19th Century Sterling Silver

This elegant sterling silver serving spoon by the legendary Tiffany & Co. is a testament to the masterful craftsmanship and superb design synonymous with the firm's legacy in America...

An exceptional 19th-century English flatware service by Carrington & Co, 130 Regent Street, London — one of the most prestigious silversmiths and jewellers of the Victorian and Edwar...

Superb Rare Polished Figured pale Malacca wood crook handled Stick of outstanding quality, enclosing its original polished steel Horse Measure which measures up to 17hh complete with...

A gilt-silver chalice with fine repoussé foliate decoration and three painted enamel miniatures. Two of the miniatures show scenes of Jesus' life, while the third depicts a saint hol...

This is a fabulous antique French silver and cut crystal butter dish with domed lif off lid and stand, circa 1880 in date. The round butter dish features a domed lift-off lid decora...

Antique Silver Butter Dish with Crystal Liner & Spoon, Elegant Vintage Tableware This antique silver butter dish is a striking example o...

An elegant antique silver-plated covered serving dish, designed with a revolving dome lid and raised on an ornate stand with finely detailed floral and scrollwork decoration. The pie...

Victorian Period/Aesthetic Movement sterling silver calling card/business card case having a hinged lid and its original chain, Gorham Manufacturing Co., Providence, Rhode Island, Ca...

Aesthetic Movement Tiffany & Co. Hand-Engraved Sterling Silver Pocket Flask, New York, Circa 1891–1902, 78 Grams A refined late 19th-century sterling silver pocket flask by Tiffany ...

Charming angel adorned bowl by Gorham Manufacturing Co. circa 1870's-80's, perfect for candy or pot pourri. This bowl was inscribed to Louisa De Hart Phipps who resided in Mo. and ...

Tiffany & Co. Saratoga pattern sterling silver flatware set. The pattern features a scrolling motif on the handles. The set includes a variety of dining and serving pieces, some cont...

A beautiful set of 12 sterling silver teaspoons, accompanied by a tea strainer and sugar tongs. The inside of the spoons is gilded (vermeille). The silverwork is done in an incredibl...

Stylish Solid Polished Dark Brown Malacca Wood and Sterling Silver Lady’s or Gentlemans Walking Stick Dress Cane with Traditional ornately cast Tau shaped handle in Art Nouveau style...

Antique English Silver-Plated Sugar Bowl with Gilded Interior, Ornate Floral Design Description: This antique English silver-plated sugar bowl features an elegant gilded (gold-wash...

A very elegant antique 19th century repousse work sterling silver perfume flask, London, 1873. The circular top twists and locks in plac...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Antique Gorham & Co coin silver Mary Todd Lincoln tea and coffee set, 1861. Gorham & Co had made this set and it was gifted to Mary Todd Lincoln dur...

A beautiful Victorian period sterling silver hand mirror and brush, French, circa 1890 with ornamental decoration.

12 Demitasse Spoons by Whiting Mfg. Co. in the Elegant 1891 Louis XV Pattern. 6 of the spoons are inscribed 1894 and 6 are initialed LH. All are hallmarked "STERLING PAT. 1891" and w...

Large English hallmarked sterling silver flask, Birmingham 1888 Deakin and Francis, The flask of plain convex form with detachable pull off drinking Cup, light gilded interior, screw...

A very fine and scarce French pair silver Baptismal oil containers in its original leather fitted travelling case dating from 1850. The two cylindrical shaped oil containers are conjoined and both have tight fitting covers mounted with crosses. The oil containers have engraved initials OC and SC probably denoting oil and incense which would have been used in the baptismal ceremony. The identical lids too are similarly marked to ensure that these are not mixed up. The containers appear to have a slightly gilded finish to the interior and the oil containers are engraved to the bases and date 1850. They come in their original leather case with a small brass hook...

Oriental Sterling Silver Box with Figural Engravings, Handcrafted Persian Design, 18th C. An exquisite AntiqueQadjar Oriental silver box, delicately hand-engraved with detailed figu...

A gorgeous antique Victorian period sterling silver tea kettle or coffee pot By Tiffany & Co. USA, Late 19th Century Measures: 6.25"W x 4"D x 8"H. Good original vintage condition.

A fine antique Victorian silver napkin ring. In a heavy-gauged sterling silver. With highly detailed engraved butterfly & branch decoration to the center with raised decoration to ...

