Italian space age Floor lamp in white plastic and metal by Arteluce, 1970s

Italian modern directional white metal and plastic floor lamp, 1980s. Adjustable floor lamp, with metal and plastic structure with four different inclinations of the upper part of th...

Adjustable floor lamp with spherical lampshade in white painted metal. The diffuser is mobile thanks to a particular adjustable hook in plexiglass and the stem, in chromed steel, res...

Italian modern floor lamp in opaline glass and white metal, 1980s Floor lamp with 4 lights in white painted metal. The 4 spherical diffusers are made of opaline glass, each positione...

Italian Mid-Century Modern Floor lamp in white fabric and metal, 1980s Pair of floor lamps with a round base of different heights. The lampshade is conical in cream-colored fabric. ...

Very nice White tube frame adjustable floor lamp .comes with a White Acrylic shade .so seventies . Gives a very nice warm light when lid . foot switch .one E27 large bulb needed . ...

Vintage space age adjustable chrome floor lamp with white accents, circa 1970s. A striking example of mid century futurism, this adjustable chrome floor lamp features a glossy white ...

Modern white vintage floor lamp model Mezzaluna designed by Bruno Gecchelin Italy 1974 and produced by Skipper Pollux, Milano. A gorgeous floor lamp with chrome-plated adjustable tubular steel shaft from 180 cm (70.87 in) to 197 cm (77.56 in) height, a white marble base and a white enameled and adjustable head features this floor lamp. Condition: the sliding switch cover...

Coupè floor lamp with a structure in white lacquered metal, designed by Joe Colombo and manufactured by Oluce in 1967, circa Italy. Measures: Height: 175 cm Width: 140 cm Lampshade diameter 40 cm Lamp base 30 x 32 cm Joe Colombo born Cesare Colombo, was an important Italian designer, architect and artist. Renowned for his embrace of modern technologies and for the potential he saw in modular furniture and designs, Colombo created a body of furnishings that spoke to the energy and excitement over the potential of the Space Age. Colombo was born and raised in Milan. Joe first in a first time decided to pursue an artistic career by enrolling in Milan’s Accademia di Belle Arti di Brera. But after a couple of years at the Accademia, he transferred to Politecnico di Milano, where he studied architecture and graduated in 1954. During his studies at the Accademia, he befriended artists Sergio Dangelo and Enrico Baj, who had been influential in the creation of the avant-garde Movimento Nucleare, a group whose aim was to transform the art of painting in response to the tensions of the modern nuclear age. Until 1958, Colombo worked mainly as an Abstract Expressionist painter and sculptor and thrived on the Movimiento Nucleare group’s energy and intensity, which fueled in his work a fascination with an almost futurist aesthetic. In 1959, Joe Colombo’s father died, and he decided to run the family electrical appliance business while experimenting with new manufacturing methods and materials. This new and unexpected experience influenced him to switch from painting to architecture and design, where his fascination with futuristic themes not only remained intact but found a new invigorating venue. In fact, one of his first design projects was a series of installation works made from television sets that were assembled in the form of shrines; the work was exhibited at the 1954 Triennale di Milano. Colombo decided to open his own design studio in Milan in 1962, entering the busiest phase of his career as he designed furniture, lighting, interiors, and glassware. Also in 1962, Joe and his brother Gianni designed for Oluce the Acrilica lamp...