Qing Dynasty Terracotta Head Sculpture with Headdress and Distressed Finish

A Qing dynasty period hand-carved head sculpture from the 19th century, with headdress. Carved in China during the Qing Dynasty, this 19th-centur...

A pair of Qing dynasty 20th century terracotta Chinese hooded priestess sculptures with original paint. Discover the exquisite charm of this pair of 20th century Qing dynasty terraco...

A Qing Dynasty hand carved wooden temple corbel from the 19th century, with characters, pagodas, vegetation and red polychromy. This antique Qing Dynast...

An antique Chinese carved stone court figure head sculpture with original polychromy. Attracting our attention with its tall headdress and remnants of original polychromy, this Chine...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...

A sublime Chinese carved boxwood figure of the Bodhisattva of Compassion, Avalokiteshvara, called Guanyin in Chinese, mid-Qing dynasty. The an...

A Chinese early Qing Dynasty carved and lacquered wood figure of Guanyin, Southern China, 17th/18th century. Guanyin, the Bodhisattva of Compassion and Mercy, is portrayed seated in dhyanasana, one hand raised in viktara mudra, the gesture of teaching and discourse. The great bodhisattva is dressed in heavy, loose robes tied at the chest, with a mantle draped over his shoulders. He looks serenely outwards from heavily lidded eyes. Guanyin's face carved beautifully with somewhat feminine features. A large five pointed crown sits upon his head. The larger leaves of the crown carved with indistinct images of the Buddha. The statue was originally fully lacquered in the deep red gilt lacquer typical of Southern Chinese Buddhist sculpture...