Christofle silver plate Napoleonic bottle opener. Silver bottle opener of circular point form with raised bust of napoleon in profile (Napoleon...

This is a fine quality Edwardian cut crystal dressing table pot, mounted with a sterling silver lid. The oval crystal body rests on a star-cut base and is exquisitely decorated with ...

Sterling Silver Condiment Set with Blue Glass Liners, English Hallmarked An exquisite English sterling silver condiment set, complete with its original fitted presentation case and f...

A fine, antique Tiffany & Co. covered, small-scale (possibly vegetable) tureen. In sterling silver. In the Richelieu pattern. Wth a twin handled body, conforming lid, solid sterli...

Victorian Period, hand-woven, sterling silver wire, business/calling card case, European, Ca. 1895. The sterling silver wire is woven in intricate patterns. When closed, the case mea...

Victorian Period/Aesthetic Movement calling card/business card case with hinged lid and original chain, Gorham Manufacturing Company, Providence, Rhode island, Ca. 1875. The case is...

Antique Irish Silver bowl, Dublin 1834 John Moore. Large two handled circular bombe form with repoussé and embossed foliage decoration on partial stippled background, rich foliage le...

Graceful, Art Nouveau, sterling silver water pitcher on baluster base, The Frank M. Whiting & Co., No. Attleboro, Mass., circa 1895. Holds 3 3/4 pints of liquid. 8 3/4" high x 8 3/4...

Rare Chinese export sterling silver bowl by Wang Hing & Co. with applied relief cherry blossom flowers on each side of the bowl where it transitions into the feet, casted and styliz...

19th Century Sterling Silver Tea and Coffee Service by Alphonse Debain Exceptional French tea and coffee service in solid sterling silver, crafted by the renowned Parisian goldsmith ...

Exquisite 19th-Century Spanish Sterling Rococo Revival Style Coffee Pot Hallmark: "VR" hallmark, indicating Spanish silversmith origin An elegant 19th-century Spanish sterling silv...

This is a very good, sterling silver mug or Christening Mug made in the late Georgian, George IVth Regency period, by Joseph Angell 1st of London, in 1825. The mug is handmade and...

Antique Tiffany & Co. Sterling Silver sugar Sifter. Highly decorative strawberry vine design with a twisted handle. Gold washed blade with some minor wear due to age and use. Wei...

A fine antique Baltimore silver repousse open sugar bow or jar. By Schofield. In sterling silver. In the rare 'Castle' pattern, depicting a castle in a forest landscape scene. W...

Chrysanthemum (c1880) originally called Indian Chrysanthemum .Tiffany's luxurious Chrysanthemum silver was designed in 1880 by Charles Grosjean. With its flowing curves, swirling ve...

Mixed metal and sterling silver Turkish style coffeepot made for Gotham Co , marked and date E 40 on bottom.

Royal House Antiques Royal House Antiques is delighted to offer for sale this Important, Museum quality, Solid Silver Paris made Wine or Champagne cistern by Emile Hugo after a desi...

A remarkable intricately designed, handcrafted silver box, circa 1880s. We were told that this box is sterling silver and that the makers mark "M" is that of "M. Mayer". Maurice MAYER was a very prestigious silversmith. Research shows that he was an "Orfèvre de l'Empereur", Napoleon Bonaparte, 1860-1870. The Minerva hallmarks are not visible, may have been rubbed off from use and cleaning. No documentation. This intricately carved box depicts the romantic poem of Le Roman de la Rose (The Romance of the Rose). Comes with the original lock and key. Le Roman de la Rose, begun by Guillaume de Lorris circa 1230 and completed, in a different style, circa 1270-1280, by Jean de Meun, builds on the concept of courtly love found in the poetry of the troubadours. The authors create a complex allegory of the romance between the Lover and the Rose. In the quest to pick the Rose (to achieve the conquest of love), the flower and its attendants represent the Lady and her sentiments while being wooed. In the first part of the poem, written by de Lorris, the Lover recounts his dream, ending with the winning of a kiss from the Lady. In the dream, the Lover discovers a walled garden and gains entrance thanks to a beautiful young woman. He meets Diversion and dancers who represent courtly values such as Beauty and Generosity. A tour of the garden brings him to a beautiful bed of roses by the Fountain of Love...

