Early 1800s Dinner Plates

This is a stunning and extremely rare dessert service made by John Rose at Coalport probably around the year 1800, shortly after Rose bought up the Caughley factory. It consists of a large centre piece comport, one sauce tureen with cover, two oval dishes, two square dishes, two shell dishes, and eight plates. The service is beautifully decorated in the Neoclassical style. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. John Rose had bought up the local Caughley factory in 1799. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. This service is made of pearlware, which leads us to believe that it might have been made at the old Caughley premises, which had kilns for pearlware - the later Coalport items are not known to be made of pearlware but the shape of the dishes and the sauce comport are clearly a Coalport shape. All items have a beautiful deep orange ground - they were done in different firings as the colour is not entirely consistent, which makes the service very charming. The rims are set off with a beautiful vine pattern in silver, which makes the service even more rare as this was not done often. The items are unmarked, as is usual for that era, except the odd "B", which is probably the gilder's tally mark. CONDITION REPORT The service is in good usable condition with some minor flaws: there is some crazing and wear throughout, which is to be expected of pearlware of this era. The centre piece comport has a slight crack through the side, which is not very visible. One of the plates has a chip on the front of the rim as well as three lines coming off the rim; one has a chip on the underside of the rim; and one has a line coming off the rim. Neither of these stand out and the plates are entirely stable. Antique British china...

In the "Dragon in Compartment" pattern.

This is a stunning and extremely rare plate made by Coalport around the year 1805, and decorated in the London studio of Thomas Baxter. We have one more of these plates in stock, pl...

With the Royal Badge of George III. Marked: London, 1808. Maker: Robert and Samuel Hennell.

This is a stunning and extremely rare plate made by Coalport around the year 1805, and decorated in the London studio of Thomas Baxter. We have one more of these plates in stock, pl...

This is one of a pair of beautiful plates made by William Billingsley at the Mansfield Pottery, between 1799 and 1802. The plates, manufactured by Coalport, have a pleasing slightly diapered shape. They were decorated with beautiful monochrome sepia flowers and a simple gilt rim by William Billingsley. Please see separate listing for the matching plate; I would be happy to offer some discount if you interested in purchasing both plates. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley trained and worked at Derby, and then started his own pottery at Pinxton. He then left to start a decorating studio at Mansfield, where he decorated wares from various potteries, among which Derby, Coalport, Whitehead and others. After that, he spent a period in Worcester, and then went to Wales where he set up a pottery in Nantgarw, worked at the Swansea pottery for a while and then returned to Nantgarw. While in Nantgarw he created some of the best porcelain ever made, but racking up great debts. He ended up running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The plate is marked with an impressed 7, the number associated with Billingsley. The attribution of this plate to William Billingsley is due to the fact that he painted nearly identical flowers on a Coalport jug...

An exceptional, fine and impressive pair of antique Georgian English sterling silver second course dishes, an addition to our dining silverware collection. These exceptional antique George III sterling silver second course dishes have a plain circular rounded form with a sunken circular central well. The well of each silver dish is plain and unembellished. The raised rounded border of each dish is ornamented with a contemporary bright cut engraved coat of arms above the motto 'Pie Repone Te' - Place yourself piously. The rims of these impressive antique sterling silver dishes...

Coalport Porcelain Neo-classical Souip Plates, Regency Period, Set of Eight Circa 1800-10 The deep soup plates have a wide salmon-ground border with a broad double Greek-key design ...

This is one of a pair of beautiful plates made by William Billingsley at the Mansfield Pottery, between 1799 and 1802. The plates, manufactured by Coalport, have a pleasing slightly diapered shape. They were decorated with beautiful monochrome sepia flowers and a simple gilt rim by William Billingsley. Please see separate listing for the matching plate; I would be happy to offer some discount if you interested in purchasing both plates. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley trained and worked at Derby, and then started his own pottery at Pinxton. He then left to start a decorating studio at Mansfield, where he decorated wares from various potteries, among which Derby, Coalport, Whitehead and others. After that, he spent a period in Worcester, and then went to Wales where he set up a pottery in Nantgarw, worked at the Swansea pottery for a while and then returned to Nantgarw. While in Nantgarw he created some of the best porcelain ever made, but racking up great debts. He ended up running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The plate is marked with an impressed 7, the number associated with Billingsley. The attribution of this plate to William Billingsley is due to the fact that he painted nearly identical flowers on a Coalport jug...

A pair of 1800s English pearlware Chinese style, blue and white octagon shape plates. old descriptions on back from a dealer years ago.

A small Japanese plate but beautiful quality. Circa 1800s, Japan.