French Clocks

A huge and superb bronzed metal clock by the celebrated sculptor Albert Ernst Carrier-Belleuse (1824-1887). Two beautifully depicted cherubs hold the clock aloft, mounted in a bronze...

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

Impressive three piece gilt bronze mounted Sevres robin egg porcelain clock set, center clock urn having amorial bow and quiver finial and rams head handles, body with hand painted c...

French mantel clock "Astronomy" Paris Bronze, marble Mid 19th century Dimensions: H x W x D: 38 x 55 x 16 cm Description: A Louis XVI-style figural mantel clock mounted on a two-t...

Faux-painted, French Morbier tall case clock with brass and enamel face, hammered brass pendulum. Posies, lily-of-the-valley and strawbe...

A fine French Louis XVI Style gilt and patinated bronze and white marble figural mantel clock with a figure of a drummer cherub. The brown patina cupid, seated on gilt-bronze clouds ...

An outstanding quality antique gilded bronze & Sevres porcelain French 3 piece, 8 day clock garniture with candelabra, by Brocot & Delettrez, Paris, circa 1870. The clock with an 'egg' shaped urn made of cobalt blue Sevres porcelain with a hand-painted panel with a neo-classical beauty and a cupid, the rear is painted with gilt birds & floral decoration. The urn with gilt bronze handles to the sides held in the mouths of lion's masks, the clock below also with sumptuously decorated with gilded cobalt porcelain panels, the clock dial with black Roman numerals & is finely painted with two horses and a chariot with a putti falling out of the chariot. The clock has two winding arbors one for the 8 day time wind the other for a chime, the clock chimes the hours on a soft delicate sounding bell, the clock is in full working order and was recently professionally cleaned. The clock is complemented with a pair of gilt bronze & cobalt blue Sevres porcelain four branch vasiform candelabras, decorated with oval panels to the front with putti & Neoclassical maidens, the back panels finely painted with birds, each candelabra is in two sections and raised on gilt bronze bases with corbel brackets & acanthus leaf feet. The bronze casting is very likely by the Barbedienne Foundry in Paris, as the quality is outstanding, the clock is stamped "BD" for Achille Brocot (1817-1878) and Jean-Baptiste Delettrez (1816-1887), they were two of the most important French clock makers of the mid to late 19th century, please see some biography below. The clock is mechanically & cosmetically in excellent condition, and was recently overhauled by a clock-smith, the porcelain & ormolu are also in excellent condition, one of the very best investment quality gilt-bronze & Sevres porcelain clock garnitures by the top French makers of the period, circa 1870. This garniture will be professionally crated for shipping. Delettrez and Achille Brocot, son of the respected clockmaker Louis-Gabriel Brocot, established the clockmaking company "Brocot et Delettrez" in Paris on 20 October 1851, with premises at 62 Rue Charlot Paris. Jean-Baptiste Delettrez worked alongside Achille Brocot for several years and their clock movements are considered to be the most effective made during the late 19th century. Their specialty was a range of clocks based on the innovations of Brocot père and his other son Antoine, but generally of Achille's greatly advanced original design, some having a unique single-arm double-wheel escapement, some having a temperature-compensated pendulum, some having two dials, one of which showed the time and the other which showed a calendar and often other information such as phases of the moon, times of sunrise & sunset in Paris, etc. The firm was awarded a 1st class prize at the Paris World Exposition of 1857 for a commercial clock...

A Very Fine French 19th Century Gilt-Bronze Figural Mantel Clock, Horloge à Poser, by Henri Picard and Fedinand Barbedienne - ‘F. Barbédienne & Cie. / A Paris’, after the model by É...

Stunning clock for the collectors of rare and truly stylish Gothic antiques. Gothic wall clocks are a rare find and this more than three feet tall specimen probably is the best an...

Extremely fine quality Directoire/Empire gilt bronze mounted gilt brass skeleton clock with enameled chapter ring and openwork movement. Roman numerals for the hours and outer half...

