1910s Busts

A turn of the 20th century Emmanuel Villanis styled Virgin Mary bust sculpture exudes the ethereal grace reminiscent of the virgin saint in an Art Nou...

Alabaster bust depicting Joan of Arc, whose creation is attributed to Giuseppe Bessi in the early 20th century Ø cm 27 Ø cm 16 h cm 28 Joan of Arc, also known as the Maid of Orléan...

After Giambologna - Scultura, grande gruppo scultoreo "Il ratto delle Sabine" - 120 cm - Bronzo (dorato), Bronzo (patinato) - XX secolo.

A beautiful white ceramic glazed bust of a man. Depicting a man from the Roman Empire. Estimated origin and date: France, circe 1910-1920. Dimensions: 39 (h) x 41 (w) x 26 (d) cm....

Antique Bronze Satyr Sculpture, Antique Bronze Faun Sculpture, Antique Bronze Devil Sculpture, Alix Marquet Bronze Sculpture, Gothic Antique Sculpture. Antique French Bronze Bust Sc...

Heading : Bronze Bust Of a Noble Lady by Dominique Alonzo Date : c1910 Origin : France Decoration : Marble base, ivory head Size : Height 15.5cm, base 12.1 x 7.7 Condition : Excell...

Early 20th Century English Folk-art Hand Carved Gentleman Figure We are proud to offer a unique hand carved English folk-art figure of a quirky looking, very well dressed aged Engl...

An early 20th century sculpted terracotta bust of a lady. The rear indistinctly signed, possibly for Josep Reyes. The sitter with adorned coiffure, her head turned gently , her sh...

Large patinated plaster bust - Bacchante with bunches of grapes - Signed (Frans... ) - Flanders or Belgium - Early 20th century Spectacular and expressive, this large patinated plas...

Art Nouveau golden patinated bronze bust model/seal with acrylic base 'La Poésie' signed by Lecci, exhibited at the Salon des Artistes Français, Paris 1910 By: Lecci Material: coppe...

A very fine French Sevres biscuit (Bisc) porcelain figure of a recumbent nude lady titled "Le Repos" after a model by Alfred Boucher (French, 1850-1934) Sensually depicting a young w...

This terra cotta bust of a monsignor from Dinard, France is signed by the artist with the accompanying date of 1912. An engraving under the left shoulder indicates that the bust was a gift to a Monsignor Blanchet, a well-respected parish priest of Dinard. Msgr Blanchet is depicted wearing a four peak...

Pair of Bronze Busts on Marble Stands of Babies, by Victor Heinrich Seifert (1870-1953)

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.