European Figurative Sculptures

An important 19th-century bronze sculpture Michelangelo (1475-1564). This Florentine sculptor, painter, architect, and poet is known for his monumental works such as the ceiling fres...

Mischievous creature sculpture, by Aurelio Teno, unsigned, Spanish, circa 1960s. Constructed of a seashell, silver or silvered bronze, and semi precious stone eyes on an agate base. ...

Silver and silver gilt nef sailing ship Continental, 20th Century Height 44cm, width 38cm, depth 12cm Made from silver and silver gilt, this nef, also known as a model ship, is br...

Marble Sculpture nude woman in kneeling postion on a concrete 3 piece pedestal. Dimensions: Sculpture 35" h x 15" w x 16 1/2"d. Pedestal. 3...

A large 'Grand Tour' late 19th Century patinated bronze sculpture of the Ancient Roman hunter Narcissus by Michele Amodio. Created after the discovery of the original statue (1 Centu...

A very fine 19th century Italian Carrara marble sculpture depicting a wonderful angel, original carved marble, by Emilio ...

This exquisite Murano glass pear, crafted in the 1970s, embodies the artistry and elegance of Italian glassmaking. Featuring controlled bubbles that transition from transparent to sh...

Sculpture of an angel in marble, making the sign of silence. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL Tags: Scultura di...

Beautiful vintage Murano hand blown black and white spotted Italian art glass dove bird figurine sculpture. Documented to designer Archimede Seguso, from the "Bianco Nero" series. The figurine still retains an intact original "Archimede Seguso - Murano - Made In Italy" label underneath. Nicely detailed piece, giving it great character. It has a little tail as well. Would make a great desk companion, or display it on a side table or curio cabinet. Midcentury era. Collectors item. Measures: 4 3/4" long x 2 3/8" wide x 3 1/8" tall. Literature: Archimede Seguso: Mid-mod Glass...

Chic vintage Italian palm tree object of art having tole leaves on a brass trunk in a classical porcelain planter with quartz stones.

EUGENE MARIOTON (1857-1933),"La Reconoissance",statue in spelter,France,1930. It is in excellent condition considering its age and is 56 cm high. Signed by the artist, it is on a ma...

Mid Century Modern female statue in Bronze. Unknown artist. Ca 1950 - 60s France.

A fine antique English Staffordshire pottery figurine. Depicting a seated Spaniel. With confetti fur and painted black highlights. Simply a wonderful Staffordshire dog figurine...

Alluring sculpture made of gilt bronze and marble by Affortunato Gory, depicting a walking lady with traditional attire and appears to be grabbing a cloth towel as well. Made in Fran...

Vintage David Bust Replica of Famous Statue David - Premium Sculpted Resin of Marble with White Marble Finish Hand Painted and patinated, made in Italy. Condition: It is in very go...

Gucci Vintage gold plated money clip and pin in original box signed with Gucci and in very good vintage condition. Measures: 16,5 H x 8 W x 2 D cm Box 7,5 H x 2,5 W x 1,5 D cm....

Bronze sculpture of a beautiful female nude, created by Vincenzo Aurisicchio in the second part of the 19th century. The bronze sculpture is in really good conditions. Ø cm 23 Ø cm...

A delightful 17th century Northern Italian "Haut De Chapiteau" - architectural fragment - beautifully carved from polychromed wood and presented on its iron stand. Wonderfully decora...

Large double patina bronze representing the Florentine Singer of the 15th century, signed P Dubois Fr The young and elegant boy, standing, plays and sings, leaning against a column:...

Terracotta after Clodion, A Bacchante Mounted on a Double Marble Pedestal. Signed on the back in the clay "Clodion." Claude Michel Clodion was a French R...

Set of German christmas tree figures made in papier-mâché in green with snow glitter. Handmade from the original antique mold in Germany. In th...

Made in Italy, 1960s. This scene sculpted by Carlo Mollica recalls the mythological figures of Leda and the Swan (Zeus). It is made in polychromed porcel...

Pair of Early 20th century English articulated pine mannequin hands Everybody needs a hand or two, With deep colour and a lovely natural patination across all the surfaces. This pai...

Large French Neoclassical Style Plaster Hand Sculpture. Unusually large and well detailed Neoclassical Roman plaster hand sculpture. This vintage French academic plaster hand sculpt...

French Art Deco nude lady and german shepherd by Louis RICHE, France , ca.1920. Polychrome glazed terracotta. Height : 17.5"(44.5cm), Width : 27"(68.5cm), Depth : 10.8"(27.5cm). Sign...

Spanish Sculpture of the 17th century "Saint Antony and the Child Jesus" Measures: H: 61cm, polychrome and gilded wood. Good condition.

19th century bronze group with brown patina after the self-portrait with her daughter, Jeanne-Lucie-Louise called Julie, realized by Élisabeth Vigée Le Brun...

This is an old large Spaniard hand painted and carved wood nude baby Jesus. He has hand painted large expressive eyes and eye brows. His abundant hair is bro...

Cool whimsical collection of seven Danish modern viking figures after Jacob Jensen, circa 1960s. The set is in good vintage condition and the vikings range in size from 3" high to 7....

