1930s Ashtrays

Jean Boris Lacroix (1902-1984) was a French designer and architect known for his modernist lighting designs. After apprenticing with Paul Dumas, he debuted at the Salon des Artistes ...

Art Deco ashtray/decorative plate in solid bronze made by Just Andersen.

Antique art deco cobalt blue ash tray with metal detail, circa 1930s. In very good condition. 1.5” H x 5” W x 3” D

Wonderful Art Deco cast chrome metal ashtray, featuring an athletic man with a ball. Height 21 cm / 8.26 inches, and the ashtray measures 21 cm / 8.26 inches by 12.8 cm / 5 inches. ...

The 1935 Art Deco smoker's set includes a chromed tray with a chromed and black lacquered Desk Box with an Octette Touch Tip Lighter by Ronson. This desk box features a sleek, black...

Ash tray by Ulla Fogelklou-Skogh for Ystads metall Sweden Swedish 1940s brass.

Italian Futurismo Ashtray for the Italian department store La Rinascente by Nikolay Diulgheroff for M.G.A, 1930s

This vide poche or ashtray in in Glass. It has been done circa 1940, in France. Transparent Color. Original and iconic molded glass bowl; its shape is simple and decisive, skillfully...

This charming ashtray features a beautifully painted chinoiserie scene set within a striking green octagonal frame adorned with four golden folded corners. The scene depicts a man dr...

Art Deco Brass ashtray original condition from the Art Deco period .

Beautiful glass ashtray from the 1930s. Handpainted floral decor Dimensions in cm: Diameter 13 cm, height 5 cm. Dimensions in inches: Diameter 5.11", height 1.96". Weight 650 gms....

Bronze relief dish or ashtray displaying a scene from H. C. Andersen Fairy Tail 'The Pig Boy'. Made by Cawa in Denmark during the 1930s. Marked to its base: Cawa, Denmark 'Svinedreng...

Made by Feigl and Morawetz Libochovice and designed by the Czech sculptor Karel Zentner. An antique figurative ashtray made out of clear pressed glass, partially frosted. Figurative ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Venini ( Technique Pelegoso ) Pelegoso technique A type of glass characterized by countless irregular air bubbles (pulighe) within the vitreous wall, which deliberately obscure its transparency. It is obtained by pouring substances such as petrol into the pot, which produce a boiling over of the glass in fusion. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

Floor ashtray Art Decò brass and copper. ORIGIN Italy PERIOD 1930s MATERIALS Brass and copper DIMENSIONS Height: 57cm Ø 21cm CONDITIONS The piece is in excellent condition, as c...

An original 1930 Siesta Catalina Island pottery ashtray and pipe holder is a delightful blend of functionality and Art Deco infualnced designed...

Jean Boris Lacroix (1902-1984) was a French designer and architect known for his modernist lighting designs. After apprenticing with Paul Dumas, he debuted at the Salon des Artistes ...

Franco Albini Rare prototype Brass Dish or Ashtray. Manufactured by Vanzetti Milano, Italy 1931/33 Unmarked. Reference: A. Piva, V. Prina, - Franco Albini 1905-1977 1998, pg. 4...

This beautifully restored Paul Frankl-inspired Art Deco bespoke carved Koa wood and rattan smoke stand featuring a hand-carved sculpted Koa wood ashtray holder and base with matching...

Antique art deco cobalt blue ash tray with metal detail, circa 1930s. In very good condition. 1.5” H x 5” W x 3” D

Hallmarked in London in 1938, this handsome pair of George VI period, Sterling Silver Silent Butlers or Ash Trays, are of traditional form, with wooden handles and hinged lids. Each ...

Royal Copenhagen Blue Fluted Plain. Ashtray. Model number 1/1. Approximately 1930. Marked. In perfect condition. Second factory quality. Dimensions: Diameter 11.0 cm x Height 3.5 cm.

Frankart company figural “Sarcophagus Girl“ metal ashtray stand featuring a nude women holding up the ashtray stand standing on a stepped art deco base. ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All F...

A rare solid bronze dish or ashtray depicting a Helios sun disk -bursting sun - au Soleil d'or. It was made in France circa 1920-40. It has no markings. t has a rich and deep natural...

Seal Stamp "Ecureuil" (Squirrel) made in opalescent glass by Rene Lalique in 1931. Engraved signature. Perfect condition. Exceptional opalescent. height : 11,5 cm Félix Marcilh...

