1980s by Toni Zuccheri for Barovier & Toso Murano Glass Sculpture Horse

Partnerships come and go within the community of glass-making artisans on the Venetian island of Murano, where business relationships seem as complex as the shifting alliances in the notoriously acrimonious Italian parliament. Formed in 1942 by members of families with centuries of experience in the craft, Barovier&Toso has proven to be one of the most enduring and prosperous Italian glass manufactories of recent decades. Under the nearly 50-year artistic directorship of cofounder Ercole Barovier (1889–1974), the company created buoyant traditional pieces such as chandeliers, sconces and other lighting fixtures, and it pioneered an array of innovative modernist glass designs with bold colors, patterns and surfaces.

The Barovier dynasty began in 1295, when Jacobello Barovier, mentioned in historical documents as a master glassblower, began pinching, cutting, blowing and twisting a molten mixture of sand and minerals into incandescent works of art. It remained entirely family-owned until the mid-20th century, when it merged with another glassworks to become Barovier&Toso.

To appeal to gentler, more conservative tastes, Barovier&Toso produced a range of lilting, sinuous lighting pieces that are often described as embodying “Liberty Style” — the Italian term for Art Nouveau, taken from the name of famed London department store Liberty & Co., which promoted 19th-century organic textile designs and Arts and Crafts-style furniture in the manner of William Morris. The hallmarks of the style in Barovier&Toso works are elements of glass in the shape of thick leaves, fronds and flower petals, deployed along with other naturalistic ornament in sconces, pendants and chandeliers.

Ercole Barovier began his personal aesthetic transition toward modernism in the 1930s with his Primavera series of vases and animal sculptures — idiosyncratic milky-white and clear glass filled with tiny bubbles and hairline interior fissures that he produced for Artisti Barovier, a firm headed by his father and uncle. Later, with Barovier&Toso, he would explore such novel styles as the mosaic-like Pezzato glass; fluid Spiral patterns; the pebbly textured Barbarico line and the complex, layered and highly colored abstractions of the Oriente series of vases and bowls.

Traditional or modern, Barovier&Toso — still under family control — has produced one of the finest and most diverse catalogues of Murano glass in the last 100 years.

Find antique Barovier&Toso chandeliers, serveware, decorative objects and more on 1stDibs.

Italian glassmaker and master Murano craftsman Toni Zuccheri’s lifelong passion for nature and animals contributed to the development of some of the finest modernist works in Murano glass history. His mid-century-era chandeliers, wall sconces, table lamps and vases showcase his penchant for experimentation and exceptional skill in color and form.

Zuccheri was born in 1936 in San Vito al Tagliamento. His father was Luigi Zuccheri (1904–74), a renowned painter known for his depictions of animals (and friend of artist Giorgio De Chirico). Toni not only inherited his father’s love of the animal kingdom — particularly birds — but also his artistic talents, demonstrating an intuitive skill for drawing at an early age.

In 1945, the Zuccheri family moved to Venice. At the city’s University Institute of Architecture, Toni studied under esteemed Italian architects Franco Albini, Ignazio Gardella and Carlo Scarpa.

During the early 1960s, Zuccheri focused on the art of glassmaking and collaborated with Venini. While working with the celebrated Italian Murano glass factory, he developed an innovative type of thick window glass sheets called Vetrate Grosse with prolific Italian architect and furniture designer Gio Ponti. The glass was made of dense, vitreous pastes mixed with murrine, raw pigment, shards of filigrana cane and fine wire mesh.

Zuccheri exhibited a group of elaborate bird and farm animal sculptures at the 1964 Venice Biennale. The birds, which were accented with gold leaf, included vibrantly hued guinea fowl-shaped works with murrine bodies, turkeys, owls and hoopoes (colorful birds known for their crown of feathers). Zuccheri employed an ingenious glass layering technique to create the birds’ feathers, while their realistic-looking legs and feet were made of bronze.

Throughout his career, Zuccheri’s love of birds and animals was a recurring theme in many of his glassworks, which he created for Venini and other Italian Murano glass manufacturers such as VeArt and Barovier & Toso. Today, his work lives on in galleries and private collections worldwide.

On 1stDibs, discover a range of vintage Toni Zuccheri lighting, decorative objects and serveware.