North American Vases

This stunning vintage shell-encrusted bud vase is an exquisite piece of coastal artistry perfect for lovers of seashell décor, grand millennial interiors, and nautical collectibles. 🌿 Handcrafted Coastal Charm This one-of-a-kind decorative vase features a meticulously arranged collection of natural seashells hand-applied to a red clay ceramic vase. The organic textures and soft, sun-kissed hues of cream, ivory, and golden amber create a truly mesmerizing effect. Each shell is carefully selected, adding a sculptural, three-dimensional quality that makes this piece both a work of art and a functional vessel. 🏡 Styling Inspiration: Coastal Elegance: Display it as a centerpiece on a rattan console or a driftwood coffee table alongside coral and vintage glass floats for a refined beach house aesthetic. Grandmillennial Chic: Layer it into a bookshelf or vignette with chinoiserie, wicker, and botanical prints for a collected-over-time look. Tropical Retreat: Pair it with palm fronds or dried grasses to bring natural elements indoors, perfect for a tiki bar or island-inspired space. Cottagecore Meets the Sea: A delightful addition to a sunroom, garden room, or shabby chic interior. 💎 Why You'll Love It: ✔️ Authentic vintage craftsmanship – not a mass-produced piece. ✔️ Timeless natural materials – seashells have been prized in décor for centuries. ✔️ Perfect for collectors of seashell art, coastal antiques...

Bud wall vase by Gentner Design Dimensions: D 14 x H 12 cm Materials: patinated brass Each of these delicately, handcrafted Wall Vase is perfect as an individual home accessory. Mad...

This is a rare form, bell shaped, blown glass vase supported by four pronounced scrolls on a circular foot. This vase was designed by John Dreves and appears in the 1948 Steuben cata...

Rose and Erni Cabat glazed porcelain Feelie vase citron chartreuse yellow green, USA, 1970-1985 Incised signature to underside 'Cabat' and numbered. This li...

A set of three white ceramic Kawa Vases by Luft Tanaka Studio. Each item is made by casting porcelain into sewn leather molds and are truly one-of-a-kind. As a result of the product...

A pair of white porcelain vases made by casting into leather molds. As a result of the production process each item is one-of-a-kind. Set includes one tall vase and one medium vase...

Beautiful crystal art glass vase made by Verlys of America. Known as the “Mandarin” vase this molded glass vase depicts a sword baring robed Chinese man or Samurai holding a parasol ...

A gorgeous Arts & Crafts or Art Deco period iridescent Favrile glass flower frog By Louis Comfort Tiffany for Tiffany Studios (signed to the unders...

The Branded series is a set of modern design objects which each feature a hand impressed brand that highlights these wholly handmade vessels. For color, each piece features a transpa...

A gorgeous pair of Arts & Crafts glazed art pottery vases in the form of calla lillies By Rookwood Pottery USA, 1949 Glazed ceramic in a beautiful light blue color. Each measures...

This Symbiosis Clay Vase is a unique sculptural vase made of white clay. Its rustic yet minimalist look is perfect for organic modern and futuristic décor schemes. Handmade with care...

AMBIANIC presents Nemadji Native Indian Red Art Pottery Ceramic Vase Moose Lake MN 4 h x 5.5 diameter Original vintage, refer to images listed.

Large antique Merrimac Pottery Arts and Crafts vase in great swelling form with defined ribs and alligatored matt green glaze. Merrimac Pottery operated in Newburyport, Ma. from 1897...

