region of Gandhara, 4th-5th century. The youthful nobleman sculpted in an idealized...

PRESENTING a STUNNING piece of Indian Antiquity from circa the 4th-5th Century, namely, A Stucco Torso of the Buddha, Gandhara. Ancient Gandhara is located in the rugged foothills of the Himalayas in what is today northwest Pakistan and eastern Afghanistan, was for centuries a thriving center of trade along the Silk Road linking China, South Asia, and the Mediterranean. The piece was purchased by a Private Collector at Sotheby’s, or more probably, Christies of New York Auction pre-2000. The paper label on the wooden base is “7281/465” for Sale Number 7281, Lot No. 465. Sotheby’s and Christies operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. The Sale Number is more like a ‘Christies;’ Sale Number but we cannot locate any records for this sale online as it was pre-2004. The sculpture is a Gandharan stucco headless bust...

Stucco head of a Bodhisattva, Gandhara, 3rd - 5th century AD. Mounted on a custom made brass base. 12 inches high ( head alone 8.2 in ) 5.5 wide 5 deep Provanance: Ex Sotheby's, old...

A striking Gandharan molded stucco head of a male Bodhisattva, tentatively identified as Manjushri, ancient region of Gandhara, probably Hadda or surrounding area, 3rd-5th century. The Bodhisattva is sculpted of stucco in an idealized manner as a youthful male, with soft and kind features, a benign expression on his face. He wears an elaborate pleated turban wrapped around his head, with two sweeping lobes at the front. His turban secured on one side by a small image of a roaring lion. The lion may be read as a reference to Manjushri, the Bodhisattva of Wisdom, who is often depicted as riding or subduing a roaring lion, a metaphor for taming the wild thoughts of the mind. Manjushri gazes outwards in a beatific manner from almond shaped eyes, a gentle smile on his lips. The eyes at different levels when looking at the sculpture head on, indicating the original placement of the head was meant to be viewed at an angle. Remnants of pigments to the eyes, nose, mouth and ears. Mounted on a custom black metal stand. Hadda was an important center of Buddhist learning in the early history of Greco Buddhist Gandhara, and at one time may have housed a bone relic of the historical Buddha, Shakyamuni. The sculpture and architecture of Hadda followed Hellenistic artistic conventions faithfully, leading some scholars to believe the distinct Greco Buddhist style of Gandhara was first developed in Hadda before spreading to the rest of the region. The kingdom of Gandhara was situated at a crossroads of trade and cultures. Being one of the last remnants of Alexander the Great's Empire, the inhabitants of the Greco-Bactrian Buddhist kingdom preserved Greek culture and heritage for centuries after the decline of the Greek Empire...