1930s Ashtrays

It's a Bulé yellow glass ashtray with decorations inside. The color is somewhere between transparent and yellow-green. The green is very thick. It's a typical example of Art Deco gla...

Steamline stylized ashtray in cast bronze. Suitable for both cigars, pipe and cigarettes. Manufactured by CAWA in Denmark during the 1930s. The style of this piece is reminiscent Tin...

Vintage Amber Bakelite Art Deco Ashtray, realized in 1930s. Excellent condition.

Royal Copenhagen Blue Fluted Plain. Ashtray. Model number 1/1. Approximately 1930. Marked. In perfect condition. Second factory quality. Dimensions: Diameter 11.0 cm x Height 3.5 cm.

This remarkable Vintage Art Deco "Saturn" ashtray, designed by Revere as a collectible souvenir for the 1937 World's Fair, exemplifies the bold aesthetic and innovative craftsmanship...

Decorative Art Deco pewter dish designed by Just Andersen, Denmark, circa 1930s. Model 2350, featuring a beautifully fluted and sculptural rim surrounding a shallow central bowl. Ori...

Made by Feigl and Morawetz Libochovice and designed by the Czech sculptor Karel Zentner. An antique figurative ashtray made out of clear pressed glass, partially frosted. Figurative ...

Art deco free standing ashtray c.1930s, USA. It features a wood laminated table top and stainless steel chrome body. The ashtray has a red button...

Carl Auböck brass ashtray, model 3317, Austria 1935.

Rare Art Deco Teal Green Metal Dog Ashtray – Geometric & Cubist Design, Original Paint This highly stylized Art Deco metal ashtray is a striking example of early 20th-century design...

Franco Albini Rare prototype Brass Dish or Ashtray. Manufactured by Vanzetti Milano, Italy 1931/33 Unmarked. Reference: A. Piva, V. Prina, - Franco Albini 1905-1977 1998, pg. 4...

Floor ashtray Art Decò brass and copper. ORIGIN Italy PERIOD 1930s MATERIALS Brass and copper DIMENSIONS Height: 57cm Ø 21cm CONDITIONS The piece is in excellent condition, as c...

An 1930s style Art Deco ashtray featuring a sleek Machine Age aesthetic. Constructed from deep brown possible Bakelite and accented with polished copper toned ribbed bands along the ...

Frankart company figural “Sarcophagus Girl“ metal ashtray stand featuring a nude women holding up the ashtray stand standing on a stepped art deco base. ...

Murano Technical Bullicante Attributed to Carlo Scarpa We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at...

Pink Art Deco "Snuff-a-Rette " Ashtray by National Porcelain Company in Trenton, New Jersey. The ashtray features a streamlined design with a ladder of cigarette holders in the cente...

Art Deco chrome Astray Stand featuring a light-up art glass base. This dual-purpose accent lamp and ashtray piece boasts a streamlined design, blending elegance and practicality. Wit...

A striking and sculptural Swedish Art Deco bronze candleholder / ashtray by Guldsmedsaktiebolaget (GAB), dating to the 1930s. This rare and highly decorative piece features a styliz...

Art deco chromed ashtray with bakelite by Demeyere. Beautiful art deco design. 1930s - Belgium Dimensions: Height: 72cm/28.34" Width: 38cm/14.96" depth: 24cm/9.44" Ref.: 741421

A Stunning Art Deco figural female nude gracefully sitting by a pool with a crystal glass ashtray by NuArt Creations. This spelter metal sculptural featuring an elegant bronze finish...

Murano Attributed to Carlo Scarpa We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushi...

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal.  Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

An Austrian poker set of four ashtrays designed by Ferdinand Vogel. Gorgeous set of four players ashtrays, created in Vienna Austria during the art deco period, back in the 1930. Cr...

Murano. With silver applications. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Ashtrays in Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button...

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.   Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

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Jean Boris Lacroix (1902-1984) was a French designer and architect known for his modernist lighting designs. After apprenticing with Paul Dumas, he debuted at the Salon des Artistes ...

1930's Art Deco Mobil Gas Pegasus Metal Ashtray This striking 1930s Art Deco metal Mobil Gas Pegasus ashtray is a fantastic piece of vintage advertising and design. The sculptural form showcases a beautifully detailed Pegasus in mid-flight, dramatically rising from a rugged cliffside. Cast entirely in metal, the piece is both functional and decorative, with a wide ashtray base and its original felt bottom, which remains intact despite some expected wear. During the early 20th century, ashtrays were a popular form of advertising merchandise, particularly in the 1930s and 1940s, when companies sought to incorporate stylish and durable branding into everyday objects. The Mobil Pegasus...