A wonderfully glazed, beautifully crafted, and classically shaped vase/vessel by renowned Canadian master potter Brother Thomas Bezanson (1929-2007). Brother Thomas studied design at Nova Scotia College in the late 40s and early 50s, It was during this time that he discovered a love for the ceramic art form. In 1959 he became a monk and joined the Weston Priory, Vermont, a community of Benedictine men. Here he continued his art while also pursuing a degree in philosophy. In 1978 he traveled to Japan where he met and worked with five Japanese potters, designated “Living National Treasures” by the Japanese government. These particular artists and the time spent with them deeply influenced his work and his thought. In 1985, he became artist-in-residence at Mount Saint Benedict Monastery in Erie, Pennsylvania, where worked until his death in 2007. Brother Thomas was universally known and esteemed for his mastery of complex glazes and his adaptation and application of traditional Chinese and Japanese pottery methods and materials. The vase features a sumptuous green glaze that absolutely radiates in the light. The work is signed by Brother Thomas with his traditional signature and cipher. A special piece. Would be a great addition to any Brother Thomas or Mid-Century pottery/ceramics collection or make for an eye catching stand alone accent work in about any setting. His work can be found in numerous collections and international museums including: Aidekman Art Center, Tufts University, Medford, MA Allen Art Museum, Oberlin College, Oberlin, OH Art Complex Museum, Duxbury, MA Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada Art Institute of Chicago, Chicago, IL Bunting Institute, Radcliffe College, Cambridge, MA Canadian Museum of Civilization, Hull, Quebec, Canada Carnegie Museum of Art, Pittsburgh, PA Chrysler Museum of Art, Norfolk, VA Cleveland Museum of Art, Cleveland, OH Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, NY Davis Museum and Cultural Center, Wellesley College, Wellesley, MA Dimock Gallery, George Washington University, Washington, DC Everson Museum of Art, Syracuse University, Syracuse, NY Fleming Museum, University of Vermont, Burlington, VT Fogg Art Museum, Harvard University, Cambridge, MA Framingham State University, Framingham, MA Hokkaido University, Hokkaido, Japan Los Angeles County Museum of Art, Los Angeles, CA The Metropolitan Museum of Art, New York, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA Phoenix Art Museum, Phoenix, AZ Portland Museum of Art Portland, ME Pucker Gallery...

A substantial floor vase constructed of laminated solid wood. Signed 'M B' on the underside as depicted.

Exceptional Art Glass Vase by Michael Nourot (1949–2015) A stunning large-scale art glass vase by celebrated American glass artist Michael Nourot, whose career helped define the tra...

A ceramic vase crafted by Brother Thomas Bezanson (1929-2007) circa 1970s. The vase takes a classic Chinese "Mei Ping" form but with a modern s...

California design studio stoneware weed pot / vase, circa 1970s. The pot is in very good vintage condition and measures 7.7"D x 6.5"H. The piece is signed on the underside. #3805

Antique American Art Nouveau Rookwood three handled vellum vase, Lorinda Epply, 1915. The blue vase of reversed bell shaped with three elongated handles, around the wide mouth of the...

Our Duck and Duckling trays bring a fun and exciting twist to any space, styled in built-ins or filled with eggs, this trays is are versatile as they are playful. Available in two s...

a mix of traditional with organic modern large vessel is a true one of a kind Statement centerpiece unique hand shaped vase with sculpted edges full of levels of white and crea...

Antique solid patinated bronze mortar cup with handles circa 1880's .

F. SOTA - Vintage - hand crafted - wheel thrown stoneware studio pottery vase with drip glaze decoration - glossy brown glaze over the stoneware body - contrasting white glaze to the...

Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Baluster bowl on narrow cylindrical support flowing into raised foot. Vertical overla...

Gorgeously glazed in hues of soft brown and ivory, this tall, elegant vase depicting a stylized antelope was hand-glazed by artisans at the famous Rookwood Pottery in Cincinnati at t...

1930's Art Deco Era Black Art Glass Vase cut by Hawkes Steuben Glassworks Vase. Overseen by Frederick Carder.

This unusual and playful vase is handmade by artist Elyse Graham in her Los Angeles studio. This collection of vessels is inspired by our incredible and diverse microbiome. The...

Fabulous footed L C Tiffany Favrile vase in iridised gold, ribbed, double waisted and with wavy top -in a good size-7 inches tall. Fully signed wi...

19thc decorated floral design crock. Minor chips on the base as shown in images.

A lovely pair of bright gold ceramic bird bowls from the "Menagerie Collection" by Jonathan Adler, circa 1980s . The set is in very good condition with no chips or cracks; the large...

A very large Daniel Lotton art glass bowl or vase. With pulled feather decoration in pink overlay on a blue ground. Simply great craft! Date: 1...

Roseville Pottery ceramic double bud vase in Magnolia pattern on brown background is marked with molded "Roseville U.S.A. 186 4 ½" on the bottom. Magnolia pattern was introduced in ...

Vintage Henry Gernhardt studio pottery vase in spherical form with little trumpet mouth and terrific blue and purple velvety mottled matt glaze. Impressed cipher on base. 5 3/4" high...

Vintage American art studio pottery vessel or jar with wooden stopper features abstract hand-painted decor in black, brown, and muted orange palette on speckled off-white background...

