European Figurative Sculptures

This large ceramic sculpture is the work of Milanese sculptor Toni Fabris. This rare piece was created in the artist's Brera studio in Milan in the early 1960s. It depicts a large tu...

Handcrafted. Practical size sculpture of imperator Napoleon Bonaparte. If you are a collector of good quality antiques having to do with (French) historical figures then this rare a...

Art Deco style sculpture of Icarus winged male nude. Signed by Max Le Verrier Art metal with lovely patina mounted on a Black marble base. With foundry seal. Designed circa 1930. ...

Exceptional polychrome glazed ceramic totem pole by Marcel Giraud, Vallauris Rare, large ceramic piece by Vallauris artist Marcel Giraud. The totem...

H. Riese : "Bower" Patinated bronze sculpture showing a nude archer bending is bow Art deco period, circa 1930 Signed : "H.Riese" on the side of the bronze base Dimensions : H 31...

French Art Deco sculpture by P.Sega, France, 1920s. Young girl playing with a dog. Cold painted spelter and marble. Measures: Width : 13.1"(33.2cm), Height : 10.2"(26cm), Depth : 3.9...

Excellent Goldscheider Ceramic Figurine of the late 1930s: A young, pretty lady with curly hair, wearing only ballet shoes, balancing on her left toes with her upper body turned to t...

Nineteenth century Italian bronze model of Seated Hermes, stamped 'GIORGIO SOMMER FOUNDRY, NAPLES', set on marble plinth base. Dimensions: 44cm (17¼") High, 42cm (16½") Wide, Base 2...

A scarce and delightful antique English majolica pottery man carrying a sack spill holder by Royal Worcester and dating from around 1865. The well potted figure stands raised on a wi...

This rare and remarkable "Head of a Potter," executed in a rich, deep blue glaze by Jais Nielsen, is both strong and subtle, an evocative and beautiful capturing of a young man's vis...

Art Deco style lamp sculpture nude with scarf SERENITE signed Fayral, pseudonym of Pierre Le Faguays. Patinated metal on marble base, frosted glass. Design ca. 1930. Posthumous cont...

This playful Postmodern coat stand is not only a smart space saver in a hallway, pantry or dressing room, it is also a pleasant and cheerful interior e...

- Made in Czechoslovakia - Maker: Royal Dux - Good, original condition.

A reclining bronze of Venus. There is great detail in the casting.

Roman marble Fragment of a Right Foot with Sandal Circa 1st - 2nd Century A.D. An evocative Roman marble fragment, preserving the front portion of an over-lifesized sandalled foot. The toes, nails, and bridge of the foot have been sensitively carved. The outer sole of the sandal remains, with delicate, pointed straps joining between the first two toes in a diamond shape. This fragment once belonged to Danish sculptor Jens Adolf Jerichau...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

Elegant nude neoclassical bronze sculpture of woman with her hand raised looking forward. Great looking patina, beautiful object of art f...

A mid-century Rosenthal Netter nude sculpture in brass on a black wood base made circa the 1960s.

This fabulous bronze peacock was made at Franz Bergman's Vienna foundry and bears the name of sculptor Bruno Zach. The highly detailed sculpture is beautifully cast and features cold painted polychrome decoration. The peacock's crested head is turned slightly to the left and its magnificent fanned tail feathers - also known as a train - are realistically rendered and arch forward as they rise. The train has splayed feathers at both ends that rest flat on the display surface, preventing instability. The feathers have been finished with white shafts and greenish-gold vanes while the ornamental black eyespots are accented with metallic rose and copper colored paint. It should be noted that the back of the bird's train is also highly detailed lending visual interest if viewed from the front or the rear. The peacock's head and body are painted in a silvery color while the painted decoration on the head includes large white masks and black eyes that are ringed in orange. The bird's angled beak is finished in yellow and has well defined upper and lower sections. The peacock's wings are positioned parallel to its body and extend back beyond the train. The outside of each wing is accented in mottled copper and black paint while the rear portions bear a series of painted copper and black stripes. The bird's thin legs are finished in gray and have black spurs at the back. Its long toes terminate in sharp black talons. The peacock is in very good condition with no replacements or repairs. As an antique, the piece shows signs of age including minor areas of paint loss that are noted for accuracy. It stands 8" at the tallest point of the train and is 11.5" as measured across the widest points of the train. The piece is 3.25" at its deepest point. The back of the train bears a partially legible Bergman amphora-shaped foundry mark with a B at the center. It is also signed 'Zach' in cast at the underside of one section of tail feathers for sculptor Bruno Zach who had a history of collaborating with Bergman to edit and cast some of his works. The peacock weighs 3lbs 2oz. This lovely antique Vienna Bronze peacock sculpture...

Serpentine Green Marble Sculpture, The Lion Of Lucerne After Bertel Thorvaldsen Circa 1880

Genuine tall alabaster sculpture by Guglielmo PUGI (1858-1941), Florence, Italy, 1880s. Young girl with tambourine, perhaps a gypsy. On its base. Direct carving. With base - Height...

