North American Decorative Dishes and Vide-Poche
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Place of Origin: North American
Cast Iron Heart Ashtray
Located in Los Angeles, CA
Square cast iron ashtray with off center heart well and large oval divot. The thick ashtray would be a great catchall or paper weight.
Dimensions
...
Category
Mid-20th Century Organic Modern North American Decorative Dishes and Vide-Poche
Materials
Iron
Circa 1950s Mexican Mixed Metals Calling Card Tray
Located in Chapel Hill, NC
Solid mixed metals calling card tray, circa 1950s, Mexico. Dancers center the tray of silver, copper & brass. Marked: Hecho en Mexico, Los Castillo, Taxco, Hand Wrought, 109.
4.5" di...
Category
1950s Vintage North American Decorative Dishes and Vide-Poche
Materials
Silver, Brass, Copper
$116 Sale Price
20% Off
Antique American Gilt & Inset Glass Decorative Dresser Box or Vide Poche
By Apollo Woodwoking and Metal Corp
Located in Hamilton, Ontario
This antique decorative box was made by the Apollo Manufacturing Company of the United States in approximately 1920 in an Anglo-Indian style. ...
Category
Early 20th Century Anglo-Indian North American Decorative Dishes and Vide-Poche
Materials
Spelter
John Glick Modernist Stoneware Glazed Ceramic Pottery Tea Pot Plum Tree Pottery
By John Glick
Located in Keego Harbor, MI
A modernist stoneware glazed ceramic tea pot by Detroit artist John Glick of Plum Tree Pottery. Circa late 20th century. Glazed in earthtones. Artisisnal yet functional and makes a u...
Category
Mid-20th Century North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Jazz Age / Art Deco Style Vide-Poche Catchall
Located in Red Lion, PA
Jazz Age / Art Deco Style Wood Vide-Poche Catchall
This Art Deco-style wooden vide-poche catchall is a stunning example of the fabulous jazz age aesthetic that made design so coveted...
Category
20th Century Art Deco North American Decorative Dishes and Vide-Poche
Materials
Wood
Higgins Art Glass Dish
By Higgins Glass
Located in New York, NY
Colorful whimsical art glass rectangular dish with vibrant swirls of aqua, yellow and violet and metallic gold by Higgins, signed. Great for a catch all on a console, serving dish or...
Category
20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Art Glass
Waypoint Centerpiece, Aged Bronze, by Force/Collide
By Force/Collide
Located in Seattle, WA
The Waypoint Centerpiece is a decorative vide-poche in Force/Collide's signature design style. The dramatic lines and symmetry of this catch-all make a powerful statement for your fa...
Category
21st Century and Contemporary Futurist North American Decorative Dishes and Vide-Poche
Materials
Metal, Brass, Bronze, Sheet Metal
$1,272 Sale Price / item
20% Off
Vintage Parrots Decorative Plates by Fitz and Floyd Set of 4
By Fitz and Floyd
Located in North Hollywood, CA
Vintage Parrots decorative plates by Fitz and Floyd set of 4.
Set of 4 Fitz and Floyd Parrot dishes, “Parrot in Ring”.
Appetizer, bread, Salad, desse...
Category
Late 20th Century Bohemian North American Decorative Dishes and Vide-Poche
Materials
Porcelain
White & Light Blue Small Ceramic Kawa Dish, Textured Porcelain Catchall Bowl
By Luft Tanaka
Located in Brooklyn, NY
An organic shaped porcelain bowl with a tactile exterior surface and a smooth glazed interior. Small & precious, yet surprisingly practical, the Kawa Dishes are equally well-suited as a jewelry dish, salt cellar, sauces & dips bowl. As a result of the production process each vase is one-of-a-kind.
All finishes are food-safe and dishwasher-safe.
Dimensions
3.5" diameter x 1.5" height
Made to order.
Signed and dated.
The Kawa Series is a collection of porcelain objects that are made by casting liquid clay into sewn leather molds. The precarious and beautifully-involved process is completely unique to Luft Tanaka Studio...
Category
2010s Modern North American Decorative Dishes and Vide-Poche
Materials
Ceramic, Porcelain
Clyde Burt Ceramic Platter
By Clyde Burt
Located in Chicago, IL
Clyde Burt ceramic platter glazed stoneware with incised, abstract details.
