21st Century and Contemporary Figurative Sculptures

Sculptural glass lemon, handmade in Auckland, New Zealand by artist Devyn Ormsby. Individually cast from a true to size lemon into a solid, crystal glass form. Each lemon is a perso...

Female nude form ‘Aphrodite’ by Jude Jelfs. Slab-built earthenware with vitreous slips and sgraffito. Glazed inside. Due to the handmade nature, subtle variations in form and finish...

"Lo Schiavo" vase, born for the personal exhibition of the designer Vito Nesta "Musica da Viaggio. Vito Nesta nelle stanze di Giuseppe Verdi" which took place during the Salone del Mobile 2019 at the Grand Hotel et de Milan. The vase is the reinterpretation of a large marble sculpture usually placed in the entrance hall of the Hotel, a 19th century allegory of the abolition of slavery in Brazil, whose law was signed by the imperial majesties Dom Pedro II...

A fine porcelain figurine. In the form of a black back doll with pink geometric patterns to the torso that is reminiscent of magma cracks in stone. By Russel Biles. A self-d...

Add a touch of sophistication and style to your home decor with our elegant marble bookend featuring brass dolphins. This unique and chic piece is perfect for holding your books in p...

Add some sophistication and elegance to your living space with our decorated satin brass cup on a black marble base. Perfect for holding small items or just ...

This artwork embodies the addiction to games. Gameboy creates trials for people - the game here is not just entertainment, but an important type of social skills and information tran...

Chinese statue Made by the famous Shiwan Artist Feng Weimin. A poem by Liu Bang， the founding emperor of the Han Dynasty “The wind is blowing and the clouds are flying，establish auth...

“Being and non-being create each other. Difficult and easy support each other.” The Tao by Michael Alfano. Yin Yang is a Chinese philosophical concept that describes opposite but in...

Altar II Welded steel and found metal components 23 18.5 x 5in. This compact yet expressive steel sculpture evokes a sense of watchful presence and poised stillness. Constructed from welded and repurposed industrial fragments, Altar II assembles a seemingly abstract figure atop a rectangular base. A gently arched form with an affixed ring suggests a head in profile—open-eyed and alert—while a curved appendage anchors the composition with an anthropomorphic grace. Deeply evocative, the work explores gesture through geometry, invoking the timeless ritual of silent observation. Measures: 5 x 18.5 x 23 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

These handsome but quirky brothers designed by Miguel and Ilse Silva for Wooda are the result of an engaging mix of personality, love, fun and mischievousness. Los Hermanos Calavera(...

Unique piece sign by the artist. The Spring in Italy bonsai is inspired by the beautiful Maple trees and their flowering. The materials are wood and metals, representing both the s...

This sculpture embodies the continuous flow of money exchange — money for money, money for goods, money for services. Each banknote passes uninterruptedly from hand to hand. The arti...

Man welded steel, found objects 24 x 5 x 4.5 in. In Man, Scott Gordon distills masculinity into a singular, vertical gesture—spare, elon...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

Ahsoka Tano reappears in the second season of the successful series “The Mandalorian". The recreation of this character in porcelain exemplifies the high level of detail it is possible to achieve with this material. The execution and decoration are sublime. The etching of the clothing, in impressive detail, and the painstaking decoration of the face, particularly the blue eyes, ensure that this piece will become a must-have for all true Star Wars fans...

Roman woman sculpture, marble sculpture, Roman matron sculpture, Roman matron sculpture with tunic and stole carved on white Carrara marble original sculpture made in Italy The weigh...

Odyssey welded steel Measures: 18.5 x 19 x 18 in. Rooted in industrial materiality and abstract expression, Odyssey invites the viewer into a narrative of motion and emergence. A spiraling steel ribbon unfurls around a central, columnar form—ribbed and machined with mechanical precision—suggesting a journey inward or upward. A sharp, angular plane rises nearby like a sentinel or waypoint, introducing tension and verticality. The contrast of machined and hand-forged surfaces echoes the balance between human intention and mechanical force. With a commanding presence on its rough-edged steel base, Odyssey reflects on structure, evolution, and the persistence of form through time. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

This Italian porcelain sculpture is part of Grand Tour by Vito Nesta. Made in Capodimonte porcelain with a glossy finish and gold detail, this sculpture is an essential oil diffuser...