Cast iron low relief sculpture of 'Europa and the Bull' by The Bauhaus Sculptor Gerhard Marcks (German 1889-1981). Especially annotated on the verso and dated 1959. Signed with the ...

French Art Deco Ceramic Valkyrie Sculpture by Charles LEMANCEAU at Saint-Clement's, France, 1920s. Width: 22.6"(58cm), Height: 15.2"(38cm), Depth: 5.7"(15cm). Signed "Lemanceau" on t...

An Austrian 19th-20th century Orientalist terracotta bust of a young girl in Middle-Eastern Garb. The young smiling beauty wearing a head scaft and shawl tied with a broche-pin brooch pin and jewlry around her neck, raised on a circular ebonized wood stand. Probably by Friedrich Goldscheider (Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik) - The backside stamped: "T - No. 258". circa 1900. The Goldscheider Manufactory and Majolica Factory (German: Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik, (now) Goldscheider Keramik) is an Austrian ceramic manufactory. In 1885, Friedrich Goldscheider came from the small Bohemian city of Pilsen to Vienna and founded the Goldscheider Manufactory and Majolica Factory. It became one of the most influential ceramic manufactories of terracotta, faience and bronze objects in Austria with subsidiaries in Paris, Leipzig and Florence. For over half a century Goldscheider created masterpieces of historical revivalism, Art Nouveau (Jugendstil) and Art Deco. Famous artists such as Josef Lorenzl, Stefan Dakon, Ida Meisinger and the two perhaps best known Austrian ceramic artists Michael Powolny and Vally Wieselthier worked for Goldscheider. Several of the artists who worked for Goldscheider also worked for other Viennese studios, such as Augarten, Keramos or for the German brands Rosenthal and Meissen. The Goldscheider family emigrated in 1938 to United Kingdom and USA. Walter Goldscheider startet a new factory in Trenton, New Jersey and returned to Vienna in 1950. Marcel Goldscheider went to Stoke-on-Trent and produced figurative ceramics for Myott and opened his own studio in the 1950s in Hanley. Both brothers died in the early 1960s. More than 10,000 different models were created over a period of three generations. Since the very beginning many of these won first prizes and gold medals at innumerable world fairs, exhibitions and trade fairs. Goldscheider figures...

Fine quality pair of French 19th century gilt bronze (electrotype technique) relief plaques. Children in backyard farm, garden scene.

A truly wonderful example of the work of Johann Maresch. Signed "JM" on the underside. Maresch was born in 1821, and so his works were done mainly in the 19th century. He worked in...

The Agelada Glass Vase with pendant was originally designed by Ettore Sottsass in 1986 for Memphis. It's part of the “Vetri Glass” collection. Made in blown Murano glass, and signed ...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

This cold painted bronze is larger than usual for this subject matter. The man sitting on a large rug and holding a rifle shows off the work of Franz Bergmann. Meticulously painted ...

This is an interesting bronze sculpture multiple art work signed by the Italian artist Filippo Panseca. Title The secret of the Pharaoh This is a multiple of a numbered edition of...

This captivating Art Deco ceramic group, dating from around 1925, features two cabaret dancers captured in mid-performance, mimicking a military march. The figures are beautifully ex...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Meissen, Germany. Porcelain figurine of boy with basket...

Pierrot under the Moon sculpture, France, ca.1900. Polychrome plaster and mirror. Pierrot sits on a stone balustrade and plays the mandolin under the moon. The moon is represented b...

Beautiful quality, turn of the century craftsmanship pendant light. This stunning bronze chandelier of practical size is in excellent condition. The top quality workmanship is unlik...

Bronze statue on marble base in art deco style. Copy of a dancer sculpture by D.H.Chiparus.

Beautiful vintage Murano hand blown pink, white, gold flecks and controlled bubbles Italian art glass sculptural seashell bowl. Documented to designer Alfredo Barbini. The piece has ...

Beautiful metal weathervane representing a rooster or cockerel, France, 1850-1900. Weathered and small losses. Measurement here below is inclusive the wooden base.

Pair of Early 20th century English articulated pine mannequin hands Everybody needs a hand or two, With deep colour and a lovely natural patination across all the surfaces. This pai...

Impressive Bronze Sculpture - "Imperial French Cuirassier 1804" mid 19th Century. A beautifully detailed bronze sculpture of a soldier mounted on his horse bearing the insignia of Napoleon with silver and gold gilt and polychrome patina. On an onyx base (some small losses and chips). Plate mentioning "Corazziere Imperiale Francia 1804 64/200". This piece is a limited edition and numbered 64 out of 200 made. The phrase "Corazziere Imperiale Francia 1804" appears to be Italian. It translates to "Imperial French Cuirassier 1804" in English. Cuirassiers were heavy cavalry units in European armies, and "Imperial French Cuirassier" refers to a specific type of cavalryman serving in the French Imperial Army during the Napoleonic era, particularly around the year 1804 when Napoleon Bonaparte was crowned Emperor of the French. The Imperial Guard...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

Art Deco style sculpture dancer Tourbillon, nude with ribbon by Fayral, pseudonym of Pierre Le Faguays. With the Le Verrier foundry mark. Patinated Art Metal on a black marble base...