Signed to underside: [CB].
American, circa 1965.
Category
1960s Mid-Century Modern Vintage North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Bovano bright iridescent fused glass on copper charger or serving try
By Bovano
Located in Ferndale, MI
Large size Bovine serving tray or charger . Fused glass on copper .
The history of Bovano of Cheshire began in 1952, when artist Jim Bower began experimenting with powdered glass fu...
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Copper, Enamel
Hand Thrown Ceramic Speckle Glazed Bowl
Located in Los Angeles, CA
Studio pottery hand thrown bowl. This bowl features a neutral toned speckle glaze in beige and brown. The bowl has a ribbed body and is signed by the ar...
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Vintage Plaster and Resin Giant Tridacna Clam Shell Centerpiece/Vide Poche
Located in Brooklyn, NY
Faux giant Tridacna clam shell in cast/modeled plaster and resin (ca. 1940s/50s, USA).
Striking piece ideal as a functional serving/centerpie...
Category
1950s Mid-Century Modern Vintage North American Decorative Dishes and Vide-Poche
Materials
Resin, Plaster
Kafi 1 Cheese Board in Oiled Maple by Martin Leugers & Tricia Wright for Wooda
By Wooda, Martin Leugers
Located in Omro, WI
The Kafi 1 (Icelandic for submerged) hors d'oeuvre board has an elongated proportion that adds a dynamic appearance to any setting large or small. Recessed bowls provide a perfect sh...
Category
21st Century and Contemporary Modern North American Decorative Dishes and Vide-Poche
Materials
Wood, Hardwood, Maple
Kafi 3 Cheese Board in Oiled Mahogany, Martin Leugers & Tricia Wright for Wooda
By Wooda, Martin Leugers
Located in Omro, WI
The Kafi 3 (Icelandic for submerged) hors d'oeuvre board has an elongated proportion that adds a dynamic appearance to any setting large or small. Recessed bowls provide a perfect sh...
Category
21st Century and Contemporary Modern North American Decorative Dishes and Vide-Poche
Materials
Wood, Hardwood, Mahogany
Well Crafted Hammered Copper Boomerang Dish Signed LE
Located in Ferndale, MI
Very nicely made and crafted boomerang or flying V-form hammered copper bowl.
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Copper
Brass Vide Poche Coconut Shape
Located in San Pedro Garza Garcia, Nuevo Leon
Decoration piece from the sixties, usually at the main entrance of homes to leave the keys or objects that we carry in our pockets when we arrive.
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Brass
Clyde Burt Ceramic Charger
By Clyde Burt
Located in Chicago, IL
Clyde Burt ceramic charger in glazed stoneware with incised image.
Signature to underside: [CB].
American, c. 1965
Category
1960s Mid-Century Modern Vintage North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Catherine McClung for Lenox. "Winter greetings everyday". Large serving dish.
Located in København, Copenhagen
Catherine McClung for Lenox. "Winter greetings everyday".
Large serving dish in glazed stoneware decorated with mistletoe and birds.
Approx. 2000.
M...
Category
21st Century and Contemporary North American Decorative Dishes and Vide-Poche
Materials
Stoneware
Clyde Burt Ceramic Charger
By Clyde Burt
Located in Chicago, IL
Clyde Burt ceramic charger in glazed stoneware. Signature to underside: [CB]. American, circa 1965.
Category
1960s Mid-Century Modern Vintage North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Catherine McClung for Lenox, "Winter Greetings", Large Round Dish
Located in København, Copenhagen
Catherine McClung for Lenox. "Winter greetings".
Large round dish in glazed stoneware decorated with mistletoe, birds and red ribbon. Approx. 2000.
...
Category
21st Century and Contemporary North American Decorative Dishes and Vide-Poche
Materials
Stoneware
Concentric Ring Turned Wood Maple Platter or Charger Attributed to Russel Wright
By Russel Wright
Located in Ferndale, MI
Nicely turned maple wood charger. Concentric ring design in the manner of Russel Wright.
Category
Mid-20th Century Organic Modern North American Decorative Dishes and Vide-Poche
Materials
Maple
1950s alabaster Ashtray
Located in LYON, FR
Mother of Pearl ashtray bought in Hawaii in the late 1950's. Since then it has lived in Wollongong Australia. Amazing Lustre. Has a one chip on the botto...
