African Bwa leper mask Burkina Fasso 20em S

Toussiana Plank Bird from Burkina Faso Mid XXem Provenance: private Swedish collection , auction The TOUSSIAN live in the Southwest of Burkina Faso. The mask presented here is a Loni...

Kanuri-Hausa Headdress, "burtu" Kanuri-Hausa, Nigeria Headdress, "burtu Kanuri-Hausa, Nigeria wood leather horn. H 42 cm. Provenance : - Swedish private...

Statue of a rider on his mount from among the Senufo tribe settled in the north of Côte d'Ivoire. Carved from dense wood. beautiful patina. The statue has a custom made acrylic base....

African Baule statue Mother with child, Ivory Coast mid XXem Provenance: Swedish private collection, from the 1980s. Then inherited within the family. B...

Bring a piece of African heritage into your space with this authentic vintage Katanda mask from the Lega people of DR Congo. Hand-carved in the mid-20th century, this tribal mask is ...

Bamana N'tomo mask, Mali, 20th century "Generally surmounted by three to eight horns forming a comb, the N'tomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The mask's discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence." Excerpt from Masques du N'tomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France. The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites. The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask. As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the N'tomo, Korè and Ci wara...

African Lwalwa tribal mask enhanced with white pigment on the mouth and ears.

A wooden mask from the Salampasu tribe called Mukinka. The mask is covered with copper pieces from 1 x 2 cm and has a beard in vegetal fiber, the top of the head is also covered with...