Mid century Rookwood Kataro Shirayamadani mantel urn / bud vase featuring a floral Poppy flower theme. Shape code 707, Size A, signed in Japanese by artist. Dimensions: 5.25" x 7" ...

a mix of traditional with organic modern large vessel is a true one of a kind Statement centerpiece unique hand shaped vase with sculpted edges full of levels of Black textures...

Claude Conover large ceramic vessel titled Okkintok. This stoneware vase is glazed in two different tones and finely decorated with Conover's signature one iconic markings. Classic and contemporary in form, this bold and unique ceramic vessel has surface decorations with incised geometrical and linear designs. Signed on underside. Conover was very inspired and influenced by pre-Columbian...

This gourd-shaped vase is in a very striking red colour, a vibrant and shining red , in a very elongated form. Acquired from a private collection, this vase was among several high qu...

Large urn form "Copan" design hand carved porcelain art pottery vase with midnight blue glazed feaather pattern from a Mayan ruler's cape all around. Handcrafted and signed by the ...

Sculptural vintage vase is decorated with free-flowing fused red and yellow glass designs on mottled pink glass background; colored glass encases clear glass core, with clear glass ...

Pair of coral vases. The vases are made with a porcelain vase and are wrapped up with genuine coral.

This ceramic vessel features a weathered, volcanic surface with mottled textures of charcoal, ash gray, and oxidized turquoise, giving it the appearance of something unearthed from a...

Tiffany & Co. sterling silver bud vase, designed by Louis Comfort Tiffany, adorned with natural motifs. It measures 5 1/3'' in height by 1 1/8'' in diameter at the top, weighs 5.2 tr...

A rare and unusual Carl Sorensen collection of desk accessories-stamps, blotters, letter openers, ink blotters. Beautiful bronze patina and verdigris finish.

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

A very large chimney vase. The brutalist decoration is all over with intaglio areas and applied elements.

Circa 1960. We offer this Silverplated Turquoise Vase Los Castillo style. Fantastic Patina.

This piece is a one of a kind vessel. Rustic and layered. Because of the small base I will include museum wax for the bottom to make sure she stays in place. You can move her easily ...

Our new marbled vases take on a futuristic appearance as the signature saturated veining runs across a new muted background. With this new palette we began to imagine the possibility...

Pair of TMS Inc Multi face vases VITRUVIAN COLLECTION Each artistic design expresses the harmonization of the relationship between parts of the body w...

Favrile Glass Vase Louis Comfort Tiffany Circa 1900 This rare glass vase by Louis Comfort Tiffany is a striking example of Tiffany Studios’ groundbreaking innovation in Art Nouveau ...

Studio pottery ceramic vase by California Modern ceramicist couple Otto and Vivika Heino, c.1984, USA. The wheel thrown piece features an all over brown glaze and hand impressed leaf...

Striking vintage art pottery bud vase features Organic Modern decor in pink, plum, and brown glaze on soft pale pink background. The porcelain or ceramic vase is hand-sculpted in coi...

This Paolo Marioni sculptural face vase is a unique addition to any collection. Made in Italy during the post-modern era, this vase showcases intricate details that make it a true wo...

A gorgeous, rare, and unique large stoneware vase by famed Mexican American California studio art potter Dora De Larios. De Larios was born in Los Angeles to Mexican immigrant parents. She grew up in the artistic Silver Lake district near downtown Los Angeles amongst Mexican and Nisei Japanese immigrants. As a result, De Larios was heavily influenced by ancient American...

Lee Rosen for Design Technics Incised and Slip Decorated Abstract Design Vase, ca 1950s This is a gorgeous and unique Design Technics vase by Lee Rosen that features a biomorphic sh...

This striking Hesse vase in gray and pink is handmade by artist Elyse Graham in her Los Angeles studio. This collection of vessels is inspired by our incred...

Wonderful work my well-known Hungarian-born, Midwest potter Eugene Deutch. This magnificently glazed vase/ vessel features a dark, rich glaze that drips freely down the inside of the work. Signed and dated (1950) on the underside. Would make for a great addition to any midcentury pottery collection or eye-catching Stand-alone work in about any setting. Deutch's work is held in many private collections and museums and he was exhibited in solo shows at the Dallas Museum of Art...

Substantial vintage large handwrought sculptural copper vase or vessel from Santa Clara del Cobre region in Mexico. Made by artisan hands and of ...

1970's Lava Glaze studio made "Signed" pottery vase, in vintage original condition with minor wear and patina due to age and use