LANCEL Paris Classic Polished Brass Gold and Dark Irish Green Enamel Desk Clock or Travel Alarm Clock. Maison LANCEL France travel clock in square...

A magnificent Louis XV style French gilt bronze elephant clock, signed by Barreau F. de Bronzes, dating to the 19th century. This highly decorative timepiece exemplifies the elegance...

An Aesthetic Movement mantel or bracket clock, Signed James Aitchison, Paris in the number 12, with finely carved floral decoration to the front and sides, a french city evening scen...

This vintage mid-19th century French 3-piece garniture clock set is wonderfully designed in the Louis XVI style. The over size set includes an exceptional gilt bronze clock accented with attached detailed patinated sculpted putti figures on both sides. The clock rests on a platform embellished with elaborate florals and scrolls that complement its white enamel face with Roman numerals and featuring the maker, Raingo Freres, Paris. The clock has a French bell movement. A pair of sculpted gilt bronze candelabra with similar patinated bronze putti figures accompany this beautiful clock. Each of these figures holds an elaborate seven branch lily bouquet...

A fine Empire period mantel clock with bun feet raising a rectangular base with a central portrait of Bacchus flanked by exquisitely chiseled motif of swirling foliage surmounted by a figure of the goddess Ceres grasping in her lowered hand a wreath woven with foliage and berries while in her garment she collects a bountiful harvest; she rests beside the clock tower with a framed lens opening to access the white enamel dial with black Roman numerals inscribed Etn. Tavernier set with Breguet style hands, raising an urn filled with fruits of the soil; against the tower rest the implements of labor, a shovel and flat rake. The movement is engraved "B". A significant clock movement maker, Etienne Tavernier (French, 1756-1839) is listed in Tardy's horology reference as working closely with the house of Abraham-Louis Breguet as well as providing clock movements...

Antique Late 18th Century Louis XVI Gilt Gold Patinated Bronze Mantel Clock French, Late 18th Century Height 57cm, width 40cm, depth 12cm A wonderful example of late 18th century ...

A carved crest of a basket with flowers crowns this heavily carved oak case clock, c. mid 1800’s. A glazed-panel door just below the crest is flanked by sides with pierced half-moon...

Exceptional 19th century, French 'Three Graces' annular dial clock, bronze and marble clock, with Roi-de-bleu enamel globe surmounted by Cupid. The ...

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

A beautiful, classically designed antique French gilt bronze clock set by Japy Frères. It features oval panels to the sides showing Fortun...

A 19th century Country French comtoise, or grandfather clock, with polychrome painted pine case and embossed brass pendulum. Original seven day Morbier...

A French Empire table clock, first half of the 19th century. Measures: Width 30, depth 11, height 38 cm. Key included. Later added hatch at back. F...

French handstitched brown leather clock, Jacques Adnet attributed, 1950s.

A 19th century French Napoleon III wall clock with "oeil de boeuf" shaped glass paned door, ebonized wood frame and clock surround with mother-of-pearl inlay decoration. Paper face w...

A Very Fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-...

Portico style French tulipwood clock with Boulle style fine inlays of mother-of-pearl and bronze. Eight day French movement with a grid-iron ormolu pendulum...

A stunning and most impressive French 19th century Louis XVI st. Marble and Ormolu clock, by Chaumont & Languereau. This large scale clock is raised by six Ormolu toupie shaped feet ...

Garnish, clock and two candlesticks. Gilt bronze. Henri Picard and Victor Paillard. Paris, France, 1831-1864. With markings (base, back). A gilded bronze clock with two four-light...

An impressive 19th Century French Louis XVI style, Boulle mantel clock, having red stained Tortoiseshell veneer to the case, gilded Rococo influenced ormolu mounts, white enamel Roma...