Best fine quality sculpture with a monogram 'CV' or 'VC'. Unfortunately we don't know who the maker of this sizeable and very impressive work of art is. However, when somebody is ca...

A fine antique 18th German porcelain figurine. By the Royal Meissen Porcelain Manufactory. Model Number 12. Depicting a Trumpeter from the 'Gallant Orchestra' series created b...

Wonderful work of art for displaying on a side table, dresser etc. This Art Deco sculpture embodies everything we love about art and antiques. The beautiful and realistic, young female in her 1920s dress and hairdo is a work of art (deco) by herself. Flanked by her equally stylish greyhound dogs this lady sculpture will look marvellous no matter where you decide to put her on display. Apart from minor wear (consistent with age) this work of art is in excellent condition and ready for you to enjoy. The colors of the marble base combined with the patina of the sculptures is a match made in heaven and we expect this refined lady to find a new home soon. Especially when taken into account that perfect packing and worldwide delivery from our store to your door in just 4 days is free. Maximum height x width x depth: 11 x 16 x 4.3 inches. We have a passion for the unique, for quality, for stylish yet practical and for craftsmanship of years gone by. Your purchases will be extremely well packaged and we look forward to serving you (again). You can shop all our 1000+ listings by pushing the button that reads 'View All From Seller'. Keywords: 1920s sculpture, 1930s sculpture, French Art Deco, Interwar period Vintage Art Deco sculpture, Lady with dogs sculpture, Elegant woman statue, Borzoi dog sculpture, Greyhound figurine...

Hand-carved in Italy, circa 1800, this pair of giltwood angels is depicted in a double genuflection, or kneeling, stance. Both angels are completely gil...

Gorgeous coffee table handcrafted by Italian Artist and Sculptor Salvino Marsura. (1938-2020) The coffee table shows an amazing tree in heavy gilt wrought iron. On top is the origina...

Important white marble sculpture by the Italian-born master, Luca Madrassi (1848-1919), depicting a standing nude beauty surrounded by three cherubs, two playing bronze flutes and on...

Antoniucci VOLTI ( 1915-1989 ) Original bronze sculpture with green patina depicting a nude figure. Signed "Volti" and numbered "6/6" with Art Foundry / Toronto pastille. Circa 1978...

Comparable to the circus set from Tiffany & Co., these 3 Italian mixed metal (including silver) circus clowns sculptures/ miniature figurines from the mid-20th century are very reali...

'L'Etoile du Matin', an Art Nouveau patinated bronze sculpture by renowned French sculptor Adrien Etienne Gaudez (1845 – 1902). This evocative piece depicts a mythological lady in fl...

A small figural nude verte green bronze Greek God 'Bacchus' sculpture statue, circa mid-20th century. Bacchus was known as the 'wine' God. Piece has nice, made of sold bronze or brass, with a dark green matte verdigris finish. Dimensions: 2.13" Depth x 2.25" Width x 6.25" Height. Round Side Table shown, search 1stdibs ID#: LU1314219316612 (SOLD.) Lucite Side Table shown search 1stdibs ID#: LU1314212156103 Modern Art Deco Spheres...

The jellyfish is the main element of the Mosche Bianche's "Medusa" Collection: fluid, delicate but also dangerous and deadly. It represents the water, the circle of life. The spe...

This Carrara marble bas relief sculpture was hand carved in England in the late 1800s, in good condition. The antique relief sculpture depicts...

18th century Italian slipware decorated Pottery Group, "Fleeing the Eruption of Mt. Vesuvius in 79AD" in Pompeii resulting in the death of over 100 people.. No marks. N.P. Trent has...

SILVERED BRONZE From our Sculpture collection, we are pleased to offer this rare example Art Deco Bronze Figure by Paul Philippe. The figure beautifully raised upon a geometric bla...

Large art deco illuminating sculpture, circa 1930. Spelter sculpture on marble base. Opalescent glass ball soap bubble. In perfect condition and electrified Length: 17,5 cm Diam...

A rare and stunning antique Staffordshire transfer printed pottery model of a cow and milkmaid figure dating from the mid 19th century. The well potted and hand crafted figure stands...

A Lifesize Late 19th Century to Early 20th Century Plaster and Composition Cast from the Vatican Original of Apoxyomenos, The Scraping Athlete. Originally found in Trastevere in 184...

Large decorative cane cactus, 1960s. In very good vintage condition with minimal wear of use.

This vintage Flavia Montelupo Ceramic lion is a beautiful addition to any collection. Made in Italy by Aldo Londi (Bitossi), this unglazed figure showcases the intricate details of a...