Category
1950s Organic Modern Vintage North American Decorative Dishes and Vide-Poche
Materials
Mother-of-Pearl
Tiffany Furnaces Bronze Plate
By Tiffany Furnaces
Located in Palm Springs, CA
A Louis C. Tiffany Furnaces, inc. Favrile bronze plate with enamel inset ovals and rim decoration. It is marked on the bottom along with the number 309. I...
Category
Early 20th Century North American Decorative Dishes and Vide-Poche
Materials
Bronze, Enamel
$760 Sale Price
20% Off
Clyde Burt Ceramic Charger
By Clyde Burt
Located in Chicago, IL
Clyde Burt ceramic charger in glazed stoneware with incised image.
Signature to underside: [CB].
American, circa 1965.
Category
1960s Mid-Century Modern Vintage North American Decorative Dishes and Vide-Poche
Materials
Ceramic
John Glick Plum Street Pottery Ceramic Charger Monumental
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
1990s Expressionist North American Decorative Dishes and Vide-Poche
Materials
Ceramic
1930's Uranium Glass Art Deco Geometric Long Dish
Located in Red Lion, PA
1930s Art Deco Uranium Glass Long Dish in a Geometric Faceted Octagon Form
This exquisite 1930s uranium glass dish exemplifies the bold geometry and clean lines of the Art Deco era,...
Category
1930s Art Deco Vintage North American Decorative Dishes and Vide-Poche
Materials
Uranium Glass
Los Castillo Mixed Metal Bowl
Located in Los Angeles, CA
Mexican made dish, c.1960s, comprised of copper, brass and silver. It's freeform shape showcases a fishing scene with three fish inlaid with turquoise and blue rock. It rests on two ...
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Silver, Brass, Copper
Vintage Boho Hand Painted Terracotta Plate With Fawn
Located in West Palm Beach, FL
Bring a touch of nature and whimsy to your home with this vintage boho hand-painted plate featuring a charming fawn. The delicate artistry and earthy tones capture the essence of boh...
Category
Late 20th Century Rustic North American Decorative Dishes and Vide-Poche
Materials
Terracotta, Paint
Blue and White Map Glass Vide Poche Plate
Located in New York, NY
Blue and white map glass vide poche plate. Contemporary glass plate with print of antique map of the Gulf of Mexico United States, 20th century.
Dimens...
Category
20th Century North American Decorative Dishes and Vide-Poche
Materials
Glass
John Glick Plum Street Pottery Ceramic Glazed Bowl/Charger Extra-large
By John Glick
Located in Bloomfield Hills, MI
The ceramic bowl is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
Late 20th Century North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Steuben Glass and Nickel Plated Bowl Designed by Richard Meier
By Richard Meier
Located in Stamford, CT
A glass bowl on stand produced by Steuben, circa 2000. Designed in 1994 by Richard Meier.
Category
Early 2000s Modern North American Decorative Dishes and Vide-Poche
Materials
Glass
John Glick Plum Street Pottery Signed Monumental Ceramic Charger
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
1990s Expressionist North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Brass Tied Satchel
Located in Los Angeles, CA
Brass paper bag satchel in the style of Sarreid Ltd. The brass patinated bag has a gathered side with a round opening at the top and Chinese lettering inscribed on one side. The vess...
Category
Mid-20th Century Organic Modern North American Decorative Dishes and Vide-Poche
Materials
Brass
Rude Osolnik Turned Walnut Abstract Asymmetrical Vide-Poche Bowl Signed
By Rude Osolnik
Located in Sarasota, FL
Rude Osolnik well known wood turner from Berea, Kentucky.
Stunning asymmetrical form in walnut.
Beautiful bowl. Signed
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Wood
Hand Painted Flower Mexican Bowl Small
Located in Dallas, TX
This 9-in. diameter bowl was hand painted in Mexico. The artistic brush strokes are carefully laid out to display color and simplistic brilliance.
Category
20th Century North American Decorative Dishes and Vide-Poche
Materials
Wood, Paint
Mid-Century Modern Artisan Studio Made Bowl / Vessel, Cherry Burl, Signed
Located in Manhasset, NY
Mid-Century Modern Artisan Studio Made Bowl / Vessel, Cherry Burl
Unique live edge tableware entirely made of cherry burl by Tom Frey. This work is signed and dated on it's undersid...