A very fine and Palatial French Louis XVI style figural gilt bronze mantel clock. The vase shaped case surmounted with a pomegranate-cast finial and flanked by large satyr mask handles fitted with intertwined gilt-bronze snakes, amongst floral wreaths, ribbons and acanthus. The rectangular acanthus decorated base flanked on each side with a figure of a cherub holding a globe and a Putti writing a poem, both above a plinth decorated with fruit and floral garlands surmounted with lion-mask-legs. The circular white enamel dial with wreaths of flowers with Roman and Arabic numerals, Signed: Étienne Le Noir...

Lunar clock in pure crystal glass paste made in France in 2018. Clock showing moon age, also shows moon sunsets and sunrises. Major world cities are plan...

Louis XVI style garniture set. Torch and quiver design is centered at Bottom of the clock. A hand painted garden scene is presented at the Lower portion of the clock and a beautifu...

This elegant period Empire ormolu-mounted white marble portico clock, circa 1830, is from France. The floral-and-foliate ormolu-mounted frieze sits above four Doric columns with gilt...

Marble and gilt bronze clock with mythological decor, 19th century, Napoleon III period. A 19th century Napoleon III period clock in marble and gilt bronze with a mythological theme...

French Louis XVI-style (19th Century) white marble mantle clock with gilt bronze trim and a pediment with a wreath & arrows. (Clock face signed: HGER DU ROI, PARIS) (Not working)

This circa 1850 French mantel clock showcases a stunning figurative design made from cast gilt bronze. It depicts a hunter with a rabbit slung over the top curve of the clock case. T...

Edwardian French mantel clock with shell inlaid decoration the eight-day duration movement striking the hours on a gong and stamped Ch. Vcne, Paris, 65803, with the dial having black...

A fine 19th Century French Clock Garniture, the Clock with bronze solider surmounted on a domed top with urn finials on four rouge marble pillars, over pierced decorated base on a sh...

A desk clock designed by Cartier. An impressive and beautiful desk clock, created in Paris France by the house of Cartier, during the art deco period, back in the 1920. This stunning rare piece has been designed with Chinoiserie patterns and carefully crafted up with parts in yellow gold of 18 karats and carved nephrite green jadeite jade. Accented with applications of navy blue enamel and fitted on top, with a hinged retractable handle. The movement is mechanical It is accompanied with the associated original key for the winding. The dial is silver with guilloche, Roman numerals with gold hands and inscribed, Cartier. Weight: 320.95 Grams, (205.74 Dwt). Measurements: 69 mm by 31 mm by 78 mm (2.72 x 1.22 x 3.07 Inches). Hallmarks: Stamped with French marks, five times with the head of the eagle for the assay and guaranty of the gold, two times with the maker's mark JM inside of a lozange cartouche and signed on the reverse, "CARTIER 1649". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional...

A Louis Philippe Gilt-Bronze 'Reims Cathedral' Musical Mantel Clock, The Clock Movement By J. Charles, Paris. The Musical Movement By Martinet & Benoit, Geneva. Modelled as the We...

This exquisite 19th-century French clock set features a stunning combination of gilded ormolu and verde marble. The centerpiece clock is elegantly adorned with intricate gilded detai...

Magnificent midcentury French three-piece gilt bronze Ormolu garniture set. The set consists of a clock and two Six-light candelabrum in the Louis XV style with floral and Grape ...

