North American Vases

Antique "arts & crafts" pottery vase by Van Briggle Pottery Company., circa 1940s. Wonderful aqua color and a great vintage patina make this hard to find vase! It is in very good vin...

Nemadji Native Indian Art Pottery Ceramic green brown vase 4.13 h x 4.75 diameter Original vintage, refer to images listed.

1960s Anthony Gold Leaf Trumpet Bud Vase Pottery Freeman McFarlin Pottery El Monte, California 11.25 h x 3.75 diameter Stamped Anthony USA #...

Mid century circa 1951 Rookwood bud vase featuring a bulbous body with geometric acanthus leaf design. Marked 7062, LI - 1951. Dimensions: 5" x 5" (Diameter x Height)

Vase #696 by Karen Gayle Tinney Featuring a large gestural knot, this vase takes inspiration from the braided details of Karen’s one of a kind wall sculptures...

Here's a highly unusual hand-built pottery vase from the 1970s. The very sculptural shape is glazed half clear--letting the natural terracotta clay color come through--and half black...

Two vases in one, composed of a series of black minimal hand-painted stainless steel tubes in various dimensions and cut on the bias, the contemporary Bana Double vase can uniquely accommodate a single stem to full flower...

Beautiful elegant American classic glass blown tall cylinder vase , by Blenko circa 1970's nice color great condition no chips or cracks.

A collection of 200 unique bowls, the Concrete series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes co...

Vintage American art studio pottery vessel or jar with wooden stopper features abstract hand-painted decor in black, brown, and muted orange palette on speckled off-white background...

Antique Rookwood Irene Bishop vase or urn featuring Art Nouveau / Arts & Crafts styling with an Autumn Oak leaf motif of browns and orange glaze. Cirac 1901. Shape 40. Signed IB f...

Organic pottery vase with matte warm cream colored speckled exterior and black gloss interior glaze. Made by studio potter Laura Seaman. Unsigned. 2020s

Lovely Arts and Crafts "pumpkin" from hand hammered copper vase. Out of a local estate the piece has great patina and wear. A small ding to t...

Striking Modernist vase in salt and drip glaze is decorated with abstract design of a running horse in espresso brown textured drip glaze and semi-transparent white glaze on speckled chocolate brown background; the foot of the vase is done in lightly textured brown and white glaze. The inner surfaces are finished in lightly speckled brown glaze. Powerful, expressive design is enhanced by the textured elements of the glaze, and minimal vase...

Bud wall vase by Gentner Design Dimensions: D 14 x H 12 cm Materials: patinated brass Each of these delicately, handcrafted Wall Vase is perfect as an individual home accessory. Mad...

Ozark Pottery Company vase in blue and light blue swirled glaze. When demand for utilitarian ware waned, many potteries introduced their art line. Artifi...

Tiffany Favril and pulled feather glass vase, circ 1900's. Retains original paper label. Marked with "favril" and production number. "

Antique Rookwood Art Deco 1920 XX pink / purple matte glaze vase or urn. Shape 2404. This vase was designed by Albert Cyrus Munson, active b.1917. Albert Cyrus Munson designed pie...

Tall art glass tan tortoiseshell pattern sculptural glass vase. A wonderful tall oblong vessel screaming to be displayed. Round in form, the base is tape...

Marked glaze ceramic decorative urn, vase in terracotta and elephant handles. Finished in a beautiful warm Turquoise and Brown Hue with smooth Textures. Marked at the Base E and sign...

Artist/Designer; Manufacturer: Grueby Faience Co. Marking(s); notes: signed Materials: glazed earthenware Dimensions (H, W, D): 11.25″h, 5.5″dia Additional Information: The vase was ...

Art Glass vase with pulled feather design, soft iridescent colors, footed. The vase is signed Satava Studios, Gibbons and dated 1982. Dimensions: 4 1/2" W x 9 3/4" H Condition: good,...

PETER KNUDSTRUP (Danish/Canadian 1929-2006) - mid-century wheel thrown and glazed studio pottery bud vase with manipulated rim - expertly glazed with a...

Lawless Vase by Evan Fay Dimensions: 92 W 23 D x 54 H cm Materials: Steel, Brass, Glass Lawless Vase is composed of 5 separate vases each having a different ...

Hand blown yellow / gold art glass vase by Don Shepherd for Blenko Glass, circa 2005. This bamboo shaped design was initially introduced for one year by Don Shepherd in the late 1970...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Experience the exquisite artistry of the new 2025 Spring- Awakening Bloom Series at The Shine Studios, where each piece evokes the feeling of winter snow melting and the beauty of S...

Experience the exquisite artistry of the new 2025 Spring- Awakening Bloom Series at The Shine Studios, where each piece evokes the feeling of winter snow melting and the beauty of S...