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Succession welded steel Measures: 6-1/4 x 13-1/2 x 5-1/2 in. This minimalist steel sculpture features a rhythmic progression of three arching forms, each rising from a shared rectangular base. Varying slightly in scale and curvature, the arcs evoke a sense of motion—like a wave cresting and falling, or stages in a structural evolution. The oxidized surfaces lend a rich patina, highlighting the tactile character of the metal and the passage of time. Balancing repetition with variation, the work engages the viewer through its quiet presence and industrial materiality. It is at once architectural and organic, a study in form, balance, and endurance. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Venus welded steel Measures: 12-1/2 x 17-1/2-37 in. This vertical steel sculpture presents a commanding, almost anthropomorphic figure, assembled from industrial components and softened by age-worn patina. A central oval form anchors the piece—suggesting a torso—while angular extensions imply limbs or mechanical appendages. The upward-reaching element at the top introduces a sense of gesture or alertness, reinforcing the piece’s totemic quality. Sturdy yet expressive, the work balances raw materiality with suggestive figuration. Its posture hints at motion held in pause, evoking associations with tools, guardians, or relics of an unknown past. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

Limited edition Mexican Bella Catrina figurine in black gloss finish porcelain, adorned with three handmade flowers. The people of Mexico have a special relationship with death, to the point that it is part of the culture and daily life of this North American country. The Bella Catrina, conceived in the imagination of the artist Jose Guadalupe Posada...

A really cool and whimsical surfer sculpture by Mitch Berg, circa 2008. The piece is in good vintage condition and measures 10.5" W x 4.5" D x 15" H. ...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the ...

Set/3 Animals Pigmeo, Calacatta Bianco Marble, Lusitanus Home Collection by Lusitanus Home. Handcrafted animal sculptures in Calacatta Bianco Marb...

Design by Salvador Dalí­, 1903 manufactured by BD Barcelona Solid Iroko wooden structure with polyamide wheels. Optional upholstered cushion with water repellent foam and materi...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Born in 1972, the Cactus Coat Rack has questioned the static and rigid world of interior design since its inception, revolutionizing the traditional furniture...

Portal welded steel Measures: 8.5 x 12.5 x 17.5 in. This abstract steel sculpture explores the balance between solidity and openness. A vertical arm rises from an irregularly shaped base, terminating in a cantilevered form that projects outward. The composition is simple yet evocative, suggesting movement or transition—an architectural gesture frozen in time. Surface textures, visible welds, and the rawness of the metal emphasize the hand of the maker and the industrial origins of the material. The work invites contemplation of spatial tension, negative space, and the quiet power of restraint. Both grounded and reaching, it speaks to themes of structure, memory, and impermanence. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

This piece is the contribution by the prestigious designer Ricardo Cavolo to The Guest, the creative project inviting cutting-edge artists from around the world to customize this fas...

JABUTI (turtle in Portuguese) is part of Bichos do Brasil collection that is decorative and collectible objects of wooden figures that represent animals of the Brazilian Fauna. The d...

Monument welded steel, found objects 20.5 x 16 x 4 in. Monument stands as a stark, enigmatic structure—part signal, part shrine. With its twin-columned base and vertical shaft crowned by a cantilevered horizontal arm, the piece recalls ancient markers or industrial relics repurposed for reverence. The form is at once rigid and reaching, grounded yet gestural.Its silhouette suggests a memorial to unseen histories—a tribute to labor, endurance, or forgotten architectures. The off-center balance and weathered presence give it a sense of quiet authority, as though it were a relic unearthed from a future past.With minimalist economy and ritual poise, Monument invites contemplation on permanence, presence, and the symbols we choose to elevate. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form.Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental.Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Tortoise welded steel, found objects 17 x 10 x 4 in. In Tortoise, Scott Gordon evokes the steady, grounded presence of its namesake through an abstracted, almost calligraphic form. ...

Unique piece sign by the artist. This work was created in 2019 with the clear intention of expressing, with a tangible representation, the proud contrast of a tree to the unleashed ...