Striking Art Deco ring era brass ring tray features a leaping gazelle poised above a base of rich green glass. With elegant lines and geometric Pattern...

Art Deco Brass ashtray original condition from the Art Deco period .

Rare and unusual, this copper ashtray celebrating the pottery industry in France is reminiscent of bronze and copper pieces designed by Paul Manship and other major sculptors in the 1920s and 1930s. This example, made of copper painted gold, depicts a nude potter at his wheel, surrounded by symbols of his industry, including kilns, planting pots and...

This charming ashtray features a beautifully painted chinoiserie scene set within a striking green octagonal frame adorned with four golden folded corners. The scene depicts a man dr...

Art deco ashtray stand. All steel except the top round insert which is copper. Bowl contains place to insert a book of matches. Ashtray stand measures 9.75" wide, 9.75" deep and 2...

This exquisite ashtray is a stunning example of French Art Deco design, created by Pierre D'AVESN for VERLYS, Les Andelys, France, in the late 1930s. Crafted from thick molded glass,...

This tray is done in wood, and the top is decorated with butterfly wings. It has been made in France in the 1930s.

A rare solid bronze dish or ashtray depicting a Helios sun disk -bursting sun - au Soleil d'or. It was made in France circa 1920-40. It has no markings. t has a rich and deep natural...

Art deco chromed ashtray with bakelite by Demeyere. Beautiful art deco design. 1930s - Belgium Dimensions: Height: 72cm/28.34" Width: 38cm/14.96" depth: 24cm/9.44" Ref...

Bronze relief dish or ashtray displaying a scene from H. C. Andersen Fairy Tail 'The Pig Boy'. Made by Cawa in Denmark during the 1930s. Marked to its base: Cawa, Denmark 'Svinedreng...

Large Art Deco era 7.5" round dark amber glass ashtray with four cigarette rests, rests in a black painted wood base. Circa 1930 Can also be used...

Salmon colored dish or ashtray in submerged/partially collapsed handblown 'Salmon' or Rose glass. Designed by Elis Bergh and manufactured by Kosta Boda in Sweden circa 1930-40. We ha...

A gorgeous Arts & Crafts period hand hammered brass ashtray or catchall with ruffled edge By Arthur Cole for The Avon Coppersmith USA, 1930s Measures: 3.25"W x 3.25"D x 0.75"H. G...

Ashtray Pintray "Rapace" made in molded glass with grey patina by Rene Lalique in 1931. Stamped signature on bottom. Perfect condition. height : 6 cm diameter : 12 cm Félix Ma...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Antique Art Deco Chase & Manning Bowman Chrome Cigarette Ashtrays 1930s Assorted collection of 23 antique Art Deco metal and chrome cigarette ash trays. Beautiful streamline, mo...

Made in Czechoslovakia Made of crystal glass The Ashtray has a scratch on the side(see foto) Good original condition.

This rare chrome plated Deco era cigar ashtray has a revolving top feature and its ALL original.

Just Andersen (1884–1943) Vase and two ashtrays in pewter. Vase in the shape of a tulip. H. 8.5 cm, D. 6.5 cm. Ashtrays with ribbed and faceted rims. H. 2.5 cm, D. 15 cm. Stamped wi...

Ceramic pipe-ashtray, glazed in coral, blue and off white. Manufactured in 1930s in Czechoslovakia. In a very good condition.

Murano with bubbles, iridescent We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Art Deco enameled beige spelter metal terrier dog ashtray featuring cigarette holder and 2 sculptural dogs along the top. This piece has some wear in the bowl of the ashtray and alon...

Rare and beautifully executed, this copper dish with a central relief featuring a shirtless young blacksmith forging a piece of wrought iron, is teeming with symbols of modernity made from iron or steel: an airplane, oil derrick...

Antique art deco cobalt blue ash tray with metal detail, circa 1930s. In very good condition. 1.5” H x 5” W x 3” D

Circa 1930 Machine Age floor standing ashtray featuring a bronze have cut spere base with 3 copper Spidel arms connect to a spherical top. The a...

Murano Technical Bullicante Attributed to Carlo Scarpa We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

Art Deco ashtray, made by Hermès Paris and designed by Jean Luce (1895-1965). Made in cooked leather and mirrored glass. Signed by Hermes Paris. France, CIRCA 1930.