Bamana 'Chi-wara'

Purchased from the estate of Max Granick. Granick had a frame shop on 56st and in addition to being one of the great framers of midcentury NY was a partner with John Graham offering ...

In 'Congo Masks, Masterpieces from Central Africa' editor Marc Leo Felix, a photograph on page 146 depicts a group of Salampasu Masks being collected in...

Important Yoruba CarvingWoman with an Offering Bowl, reputedly by 'The Omu Master' Rich Patina. Christies lot 33 11/28/84. Ex Donald Morris Gallery

A Senufo staff depicting a seated woman. It is important that the quality and authenticity of tribal art should be equal to the quality and authenticity of the modern art it is displ...

Bamana N'tomo mask, Mali, 20th century "Generally surmounted by three to eight horns forming a comb, the N'tomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The mask's discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence." Excerpt from Masques du N'tomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France. The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites. The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask. As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the N'tomo, Korè and Ci wara...

Early 20th century Chiwara Headdress, Bamana (Bambara) People, Mali Chiwara headcrests represent the antelope spirit who taught the Bamana people ...

A mud cloth (Bogolanfini), Mali, Bamana People mid-20th century. Hand woven 'discharge dyed' cotton Approximately 71 x 52 in. (180cm. x 132cm.) A dazzling geometric pattern...

A Bamana Wood Reliquary Guardian Figure West Africa, Mali Property from the Estate of Paul B. Dombrowski, Monona, Wisconsin.