Category
1990s Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Cherry, Burl
Black Marble Plates Set
By Casa Mineral
Located in Mexico City, MX
Plates in Monterrey black marble. Handmade in Mexico by local craftsmen. Dimensions: Small: 20 D x 20 W x 2 H cm Medium: 16 D x 16 W x 2 H cm Large: 12 D x 12 W x 2 H cm. Product...
Category
2010s Modern North American Decorative Dishes and Vide-Poche
Materials
Marble
$190 / set
Plump Trinket Dish in Blue, Translucent Polyurethane Resin, by Ian Cochran
By Ian Cochran
Located in New York, NY
Plump Trinket dish by Ian Alistair Cochran. Represented by Tuleste Factory
Resin
Measures: L 12" x W 6" x H 1.5" in
The Plump Trinket dish is a continuation of the Plump series of...
Category
21st Century and Contemporary North American Decorative Dishes and Vide-Poche
Materials
Resin
Plump Trinket Dish in Orange, Translucent Polyurethane Resin, by Ian Cochran
By Ian Cochran
Located in New York, NY
Plump Trinket Dish by Ian Alistair Cochran. Represented by Tuleste Factory
Resin
L 12" x W 6" x H 1.5" in
The Plump Trinket Dish is a continuation of the Plump series of colorful,...
Category
21st Century and Contemporary North American Decorative Dishes and Vide-Poche
Materials
Resin
419-G Hand Crafted Golden Promise Fronds Tray- 22kt Gold Detail by Helen Prior
By Helen Prior
Located in New Paltz, NY
419-G Hand Crafted Golden Promise Fine Fronds Tray With 22kt Gold Detail by Helen Prior
A delicate hand-crafted tray, organic in shape with a torn clay edge in natural speckled ston...
Category
2010s Modern North American Decorative Dishes and Vide-Poche
Materials
Gold
Geometric Brass Ashtray
Located in Los Angeles, CA
Brass hexagonal ashtray featuring a deep round well with three divots on alternating sides.
Dimensions
7.25" width x 7.25" depth x 1.25" height.
Condition
Good vintage condition; b...
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Brass
Waypoint Centerpiece, Blackened Steel, by Force/Collide
By Force/Collide
Located in Seattle, WA
The Waypoint Centerpiece is a decorative vide-poche in Force/Collide's signature design style. The dramatic lines and symmetry of this catch-all make a powerful statement for your fa...
Category
21st Century and Contemporary Futurist North American Decorative Dishes and Vide-Poche
Materials
Metal, Brass, Steel, Sheet Metal
Hand Painted Flower Mexican Bowl
Located in Dallas, TX
This 11-in. diameter bowl was hand painted in Mexico. The artistic brush strokes are carefully laid out to display color and simplistic brilliance.
Category
20th Century North American Decorative Dishes and Vide-Poche
Materials
Wood, Paint
Decorative Glass Dish with Gold Accents
Located in Brooklyn, US
This gold-accented glass dish is perfect for serving, displaying, or simply as a decorative accent. The luxurious gold splatter adds a touch of elegance and sophistication, making it...
Category
21st Century and Contemporary North American Decorative Dishes and Vide-Poche
Materials
Gold
$150 / item
Hand Painted Flower Mexican Bowl Large
Located in Dallas, TX
This 14-in. diameter bowl was hand painted in Mexico. The artistic brush strokes are carefully laid out to display color and simplistic brilliance.
Category
20th Century North American Decorative Dishes and Vide-Poche
Materials
Wood, Paint
Late 20th Century Vintage Boho Slab Built Studio Pottery Plate
Located in West Palm Beach, FL
A stunning vintage Boho studio pottery plate. A chic slab built piece in pale neutral colors. Acquired from a Palm Beach estate
Category
Late 20th Century Bohemian North American Decorative Dishes and Vide-Poche
Materials
Pottery
Decorative Glass Tray with Gold Accents
Located in Brooklyn, US
This gold-accented glass tray is perfect for serving, displaying, or simply as a decorative accent. The luxurious gold splatter adds a touch of elegance and sophistication, making it...
