Danish Modern RAAK "Globe" pendant light by Frank Ligtelijn, Amsterdam, 1970s

In Dutch, “raak” means “to hit” or “to hit the nail on the head.” Lighting company RAAK certainly accomplished that with its unique mid-century modern designs of futuristic, Space Age metal lamps, pendants and other lighting creations. 

RAAK was founded in 1954 by Carel O. Lockhorn (1923–2004), a former employee of the Philips Lighting company in Eindhoven, the Netherlands. Under the tagline “Illuminated Architecture,” RAAK focused on producing elegant, sophisticated and modern lighting that would blend seamlessly with high-concept interiors. 

During the 1960s, one of RAAK’s most well-known designs came from its in-house designer, Frank Ligtelijn, who created the Globe 2000 series of glass and chrome floor lamps, pendants and wall lights. Another key collaboration was with Dutch artist and glassmaker Willem van Oyen, who produced the iconic Chartres wall lights in 1964. Van Oyen’s Brutalist design evoked melted paintings and was inspired by the stained glass windows in the Chartres Cathedral in France.

In the 1970s, RAAK worked with several influential international artists, such as Italian designers Sergio Asti, Giotto Stoppino and Cesare Casati and Emanuele Ponzio, and Finnish designers Maija Liisa Komulainen (best known for her metallic, cylindrical Fuga lamp) and Tapio Wirkkala, creator of the handblown crystal Suomi pendant lamps.

Through the 1960s, 1970s and 1980s, RAAK enjoyed enormous success throughout Europe and worldwide for its modern lamps and decorative lighting. In 1974, Lockhorn sold RAAK to the furniture company ITT but remained its director until 1977. In 1980, RAAK merged with BIS Lighting and was renamed BISRAAK. Then, in 1999, the company entered into another merger, this time with Artilite B.V. and Indoor B.V., and became the Center for Light Architecture. It declared bankruptcy in 2011.

RAAK lighting continues to be highly coveted today among interior designers and avid vintage furniture collectors.

On 1stDibs, discover a range of vintage RAAK lighting, decorative objects and more.

Transforming light manufacturing into an aesthetic art form, Peill & Putzler is synonymous with futuristic globular glassworks. It was a massive operation at the peak of its production, creating mid-century modern designs and employing up to 1,500 workers. Its table lamps, wall lights and chandeliers and pendants are anything but mundane and are admired today for their innovative artistry.

The melding of two great, independent glassworks companies in 1947 to form Peill & Putzler occurred at the beginning of a postwar design surge. Peill und Sohn, founded in 1903, was led by Leopold Peill, a philanthropist and glassmaker. Originally from Pieńsk in today’s Poland, the Putzler brothers were well-established glass producers known for kerosene street lighting. The synthesis of the two companies established the renowned glassworks and a lighting company. The site of its glassworks factory in Düren, Germany, became the home of this integrated partnership.

In 1953, the German Design Council was formed, with Peill & Putzler as a founding member. The council is essential today, bringing social awareness, support and knowledge transfer to design companies and providing beneficial tools for their success. 

Heading the company at this time were Günther Peill and Hans Ahrenkiel. The pair were experimental with the designs the company produced. Advancing technologies supported industrial production, allowing the company to manufacture pieces that were as much art as functional objects.

Designers of note who worked with Peill & Putzler and contributed to its acclaim included Aloys Ferdinand Gangkofner, Wilhelm Wagenfeld, Helmut Demary, William Brown, Horst Tüselmann and Wilhelm Braun-Feldweg. Collaboratively, they produced stunning flush mount lighting, candle holders and vases and vessels.

On 1stDibs, find a collection of vintage Peill & Putzler lighting, decorative objects, glass and more.