Set of Two Sunbeds. Design by Salvador Dalí­­, 1903 Manufactured by BD Barcelona Solid Iroko wooden structure with polyamide wheels. Optional upholstered cushion with water repelle...

19th Century French Bronze Figure of Cupid, Attributed to Auguste Moreau France, circa 1890 Unsigned A captivating 19th-century French bronze figure of Cupid, attributed to the reno...

Sculpture of Venus in resin and metal base, small model. Venus is the goddess of love, seduction and beauty in Roman mythology. She is the equivalent of the Greek goddess Aphrodite....

18th Century Neapolitan Crib Figure Collection A rare collection of five museum quality late 18th / early 19th Century hand carved Neapolitan crib figures...

Scandinavian Miniature Danish Viking, Denmark, 20th Century.

This impressive model of the nude holding a dove towering 34" high is the largest and rarest size made. A fine original French Art Deco polished nickeled bronze and black Belgian marble statue by Amadeo Gennarelli; signed Gennarelli in the stone base. The figure called "Le messager", the messenger is the original name created by the artist. In addition to the artist's signature, this sculpture bears the original label inscribed with this title and date 5...

Royal Dux. Rococo couple in hand painted porcelain, 1940s. Stamped. In very good condition. The woman measures: 21 x 13 cm. The man measures: 22 x 9 cm.

Large antique sculpted marble figure of Caesar Augustus Italian, early 20th century Measures: Height 186cm, width 118cm, depth 44cm Known as the ‘Augustus of Prima Porta,’ the o...

French Art Deco Tennisman Porcelain Bottle by Georges Bastard (Paris), France, circa 1924, for Abercrombie & Fitch (New York, USA). This striking French Art Deco porcelain bottle, cr...

A solid bronze and brass knight sculpture candelabra later converted to electrified table lamp with large frosted glass torch flame shade. Europe...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

Austrian Erotic Bronze Nymph & Satyr, Style of Bergman Austria, circa 1900s A well executed two piece bronze, that presents the naked female figure f...

This provocative, desk-size bronze statuette of a semi-nude oriental dancer in a sensuous, rather candid pose rendered in the best Art Nouveau traditions of the world-famous Viennese foundry of Franz Xavier Bergman...

18th century Italian crucifix mounted on green malachite, calcite with fluorite, and raspberry garnet. The piece is adorned with Carnelian pebbles and garnet. The minerals are from a...

Italian cold painted tole potted tulip table decoration. A white footed pot holds a symmetrical cluster of shaded pink, blue and yellow metal closed tulips....

Lladro, Spain. Large figure in glazed ceramics. Woman carrying water, late 20th century. Measures: 26.5 x 14.5 cm. In very good condition. Stam...

French Art Deco terracotta sculpture by Henri Bargas, France, ca.1920. The three doves. Measures: width 17.7"(45 cm), height 16.6"(42 cm), depth 8.9"(22.5 cm). Excellent+++++ conditi...

Art Deco bronze panther sculpture by Georges Lavroff. Signed G. Lavroff in the bronze, on a Belgian Black marble base. France 1945. This panther is illustrated in the book: George...

A fine antique bronze sculpture. By Marcel Debut (1865-1933). In patinated bronze. In the form of a farmer ploughing a field with two oxen atop a terrain plinth in the form of mud...

Antonio Canova (Italian, 1757-1822) is widely regarded as one of the masters of Neoclassical sculpture, and his marble group 'The Three Graces' is one of his most acclaimed works. This exceptional bronze group is a full-size replica of Canova's masterpiece, and exhibits much of the lightness, harmoniousness and elegance of the original. This bronze group was cast from Canova's original by the Italian Fonderia Versiliese, the foundry who cast the famous oversized sculptures...

Large Saint John the Evangelist figure created in the workshop of Franz Matthias Hiernle in Mainz, Germany. The superbly carved and highly decorated slender figure, in an elegant and...

This is a vintage cast playful bird bath or feeder. It features a man’s head and neck with a birdbath sitting on top like a hat. A whimsical item that would ...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

Excellent and rare Meissen porcelain genre group: Elegantly dressed Rococo couple in the shade of a group of trees: a young lady sitting at the feet of her beau, leaning back against...

Austrian Cold Painted Bronze Bedouin Maiden & Attendant at Well, Fully Signed Franz Xavier Bergman (Austrian, 1861 ~ 1936) This exquisite Austrian cold-painted bronze sculpture by F...

A spectacular matched pair of large and extremely rare Emile Louis Picault cold painted bronze sculptures from the late 19th century. Exquisitely handcrafted in France, circa 189...

Seduction, elegant sculpture in Art Deco style of a nude lady with gazelle by Pierre Le Faguays for Max Le Verrier, signed Fayal and with foundry seal. Art metal with dark green pat...

Set of German christmas tree figures made in papier-mâché in green with snow glitter. Handmade from the original antique mold in Germany. In th...

Large Italian Marble Sculpture – "The Rape of Proserpina" Origin: Italy Period: 1970s (20th century) Material: Italian white marble Dime...

EUGÈNE MARIOTON French, 1857-1933 Diana, the Huntress Patinated and burnished bronze signed to base "Eug. Marioton" and cold-stamped by foundry "E. Colin et Cie Paris" Item # 305...

3-1056 hand carved black walnut figure of Christ from a tree branch.