The New Glamour Interiors with Star Quality

On Style brings together today's top up-and-coming interior designers who together reflect the future of decorating, illustrated with never-before-published photos of each designer's work. The world is changing, and interior design is changing along with it. Today's designers are presenting a fresh take on decorating, and they are connecting directly with their audience over social media. In his follow-up to Interior Design Master Class, editor Carl Dellatore turns his curatorial eye toward this next generation of decorators, culling fifty of the top designers working in America today. On Style provides an intimate view into the personalities, inspirations, and aesthetics of these members of the new guard. Each profile spotlights a never-before-seen project, as well as each designer's story and influences, and of course, their advice for achieving great style. The group hails from across the country, from Seattle to Los Angeles, Houston to New York. It includes best-selling authors like Paloma...

FOR PREORDER, TITLE SHIPS / PUBLISHES 10/18/22 The first book from Drake/Anderson illustrates the award-winning firm’s opulent modernist design with interiors that are as unique and expressive as they are inviting and livable. Principals Jamie Drake...

Author Kate Hume and Linda O'Keeffe, Photographs by Frans van der Heijden The first book from celebrated interior and furniture designer Kate Hume. Kate ...

Author Paul Gunther and Gay Giordano Cutting-edge examples of the use of optical illusion in design—from trompe l’oeil to anamorphosis—to solve various challenges, be they space or budget related, or that act as aesthetic features in architecture and the fields that rub elbows with it: art, design, and furniture. This magical volume presents the startling world of illusion in design as employed by today’s architects, interior designers, furniture designers, and others at work bending the appearance of reality for purposes of aesthetics or practicality or fun. From a faux bookcase that masks a room or Prohibition-style bar, to the mind-boggling Escher-like effects achieved by Casa Ceramica, whose optical illusion of a floor dips into valleys and rises into mounds (but is in reality flat), the book is a revelation and an inspiration. It offers to us the possibility that nearly anything can be done, if it can be imagined—even in our own homes. The authors look at residences across the globe, as well as spaces beyond the home, that utilize a myriad of surprising techniques. Included are projects by conceptual designers such as Studio Malka and Vector Architects, as well as established practitioners such as Ferguson and Shamamian, G. P. Schafer, Peter Pennoyer...

Inspirational and visually on trend, Ashley Hicks's latest work is a pattern book for the 21st century. Offering insights and revelations, Hicks's own exquisitely quirky and colorful historicist interiors are discussed with designs from the recent and faraway past. Ashley Hicks has created a mix of manifesto, souvenir album, and confession in this collection of noteworthy rooms--featuring his own one-of-a-kind interiors along with rooms that have inspired him. The manifesto aspect is rather limited, since Hicks is not a great believer in aesthetic rules or the value of so-called good taste, but as a souvenir album, it charts Hicks's personal creative journey of the last few years, illustrated with photographs of some favorite historical interiors and objects that represent a mixture of source material and inspiration. The book's twelve chapters reveal Hicks's creative process, how he approaches different themes in his own interiors, furniture designs, and works of art, and how these themes can be applied to the works of others. Such subjects as flowers, color, layers, form, pattern, and memory are presented in the context of actual projects. Historical and recent interiors are discussed for their decorative value--notable rooms and architecture include the Pantheon in Rome; Emperor Maximilian's tomb in Innsbruck; the Royal Pavilion, Brighton; and the Petit Trianon at Versailles. Hicks has created a book for devotees of decorating and the history of interior design. About the author Ashley Hicks is a British author, architect, interior and furniture designer, and photographer. He is the son of Lady Pamela Hicks and the legendary decorator David Hicks. His personal Instagram profile has amassed over 200,000 followers. Christian Louboutin is a celebrated French shoe designer.

Edited by Sofia Aspe, Foreword by Cristina Morozzi A luxurious presentation of the works by prominent Mexican interior designer Sofía Aspe, known for cre...