In red resin, acryl and metal by the contemporary artist Anton. The artist works of art is an humoristic character standing in many different situations, always funny, in bright col...

Sandro couple sculpture, 2017 Taxidermy, Ceramic Plate. Made in Berlin in 2017.   

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Murano glass lovers sculpture signed Schiavon. Italy, 2012.

Green glazed stoneware « Bastet » by Laurent Dufour. Artist signature under the base. Unique piece. 2024. H : 80.7 x 22 x 22 inches.

This shorter "Modern Totem" sculpture consists of softly rectangular rings stacked one on top of the other, on short angled feet. Another angled foot is replicated above under the to...

Pieces, 2017 Measures: glass Measures: 1 1/5 × 3 9/10 × 5 9/10 in 3 × 10 × 15 cm Contemporary artwork made in Berlin in 2017 by Sandro.

Florimel series inverts a narrative of purely utilitarian object into artistic interpretation of interplay of colors, light, and shadows on organic-based 3-dimentional forms. Bowl I ...

Toro welded steel, found objects 14 x 36 x 12 in. Inspired by Picasso’s iconic Bull's Head, Scott Gordon’s Toro distills the figure of t...

"The ring is on the table", unique piece, 2017 glazed earthenware A Ring Thing collection A small chair, a miniature moon, a Philipp Stark's squeezer or the anatomical details of...

Bronze with brown patination. Signed and numbered lower right on the foot “Jacques Tenenhaus 2000 1/8”, “Landowski Fondeur” foundry. Provenance: Artist’s workshop.     

Superb sculpture by Jianhua Liu for the French Daum manufacture titled "Souvenir d'Amour" (Memory of Love). Representation of a woman with its upper body missing laying on a metal plate. The glass sculpture is fused to the plate. Signed by the manufacture and artist and numbered 007/125. Comes with a plaque with the name of the manufacture, artist, sculpture and edition number. The original box is also present but has significant wear. Sculpture in very good condition, slight use to the metal plate. Dimensions in cm ( H x D ) and ( H x L x l ) : - Ensemble : 10 x 45 - Glass Paste Sculpture : 9 x 38 x 18 Secure shipping. Liu Jianhua...

White and black porcelain figurine with a silver gloss created by Rolito for The Guest by LLadró Atelier collection with a white base attache...

Introducing a one-of-a-kind wooden sculpture by renowned artist Salvador Dali. The Salvador Dali Contemporary Portlligat wood sculpture sunbed is a unique and exclusive piece that is...

Carl Aubock patinated brass "Architect" sculpture #4061. Produced by Carl Auböck IV in the original Auböck workshop in Vienna, Austria using the same standards, high-quality material...

Large hand-sculpted ceramic vase or sculpture "Idole" stylized profile face, stoneware with shiny red enamel. One of a kind handmade piece signed by the French ceramicists Dalo, 202...

This Italian porcelain sculpture is part of Grand Tour by Vito Nesta. Made in Capodimonte porcelain with a glossy finish and gold detail, this sculpture is an essential oil diffuser...

Sculpture Dedication Bronze with all structure in solid bronze in brown finish. Base dimensions: L52xD12x01cm.

The jellyfish is the main element of the Mosche Bianche's "Medusa" Collection: fluid, delicate but also dangerous and deadly. It represents the water, the circle of life. Glass fusing...

Light sculpture Made of perpex, mirror, neon and hand-applied films "The intervention of an artist, citizen of the world, like Marco Lodola has created a climate of high cultural as ...

scultura, piede, modello piede, piede greco, modello piede studio, modello piede classico. Studio model for a life-size foot. sculpture made of marmorine impasto, a binder also calle...

Sculpture unity bronze in solid patinated bronze on black oak base (included). Lost wax bronze technique. Base: L 12 x D 12 x H 18cm.

Porcelain creation depicting Jaime Hayon’s latest creation. A work that speaks about looking after oneself and harmony. Jaime Hayon’s latest creation in porcelain for Lladró is a new character sure to be another resounding success. Ten years after...

Sculpture women earth in bronze, foundry: technique de la cire perdue. Made in France by Marie-Frédérique Bey. Weight: 60kg. Limited edition of 3 p...