Bob Parks (1943 - 2017) "Horses of the Desert" number 22 of 35 Bronze Oversize Vase. In excellent vintage condition. Bob Parks was an absolute master of bronze sculpting. His pieces ...

Sculptural turned wood vase by Michigan artist Roger Sloan circa 1970s Executed in walnut with Sloan's signature inlaid oak root decoration A unique form with off center Signed to...

An elegant postmodern vase featuring a cloaked figure by Lindsey B., signed, 1983. Tones of snow and licorice. 5” W x 3.25” D x 8.75” H

The unusual Petri Bud vase is handmade by artist Elyse Graham in her Los Angeles studio. This collection of vessels is inspired by our incredible and...

This unusual and playful Huxley Vase is handmade by artist Elyse Graham in her Los Angeles studio. This collection of vessels is inspired by our incredible and diverse microbiome....

Introducing theMoody Lava Moon Collector, available exclusively at The Shine Studios. This large, hand-coiled vase features a matte finish with layers of heavy clay and slip and adde...

This is a large handmade Japanese sculptural vase with stunning spirals handpainted with a black glaze on top of a terracotta-colored red ceramic clay. The base of the vase is signed...

A beautiful pair of emerald green and black terracotta pottery vases by Nelson McCoy pottery, circa mid-20th century, USA. Markers' mark on underside 'MC', hard to capture, but it's ...

A mid century vessel to use as a candle holder or vase. Made by Sascha Brastoff out of teal textured resin. Signed on the base.

1970s sculptural triangular design Vase in the style of Charles Hollis Jones 9.25 x 4.5 Preowned original unrestored vintage condition. Refer to images provided.  

Fun midcentury clear glass collectible fish vase by Blenko, circa the 1970s. Stylish and chic piece of midcentury decor.

Hand turned and hand carved "flame" wood vase. Vase measures 8" by 4.25" signed Ivy, Cocobolo. Reminiscent of works by William Hunter. In very good vintage condition.

Roycroft Arts & Crafts Copper Forged Bulbous Vase/Oil Lamp Base Roycroft Inn at East Aurora, NY USA, circa 1905 Available for acquisition is this fine Roycroft Arts & Crafts Copper ...

Blown glass flower vase with swirl base pedestal on a circular footed base. Designed by George Thompson for Steuben. American, 1949.

A beautifully shaped, relatively large, and sumptuously glazed Mid-Century Modern California Studio pottery vase by Spanish American master potter Antonio Prieto. The work features ...

A beautiful ceramic nemadji vase. Marbled in unglazed turquoise, brown, and orange, this will be a beautiful piece to add to a current collection. Dim...

Striking studio pottery ceramic bud vase is decorated with crystalline glaze in bright, but harmonious tones. The inner surfaces of the vase are glazed in monochromatic off-white co...

Large vase in semi-matte light blue and off-white glaze in Art Deco Revival style was made in 1980s by Harris Pottery out of Chicago, Illinois. The vase is decorated with relief of ...

This mid-century vase is an excellent representation of California studio pottery from the 1960s. This weed pot is signed "MOLEN" on the bottom. It has a beautiful blue-green color d...

This is a beautiful vintage ceramic vase of a nude female figure by Donna Polseno. The shape of the vase is biomorphic, and the hand-painted details are delicate. The front, back, an...

Perfect small Roycroft vase.

This piece is an American Rookwood Pottery "Vellum" series ceramic vase by Lenore Asbury, circa 1925. A monumental landscape vase by Fred Rothenbusch fo...

The cased glass body comprised of a globular shaped base decorated with finely executed hand painted images in enamels of swallows against a striking brilliant yellow ground, rising ...

Early Peter Voulkus ceramic vase early 1960'd [unsigned].

A two-piece ensemble by Dale Chihuly possessing the artist's signature aesthetic - an otherworldly palette and form, as well as an incredible electric quality makes his work seem wei...

A rare style of Japanese Edo Period Vase . Cast in lost wax bronze with an unique greenish patina finish . Larger size at 21" wide and 12" height . Ab...

Discover an exceptional piece of artisanal craftsmanship with this captivating Vintage Boho Original Studio Pottery Vase. This truly unique vessel boasts an organic, earthy form, mas...

Artist/Designer; Roseville Pottery Co. (USA) Marking(s): marking(s) Materials: ceramic Dimensions (H, W, D): 15"h, 7.75"dia Additional Information: Please see our other vases/oil jars by Teco Pottery Co. (American Terracotta Tile and Ceramic Company), Garden City Pottery...

1988 tall Mid-Century Modern handmade art glass vessel, vase, decanter by Blenko. The amber color glass body has a round glass ball stopper. A-867-...

Organic modern ikebana vase was hand thrown in footed bowl shape. It is decorated with salt glaze in grey and brown palette. The rim is accentuated with an asymmetrical detail that ...