Montecito Style: Paradise on California's Gold Coast

How did California come to have such a powerful influence on contemporary design? This book explores how the ideals of the 1960s counterculture morphed into the tech culture of Silic...

A curated list of more than 250 must-see destinations organized geographically from Maine to Florida Featuring architecture by some of the biggest midcentury names, including Mies ...

A clever, quirky biography of a leading contemporary artist, for children Banksy is a world-famous graffiti artist who secretly spray paints pictures on streets and walls while no o...

An in-depth exploration of the birth of cooking, as charted by leading authority and iconic chef Ferran Adrià's elBullifoundation Using Ferran Adrià's unique 'Sapiens' methodology, ...

A beautiful Baskerville edition of John Milton's 'Paradise Lost' and 'Paradise Regain'd', both epic poems bound here in one volume. A Baskerville edition. Complete as two volumes b...

Antique print, titled: 'The Fort Fredricksburg formerly to ye Danes and now Fort Royal (…).' - A three panel copperplate engraving showing three forts on the West African Gold Coast, Ghana; a) The Fort Fredricksburgh formerly to ye Danes and now Fort Royal. English at Manfroe, b) The Fort Amsterdam at Cormentyn belonging to ye Hollanders, c) The Fort James, English at Accra. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

Antique print, titled: 'The Dutch Fort Croevecoeur (…).' A four panel plate showing forts on the West African Gold Coast, Ghana; a) The Dutch Fort Croevecoeur at Accra, b) The Danish Fort Christiaenburgh at Accra, c) Cape Ruygehoeck or Duyvelsbergh, d) The Prospect of the Village and Coast of Lay, the mount Redonda being at NNE. Ussher Fort is a fort in Accra, Ghana. It was built by the Dutch in 1649 as Fort Crevecoeur. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

The antique print is a page from an 1860 A Fullarton atlas, providing a comprehensive view of the British possessions on the northwest coast of South America during that time. It features a detailed map of the Island of Trinidad, as well as maps of British Guiana with routes by Sir Robert Schomburgk. The print includes ornate vignettes that showcase both the region's rich biodiversity with illustrations of local birds such as the Scarlet Ibis and Hummingbirds of Trinidad, and the giant water lily known as Victoria Regia. In addition to the natural history, the print also portrays cultural elements through depictions of the indigenous populations, specifically the Macusi and Caribisi Indians. It illustrates various aspects of their life, from the preparation of cassava and coffee to their dwellings, costumes, and idols. An image of a sugar mill...