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PH 5/4 - Pendant in patinated copper by Poul Henningsen

Price:$17,053.51

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PH 8/6 - Large 'Tennis Lamp' pendant in aluminium by Poul Henningsen
By Louis Poulsen, Poul Henningsen
Located in Copenhagen, DK
Model PH 8/6 - Large 'Tennis Lamp' pendant in white lacquered aluminium with socket housing in nickel-plated metal. With top shade centre section covered with multilayer opal glass. ...
Category

Mid-20th Century Danish Mid-Century Modern Chandeliers and Pendants

Materials

Aluminum

PH 5/3 pendant by Poul Henningsen
By Poul Henningsen
Located in Copenhagen, DK
PH 5/3 pendant in brass and red painted metal. 1949. Poul Henningsen / Louis Poulsen
Category

Mid-20th Century Danish Scandinavian Modern Chandeliers and Pendants

Materials

Metal, Brass

PH 1/1 - 'Bombardment' chandelier by Poul Henningsen
By Poul Henningsen, Louis Poulsen
Located in Copenhagen, DK
PH 1/1 - 'Bombardementkrone', chandelier, in burnished brass with shades in amber glass. Stamped 'Patented'. From the 1930s.
Category

Early 20th Century Danish Mid-Century Modern Chandeliers and Pendants

Materials

Brass

PH 3/2 - 'Anchor' chandelier by Poul Henningsen
By Poul Henningsen, Louis Poulsen
Located in Copenhagen, DK
PH 3/2 - Six-armed “Anchor" chandelier in brass with shades in single-layer white opal glass. Made between 1926-1928, stamped 'PAT. APPL.'
Category

Early 20th Century Danish Mid-Century Modern Chandeliers and Pendants

Materials

Brass

PH 4/3 - Table lamp in copper by Poul Henningsen
By Louis Poulsen, Poul Henningsen
Located in Copenhagen, DK
PH 4/3 - Table lamp with patinated copper shades. Stamped “PATENTED”.
Category

Early 20th Century Danish Mid-Century Modern Table Lamps

Materials

Copper

PH 5/3 - Floor lamp with green copper shades by Poul Henningsen
By Poul Henningsen, Louis Poulsen
Located in Copenhagen, DK
PH 5/3 - Rare floor lamp in burnished brass with green copper shades. Stamped 'PAT. APPL'.
Category

Early 20th Century Danish Mid-Century Modern Floor Lamps

Materials

Brass

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Poul Henningsen Ph 2/1 Pendant
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The fixture design is based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of hand-blown, opal, three-layer glass, which is glossy on top and sandblasted matte on the underside, giving a soft and uniform light distribution. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The PH 2...
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Poul Henningsen Ph5 Pendant
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Poul Henningsen developed the PH 5 in 1958 as a follow-up to his celebrated three-shade system. The fixture emits both downward and lateral light, thus illuminati...
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Poul Henningsen Ph 6½-6 Pendant
By Poul Henningsen, Louis Poulsen
Located in Berkeley, CA
The trumpet-shaped top shade provides illumination of the area above the three lower shades, which primarily direct the light downwards. A base reflector and a blue glare ring protect against glare from all angles. The strongest light is directly under the fixture. The shades have a matte white painted finish to ensure very comfortable lighting. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The four-shade system was launched in 1931 to create a fixture that could be mounted high up and serve as an alternative to the commonly used chandeliers. The PH four-shade fixture was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights. It was removed from the Louis Poulsen standard range in the 1940s, but was redesigned in 1979 by Danish architects, Sophus Frandsen and Ebbe Christensen, for the Charlottenborg exhibition building in Copenhagen (although in a larger size: PH 6...
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Poul Henningsen Ph 4/3 Pendant
By Poul Henningsen, Louis Poulsen
Located in Berkeley, CA
The fixture is designed based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of metal and painted white to ensure uniform, comfortable light distribution. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The PH 4...
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Poul Henningsen Ph 3½-3 Pendant
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The fixture is 100% glare-free, with a design based on the principle of a reflective three-shade system, which directs most of the light downwards. The shades are made of deep drawn aluminum with white inner surface that ensures gentle, downward light distribution. The downward light is both soft and pleasant. To mark Poul Henningsen’s 120th birthday on 9 September, Louis Poulsen is launching the new PH 3...
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Poul Henningsen Ph 3/2 Pendant
By Louis Poulsen, Poul Henningsen
Located in Berkeley, CA
The fixture design is based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of hand-blown, opal, three-layer glass, which is glossy on top and sandblasted matte on the underside, giving a soft and uniform light distribution. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The PH 3...
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