Belle epoque desk clock designed by Cartier. An impressive and magnificent "mignonette" desk clock, created in Paris France by the house of Cartier, during the Edwardian Belle Epoque period, back in the 1905. This stunning piece is very rare and has been designed with neoclassic French patterns and carefully crafted with parts made up in yellow gold of 18 karats, silver and platinum. It is mounted with four spherical parts, carved from green chrysoprase. The five sides are embellished with applications of vivid purple enamel over a sunburst and linear guilloche ground and the borders are accented with a linear frame of white champleve enamel. Fitted in the reverse with a system to open and close the three winding parts to manipulate. Movement: Mechanical 8 days, key winding and It is accompanied with the associated original key. Dial: White ceramic, with Arabic black numerals, with gold indexes batons for the seconds and gold hands with juxtaposed circles ending on arrowhead, inscribed, Cartier Paris-London. Diamonds: The platinum part on top is mount, with 60 calibrated Old European rose cuts diamonds, 0.30 carats, F color, VS-1 clarity Chrysoprase: Mounted with screws on the base, with 4 four spherical cabochon cuts carved from natural translucent green chrysoprase with a weight of 8 carats. Weight: 272.8 Grams, (174.87 Dwt). Measurements: 69 mm by 50 mm by 37 mm (2.72 x 1.97 x 1.46 Inches). Hallmarks: Stamped with French marks, the mark of the boar for the silver and the gold assay and warranty, the maker's mark for Eugène Bako inside a lozenge cartouche, the case numbers, the Cartier serial numbers and signed at the bottom, "CARTIER LONDON PARIS 2027,11290,11453,21". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional objects, Palais Royal 2021, Volume 1, Pp-117 and 128, for two similar Illustrated, see figures. Comparative Literature: Hans Nadelhoffer, Cartier, Jewelers Extraordinary, London, 1984, pl.18 Barracca, Negretti & Nencini, Le Temps de Cartier, Milan, 1989, p.34 A Cartier carriage clock of very closely related design was sold Antiquorum Geneva, The Magical Art of Cartier, 19 November 1996, lot 36 (illustrated in its travel case in Nadelhoffer). The dial design may be compared with other Cartier desk clocks of this period illustrated in Barracca et al. Publications: Published in the Vogue Art...

19th century beautifully hand crafter cathedral clock in gilt bronze. This is a magnificent example of 19th century French craftsmanship. There are many beautiful details to this p...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

A large and magnificent clock set by the renown bronze founder H Luppens of Brussels. Classically modelled in the Louis XVI style, the clock features three ormolu cherubs toiling to ...

A charming antique French wall clock by the famous maker Japy Freres. Beautifully modelled with leafy scrolls and flowers and painted with gold lacquer with the flowers picked out in...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A very fine and palatial French 19th century Regence style figural ormolu-mounted kingwood and tulipwood floral marquetry long-case regulator, after a Model by Charles Cressent (Fren...

Transport yourself to the grandeur of the 19th century with this exquisite French Marble and Bronze Figural Mantel Clock. A true masterpiece of artistry and craftsmanship, this clock...

Decorated with finely detailed gilt foliate and bird motifs, this 19th century French tôle wall clock features a domed face with Roman numerals ...

A desk clock designed by Cartier. A beautiful and sober desk clock, created in Paris France by the the house of Cartier during the late art deco period, back in the early 1935. This desk clock is very rare and has been designed with geometric art deco patterns and assembled from several polished pieces carved from natural black onyx and reddish translucent agate. All parts mounted in gilded bronze and sterling silver settings of .935/.999. Movement: Swiss mechanical wingding Imhof movement, Caliber 244, Fifteen Jewels, 8 days, Serial 2449074. The dial is octagonal with a unique painted scene depicting an ancient Greek ship...

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

Late 19th Century L. Marti et Cie French Napoleon III style Mantel Clock & Garniture Set. The beautifully designed lcock is made from slate with filigree engraving, reuge marble pan...

Large clock in the style of Egyptomania, in marble of different colors, decorated with stylized hieroglyphs, falcons and scarabs. It is topped with a sphinx in patinated bronze. Eg...

A beautiful original antique French clock, modelled in the Baroque style in gilt bronze. It is of architectural form with an applied motif of flowers, scrolls and cornucopia. Scrolli...

Amazing Napoleon III Clock Empire French 19th Century 50cm x 26cm x 15cm good condition

A very fine 19th century French Louis XVI gilt bronze mantle clock . Signed by the clockmaker

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...