Art deco chromed ashtray with bakelite by Demeyere. Beautiful art deco design. 1930s - Belgium Dimensions: Height: 72cm/28.34" Width: 38cm/14.96" depth: 24cm/9.44" Ref.: 741421

Murano. With silver applications. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Murano Technical Bullicante Attributed to Carlo Scarpa We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at...

Art Deco ashtray/decorative plate in solid bronze made by Just Andersen.

1930's Art Deco Mobil Gas Pegasus Metal Ashtray This striking 1930s Art Deco metal Mobil Gas Pegasus ashtray is a fantastic piece of vintage advertising and design. The sculptural form showcases a beautifully detailed Pegasus in mid-flight, dramatically rising from a rugged cliffside. Cast entirely in metal, the piece is both functional and decorative, with a wide ashtray base and its original felt bottom, which remains intact despite some expected wear. During the early 20th century, ashtrays were a popular form of advertising merchandise, particularly in the 1930s and 1940s, when companies sought to incorporate stylish and durable branding into everyday objects. The Mobil Pegasus...

Art deco chromed ashtray with bakelite by Demeyere. Beautiful art deco design. 1930s - Belgium Dimensions: Height: 72cm/28.34" Width: 38cm/14.96" depth: 24cm/9.44" Ref...

A striking bronze square ashtray produced by GAB (Guldsmedsaktiebolaget) of Sweden, likely dating from the mid-30th century. This beautifully patinated piece features a gently curved...

Rare Art Deco Teal Green Metal Dog Ashtray – Geometric & Cubist Design, Original Paint This highly stylized Art Deco metal ashtray is a striking example of early 20th-century design...

This rare chrome plated Deco era cigar ashtray has a revolving top feature and its ALL original.

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal.  Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

This exquisite ashtray is a stunning example of French Art Deco design, created by Pierre D'AVESN for VERLYS, Les Andelys, France, in the late 1930s. Crafted from thick molded glass,...

An Austrian poker set of four ashtrays designed by Ferdinand Vogel. Gorgeous set of four players ashtrays, created in Vienna Austria during the art deco period, back in the 1930. Cr...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All F...

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.   Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Large Art Deco ashtray by unknown designer. Produced in Sweden.

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.  Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer[2] and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

A Stunning Art Deco figural female nude gracefully sitting by a pool with a crystal glass ashtray by NuArt Creations. This spelter metal sculptural featuring an elegant bronze finish...

Made in Czechoslovakia Made of crystal glass The Ashtray has a scratch on the side(see foto) Good original condition.

Salmon colored dish or ashtray in submerged/partially collapsed handblown 'Salmon' or Rose glass. Designed by Elis Bergh and manufactured by Kosta Boda in Sweden circa 1930-40. We ha...

This tray is done in wood, and the top is decorated with butterfly wings. It has been made in France in the 1930s.

Rare and unusual, this copper ashtray celebrating the pottery industry in France is reminiscent of bronze and copper pieces designed by Paul Manship and other major sculptors in the 1920s and 1930s. This example, made of copper painted gold, depicts a nude potter at his wheel, surrounded by symbols of his industry, including kilns, planting pots and...

A beautiful Chinese Art Deco period champlevé enamel and bronze bird ashtray or sculpture, circa 1920s-1930s, China. Dimensions: 2.63" Depth x 3.25" Width...

Carl Auböck brass ashtray, model 3317, Austria 1935.

Original, rare Art Deco standing floor Ashtray from Switzerland, Geneva about 1930. Polished and partly new chromed metal. Restored condition. Marked at the bottom: „Etalages-Vitrine...

Murano Technical Bullicante Attributed to Carlo Scarpa We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at...

Ashtrays in Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button...

Murano Attributed to Carlo Scarpa We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushi...

Art Deco enameled beige spelter metal terrier dog ashtray featuring cigarette holder and 2 sculptural dogs along the top. This piece has some wear in the bowl of the ashtray and alon...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

Rare and beautifully executed, this copper dish with a central relief featuring a shirtless young blacksmith forging a piece of wrought iron, is teeming with symbols of modernity made from iron or steel: an airplane, oil derrick...

English mid-century modern Red metal table ashtray by Ronson, 1930s Table ashtray with rectangular base, in metal. In the upper part there is a grate for cigarette ash. The structure...