Aboriginal Bark Painting by Betty Guymatala, Australia

This painting comes from the Jilamara Design art center and dates back to 2013. It is made with earth ochres bound with acrylic pigment. Cornelia is considered a great artist of the first generation from this region. A certificate of authenticity is included. Cornelia Tipuamantumirri was born in Pirlangimpi (Garden Point), Melville Island, around 1930. Her father's ancestral land is Imalu Point, Melville Island, and her mother's ancestral land is Munupi, Melville Island. Her skin group is Warntarringa (Sun) and her dream is Jarrikalani (Turtle). Tipuamantumirri lives and works in Pirlangimpi, where she is an initiated and respected Tiwi elder. Tipuamantumirri uses the kayimwagakimi, a traditional carved wooden painting comb with a single row of teeth. Using a palette of ochres in pinks, yellows, blacks, and browns, her work depicts significant aspects of Tiwi life and culture with repeated dotted lines referencing yirrinkiripwoja (body painting) and the tidal movements of the surrounding seas. Tipuamantumirri, who began painting in 2010, is also an experienced weaver. Key recent solo and group exhibitions: - Warnarringa - Jarrikalani: Sun - Turtle, Alcaston Gallery, Melbourne (2014) - Cornelia Tipuamantumirri - New Paintings, Alcaston Gallery, Melbourne (2013) - Purunguparri (Stringy Bark Hut), Alcaston Gallery, Melbourne (2011) - Ngawa Munupula/Ngawa Kiripapiranjuwi: New Paintings from Munupi Art on the Tiwi Islands, Outstation Gallery, Darwin (2015) - Cornelia Tipuamantumirri and Delores Tipuamantumirri: New Paintings, Martin Browne Contemporary, Sydney (2015) - We are Tiwi: Munupi Arts from Melville Island, Artitja Fine Art, Fremantle, WA (2014) - The Tiwi: Art from Jilamara & Munupi Art Centres, Kluge-Ruhe Aboriginal Art Collection, Virginia, USA (2014) - Nginingawila Munupi Jilamara: Our Paintings from Munupi, Marshall Arts, Adelaide (2013) - Kirilima + Jarrikalani - Jungle Fowl + Loggerhead Turtle...

In this extraordinary painting, Pantjiya Nungurrayi celebrates, using a three-colour palette, the sites for which she holds ritual guardianship. In this instance, she portrays Ngutju...

We offer an exquisite Aboriginal artwork created by Tjunkiya Napaltjarri (1927-2009) in 2002, sourced from the Papunya Tula Art Center. Her work can be found in the collections of th...

A set of thirteen kriss handles originating from Java, Indonesia, dating from the late 18th to early 19th century. Beautiful aged patina in dark or amber tones. Exquisite carving wo...

A wonderful, unique, and very engaging original stone painting titled "Rainbow Serpent, Ngalyod" by prominent Australian Aboriginal artist Bobby Barrdjaray Nganjmirra (1915-1992). Th...

A wonderful, unique, and very engaging original acrylic on canvas painting titled "Hunting Dreaming" by indigenous Australian Aboriginal artist B...

A tall and narrow parrying shield from the Aboriginal people living in the Western Australia. The piece was carved out of a single block of hard wood t...

A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999 Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame. Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976). Artist's Biography (Courtesy of Art Gallery NSW) After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists. During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney. Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...