Jamie Drake's New American glamour. New York: Bulfinch Press, 2005. Stated first edition hardcover with no dust jacket as issued. 175 pp. A colorful book b...

Jamie Drake's New American glamour. Designer hardcover Coffee table book. New York: Bulfinch Press, 2005. Stated first edition hardcover with no dust ja...

Signed by Simon Upton Edited by Karen Howes Foreword by Rupert Thomas A striking visual homage by leading interiors photographer Simon Upton In his first book, renowned inter...

Published by PMc Publishing LLC, 1st edition, New York, 2007. Padded hardcover with English text. This sumptuously illustrated volume boasts possibly the largest collection of photo...

Inside New York, Discovering New York's Classic interiors by Joe Friedman. New York: Harper Collins Publishers, 1992. Stated first US edition hardcover with dust jacket. 128 pp. An o...

36 STARS IN THE "GREAT STAR" OR "GREAT LUMINARY" PATTERN, ON A MERINO WOOL FLAG OF THE CIVIL WAR ERA WITH BEAUTIFUL SCARLET AND ROYAL BLUE COLOR AND WITH ITS CANTON RESTING ON THE "WAR STRIPE," REFLECTS NEVADA STATEHOOD, 1864-67 36 star antique American flag of the Civil War era, with some rare, desirable, and beautiful features. The most obvious of these is the configuration of the stars. These are arranged in what is known as the “Great Star” or "Great Luminary" pattern, a star made out of stars, which is one of the most graphic and desired geometric designs among flag enthusiasts. Nevada entered the Union as the 36th state on October 31st, Halloween, in 1864. Ushered in by Abraham Lincoln just eight days before the presidential election that resulted in his second term, the territory’s wealth in silver was attractive to a nation struggling with the debts of war and so increased support for the Republican ticket. The 36th star was officially added on July 4th, 1865, but since the flag makers generally cared very little about official star counts, the production of 36 star flags began much earlier. The makers of printed flags are known to have begun adding the 36th star as early as July of 1864, several months before the addition of Nevada actually occurred. This was a common practice during the late 19th century and is reflective of both the nation's desire for Westward Expansion and the hope of flag-makers to bring new star counts to market before their competitors. The 36 star flag was officially replaced by the 37 star flag in 1867, following the addition of Nebraska. Great Stars come in many forms. This particular example has a single center star, surrounded by a pentagon of 5 stars, set inside its star-shaped perimeter. Note how the Great Star is positioned with two points up instead of one and so is effectively upside-down with respect to modern convention. Unlike the current flag, versions of the Stars & Stripes made during the 19th century and prior often displayed stars that were varied or completely random in their rotation on a vertical axis. Note how the feature draws attention and is unusual to the eye, in addition to being visually appealing. Another interesting trait can be seen in the fact that the canton rests on a red stripe. When this scarce condition occurs, some flag historians have referred to it as the “blood stripe” or the “war stripe”, suggesting the flag was constructed in this manner when the nation was at war. In actuality, the placement probably occurred more often by accident. Not everyone knew where the canton was traditionally positioned, and because there was no official specification until 1912, there was no official placement. Whatever the case may be with regarding the reason, the war stripe feature is highly coveted by collectors. The stars of the flag are hand-sewn, made of cotton, and are double-appliquéd (applied to both sides). The canton and stripes of the flag are made of fine merino wool. These are beautiful, luxurious fabrics with strong royal blue and scarlet color. Every seam was joined with a row of hand-stitching, then finished with a row of treadle stitching. Instead of employing the selvage edge of the red fabric, the top and bottom edges of the flag were turned under and seamed by hand and the fly end was seamed in the same fashion. There is a narrow binding along the hoist, treadle-sewn and made of cotton. Along this five cotton tabs were affixed, each with a tiny brass ring, which suggests that the flag was probably affixed to a wooden staff with twine or ribbon and hand-carried. The name of "Stow" is inscribed along the hoist. This would be the name of a former owner. In the field of early American flags...