Category
21st Century and Contemporary North American Decorative Dishes and Vide-Poche
Materials
Gold
$175 / item
Fall Blackened Ashtray by Cal Summers
By Cal Summers
Located in Geneve, CH
Fall Blackened Ashtray by Cal Summers
Dimension: D 6.9 x W 15.2 x H 2 cm
Materials: Stainless Steel
Cal Summers is a British designer who makes bespoke handmade furniture and co...
Category
2010s Post-Modern North American Decorative Dishes and Vide-Poche
Materials
Stainless Steel
$2,878 / item
Rick Yoshimoto Ceramic Glazed Plate
By Rick Yoshimoto
Located in Los Angeles, CA
Ceramic plate by California artist, Rick Yoshimoto. Rick has been creating pieces out of Northern California since the late 1970s. This piece features a square shape with slightly tu...
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Wide Lucite Bowl by Ritts Co.
Located in Los Angeles, CA
Lucite bowl by Ritts Co., c.1970s, USA. The bowl features curled sides with soft rounded curves. This piece can serve as a vide poche, catchall, or fruit bowl.
Dimensions
12" width ...
Category
1970s Mid-Century Modern Vintage North American Decorative Dishes and Vide-Poche
Materials
Lucite
Robin Hopper, English / Canadian ceramist. Ceramic dish in luster glaze. 1980s
Located in København, Copenhagen
Robin Hopper, English / Canadian ceramist.
Ceramic dish in luster glaze.
Approximately 1980s.
In perfect condition.
Measures: 26 cm. x 4 cm.
Signed
Category
1980s Modern Vintage North American Decorative Dishes and Vide-Poche
$352 Sale Price
20% Off
Bronze Indian Chief Dish, Olaf Carl Wieghorst, American, circa 1820
Located in New York, NY
Bronze Indian chief dish, Olaf Carl Wieghorst, American, circa 1820. Inscribed O. Wieghorst.
Category
Early 19th Century Antique North American Decorative Dishes and Vide-Poche
Materials
Bronze
Copper Red Enameled Plate by Win Ng
By Win Ng
Located in Los Angeles, CA
Copper plate by San Francisco artist Win Ng, circa1960s USA. A beautiful red enameled catchall or simply a décor piece. The dish features a technique that c...
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Copper, Enamel
Pair of Sascha Brastoff Enameled Bowls
By Sascha Brastoff
Located in Chicago, IL
Enameled Metal, copper and brass tones.
Category
1970s Mid-Century Modern Vintage North American Decorative Dishes and Vide-Poche
Materials
Metal
Black Lacquered Plater in Mother of Pearl by Curoc
Located in Montreal, QC
Black lacquered plater in mother of pearl by Curoc of Monterey decorated with speckles of mother of pearl, egg shell, fish and coral.
Category
1950s Vintage North American Decorative Dishes and Vide-Poche
Rustic Decorative Dish Vide Poche Ceramic Clay Light Blue Leaf and Spider Nature
By Omar Hernández
Located in Queretaro, Queretaro
Take tradition to evolve, transform, and innovate are all part of Omar Hernández’s work. Born in a pottery town he was taught from a young age the fundamentals. It was later when Oma...
Category
2010s Organic Modern North American Decorative Dishes and Vide-Poche
Materials
Ceramic, Pottery, Clay
Brass Tray with Mosaic, by Salvador Teran, circa 1950s
By Salvador Teran
Located in Mérida, Yucatan
Brass tray with mosaic incrustations that form the stylized face of a beautiful woman. Created by Master Salvador Teran, the piece is sealed and has been cleaned to recover its wonde...
Category
Mid-20th Century Mid-Century Modern North American Decorative Dishes and Vide-Poche
Materials
Brass
Ceramic Glazed Square Plate with Hand Painted Designs
Located in Los Angeles, CA
Ceramic plate features a square shape with turned up corners. The plate is glazed in a soft cream and beige coloring with speckling throughout. The piece is finished with two hand pa...
Category
Mid-20th Century Folk Art North American Decorative Dishes and Vide-Poche
Materials
Ceramic
Hand Painted Flower Mexican Bowl Medium
Located in Dallas, TX
This 11-in. diameter bowl was hand painted in Mexico. The artistic brush strokes are carefully laid out to display color and simplistic brilliance.
Category
20th Century North American Decorative Dishes and Vide-Poche
Materials
Wood, Paint
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