A Very Imposing example of an identical pair of boxed heavy gauge Sterling Silver Scottish Centerpieces of exceptional quality. The stylish oval form crested dishes with lavish pie...

A wonderful german 800 sterling silver cherub figural centerpiece by Lazarus Posen, circa 1890 In the Rococo style, with a putti / cherub holding...

Antique valuable sterling solid silver salt shaker or Decorative tableware pressed, cast and chased, gold gilding on the inside. Oval, domed body on short, curve All-encompassing C-curves in relief, latticework, rocailles, tendrils of flowers and matching cartouches. This salt shaker has a blue crystal bowl inside and 1 silver spoon and can be an exclusive decorative object as your tableware or serving pieces or a valuable gift set. Includes a small silver salt spoon and a crystal bowl inside. salt shaker with silver stamps. Sterling Silver Salt Shaker Antique...

One of Durgin's most popular and beautiful patterns is '"Chrysanthemum". The design is of leaves and chrysanthemum buds and blooms on the front. The back displays 2 chrysanthemums in bloom among leaves and buds. The chrysanthemum flowers flow down beautifully onto the tines, bowls, and serving areas of many of the pieces. Superb Chrysanthemum by Durgin...

Art Nouveau German Sterling Fantasy Fish Motif Oil Lamp/Cigar Lighter German, Late 19th Century, Unmarked, .800 Silver Immerse yourself in the enchanting world of Art Nouveau with this captivating German sterling fantasy fish motif oil lamp/cigar lighter. Dating back to the late 19th century, this piece is a true testament to the creativity and artistry of the era. Crafted with meticulous attention to detail, the lamp is a fantastical, caricature-like fish cast and engraved realistically. The fish rests on its back, supported by its fins and dorsal fin, with wide-opened eyes and an open mouth revealing the oil lamp's wick. The turned-up tail serves as the handle for this ingeniously designed oil lamp and cigar lighter. Made of unmarked .800 silver, this piece embodies the quality and craftsmanship of German silversmithing. With dimensions of 4 inches in height, 3.5 inches in width, and 2 inches in depth, this lamp is a statement piece that will captivate any observer. Weighing 3.5 ounces, it exudes a substantial and luxurious feel. Step into the enchanting world of Art Nouveau with this captivating German oil lamp...

Large crystal punch bowl with large repousse sterling lip. Brilliant cut crystal by Hawkes in star motifs (Holland pattern) encircle the bowl....

FRENCH .950 SILVER-GILT AND ENAMEL CIBORIUM Maker's mark rubbed. Underside marked for Bennard, Rue Ferou, Paris. Enameled depictions of Christ, the Virgin Mary and St. Francis on th...

Empire Style Silver & Crystal Swing-Handle Basket with Sphinx Decoration, Continental, circa 1820–1850 Measurements: 7" high x 6" wide x 4.75" deep Interior Measurements of Crystal ...

Victorian, French, sterling silver fish slice/knife, Tiffany & Company, Paris, circa 1870. Blade is pierced and is designed with an etched fish. Hand...

A museum quality George IV English Sterling Silver Covered Soup Tureen on Stand by Paul Storr, London, Circa 1823 Lid engraved with 'Lion Rampant' herald; also repeated to the should...

19th century Russian silver engraved salver, 1879 With beautiful intricate bright decoration, with center belt motif cartouche Numerous h...

This pattern was named after the art of repoussé (the process of embossing metal from the back by hammering), originally used in European silversmithing. The Repousse pattern, first ...

An elegantly presented case of twelve silver-gilt, or vermeil, tea or coffee spoons, distinctively shaped with pointed bowl tips and elaborately shaped handle ends engraved with scro...

This antique sterling silver serving dish or tray was made by the renowned Tiffany and Co. of the United States in approximately 1860 in the period Victorian style. This oval sterling silver tray...

This exceptional 6-piece sterling silver tea and coffee service by the renowned Goldsmiths & Silversmiths Company of 112 Regent Street, London, showcases the fine artistry and crafts...

This exceptional and richly adorned silver Hanukkah lamp, crafted in Austria circa 1880, is a striking example of late 19th-century European Judaica—a grand fusion of artistic elegan...

The academic nature in which designer Antione Heller looked to the past for inspiration also stems from the Beaux Arts movement. Cluny takes its name and inspiration from a real plac...