Lalique France, Pair of Champagne Glasses with Angel, 1945

This stunning champagne bucket by Jean Després, crafted in France around 1950, is an exquisite example of his masterful silver-plating technique. The design features a cylindrical body with hammered detailing, a hallmark of Després' signature style, and is adorned with two scrolled handles that are accentuated by spherical accents. At the top of the bucket, you'll find a delicate Jean Després flat-link chain decoration, adding a refined touch. The piece is signed with "J.Després" etched under the base, verifying its authenticity and craftsmanship (see photo). A similar model can be found in the book Jean Després, Jeweler and Goldsmith Between Art Deco and Modernity by Melissa Gabardi, specifically on page 151, published by Editions Norma (refer to accompanying photos). Jean Després (1889-1980) was a renowned French goldsmith known for his distinctive approach to Art Deco jewelry and functional objects. His legacy includes creating innovative silver, gold, and pewter pieces, breaking away from traditional designs by using bold, geometric forms and hammered textures. Després' works were highly regarded in avant-garde circles, and he enjoyed a close friendship with notable artists like Pablo Picasso and Georges Braque. This champagne bucket is not only a stunning decorative object but also a symbol of Després' groundbreaking contributions to the Art Deco movement. Perfect for collectors and admirers of modernist French craftsmanship. Exhibitions 1925: Museum of Decorative Arts in Paris, with Rose Adler and the painter Étienne Cournault 1925: International Exhibition of Decorative Arts 1926: Salon des indépendants 1928: Salon of the Societe Nationale des Beaux-Arts 1928: Salon des Artistes-Decorateurs 1930: Union des Artistes Modernes, at the Pavillon de Marsan, he exhibits surrealist jewelry...

Pair of French Art Deco vases by François-Théodore LEGRAS, France, 1920. Pair of glass vases with enamelled decoration of two swans on each vase. Face to face decor. Measures: Each -...

Rare French Art Deco Corkscrew, 1920s. This exceptional French Art Deco corkscrew, dating back to 1920s, showcases the elegance and craftsmanship of the period. Made from high-quality rosewood and clear wood, it features a striking design that blends functionality with artful style. Its compact size and sleek lines are characteristic of the Art Deco movement, offering a unique blend of form and utility. Dimensions: Height: 3 in. (7.5 cm) Width: 4.1 in. (10.4 cm) Depth: 3.15 in. (8 cm) Perfect for collectors of French Art Deco furniture...

12 French Art Deco Chinese cocktail picks, France, 192 0s. Chrome, wood and bakelite. 12 cocktail picks. Measures: Width : 15cm - 5.9", height : 13cm - 5.1", depth : 7cm - 2.75". Som...

Vintage footed drinking glasses crystal goblets, glassware. Elegant vintage midcentury crystal champagne footed glasses, silver rimmed...

Superb service of sixteen champagne glasses "Smile of the Angel" also titled "Angel of Reims" designed by Marc Lalique for the Lalique Maison. In very good condition. One glass with a small chip on the lip. Dimensions in cm (H x D): 20.4 x 7 Secure shipping. The Lalique Maison was created by René Lalique who was one of the greatest artists of his time, whether as a jeweler or master glassmaker. He marked the Art Nouveau and Art Deco periods with his unique style. Lalique is recognized as one of the most important jewelry designers and glass maker of the French Art Nouveau period, creating innovative pieces for Samuel Bing's new store in Paris, Maison de l'Art Nouveau. He began exhibiting his work under his own name as early as 1894, notably at the Salon des artistes français, 1897 and 1898. The great glassmaker Émile Gallé discovered him at the first one and praised him highly. His stand at the 1900 Universal Exhibition in Paris was a great success. While keeping sources of inspiration from the Art Nouveau woman, fauna and flora - including the peacock, various insects and sometimes a fantastic bestiary - he innovated by using materials barely used for jewelry at the time: glass, enamel, leather, horn, mother of pearl, often preferring semi-precious stones to precious stones. The introduction of volume in jewelry is facilitated by his knowledge in modeling. He designed his models, having them made by a team of chisellers, sculptors and enamellers that he carefully recruited. Many women from the nobility, the bourgeoisie and the entertainment world began to wear his extraordinary jewelry, such as the Marquise Arconati-Visconti, the Countess of Béarn, Madame Waldeck-Rousseau, and Sarah Bernhardt, for whom he created a stage costume in 1902 for the revival of the play Théodora at the Sarah-Bernhardt Theater. Lalique was the only modern artist whose client and friend Calouste Gulbenkian became. Gulbenkian acquired the famous Pectoral à la libellule (circa 1897-1898), a masterpiece much admired at the 1900 World's Fair, which he lent to the tragedienne Sarah Bernhardt. After the end of the First World War, Lalique's colorful and fantastic jewelry were no longer in fashion. The creator sensed this and decided to convert to the Art Deco style through glassware in 1920. Thus, the neo-classical and geometric Art Deco replaces Art Nouveau. According to Olivier Mauny, former CEO of Lalique, his creations paved the way for an industrialization of art objects, because one of the best ways to include luxury and aesthetics in everyday life is to make everyday objects. He will create many objects such as vases, cups, candlesticks, perfume bottles, radiator caps for the Citroën 5CV (1925), decorations for the restaurant cars of the Côte d'Azur Pullman Express (1929), decorations for the dining room of the first class of the Normandie liner...

Acid stamp for St. Louis in the 'Thistle' pattern comprising sixteen wine glasses and 14 champagne flutes.

This eight-piece set comprises two cut glass ship’s decanters and eight rummer drinking glasses. The glass throughout is beautifully formed, complementing the elegant shapes of the p...