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Map of Batavia’s Surroundings with Early Reference to Jakarta, Indonesia, c.1770
$518.90
£388.41
€440
CA$714.15
A$795.99
CHF 417.63
MX$9,720.37
NOK 5,288.10
SEK 4,998.06
DKK 3,349.59
About the Item
Map of Batavia’s Surroundings with Early Reference to Jakarta, circa 1770
Description:
This finely engraved map titled "Carte des Environs de Batavia" offers a compelling and historically rich view of the colonial landscape surrounding Batavia, the capital of the Dutch East Indies, known today as Jakarta. Created circa 1770, the plan is attributed to Jakob van der Schley, an accomplished Dutch engraver known for his contributions to 18th-century geographical publications, especially the *Histoire générale des voyages*.
At the heart of the map lies the fortified city of Batavia, clearly delineated in its orderly grid layout, surrounded by a meticulous depiction of the surrounding agricultural lands, water infrastructure, and strategic outposts. One of the most fascinating aspects of this plan is its early mention of “Jacatra” (a local name for Jakarta) southeast of the city, offering a rare glimpse of the historical layering of colonial and indigenous place-naming.
The region is crisscrossed by a detailed network of canals, which served both transport and irrigation purposes. These waterways were vital to the functioning of the Dutch colonial economy and are drawn with technical precision. Adjacent to them, plots marked as “Jardins” reflect European-style horticulture interwoven with local cultivation.
Of particular note are the extensive “Champ de Riz” (rice fields) and “Canne de Sucre” (sugar cane plantations), shown in green and pale red tones. These were not just staples of subsistence and local consumption but also pillars of colonial commerce. Their central placement on the map reveals their economic and symbolic importance in the landscape.
The lower-left corner includes a scale bar rendered in Dutch, French, and Latin units, a multilingual detail underscoring the map’s intended European readership. The map is ornamented with a rococo-style cartouche in the upper left, beautifully hand-colored and embellished with floral and foliate motifs.
Condition summary:
The print is in very good condition for its age, with crisp impressions and original hand coloring. There is a central fold, as issued, and light toning to the margins, along with a faint watermark and minor foxing at the lower edge. No restoration has been carried out.
Framing suggestion:
This map would be best presented in a classic dark wood frame with a subtle gold fillet, paired with a cream or soft beige archival mat. It is an ideal display piece for collectors of Southeast Asian cartography, VOC-era history, or early urban plans of Jakarta.
- Dimensions:Height: 9.93 in (25.2 cm)Width: 14.06 in (35.7 cm)Depth: 0.01 in (0.2 mm)
- Materials and Techniques:Paper,Engraved
- Place of Origin:
- Period:
- Date of Manufacture:circa 1770
- Condition:The print is in very good condition for its age, with crisp impressions and original hand coloring. There is a central fold, as issued, and light toning to the margins, along with a faint watermark and minor foxing at the lower edge. No restoration h.
- Seller Location:Langweer, NL
- Reference Number:Seller: M-15591stDibs: LU3054345460162
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Artists and Engravers:Jodocus Hondius, one of the most notable engravers of his time. He is known for his work in association with many of the cartographers and publishers prominent at the end of the sixteenth and the beginning of the seventeenth century. A native of Flanders, he grew up in Ghent, apprenticed as an instrument and globe maker and map engraver. In 1584, to escape the religious troubles sweeping the Low Countries at that time, he fled to London where he spent some years before finally settling in Amsterdam about 1593. In the London period he came into contact with the leading scientists and geographers of the day and engraved maps in The Mariner\\\\\\\\\\\\\\\'s Mirrour, the English edition of Waghenaer\\\\\\\\\\\\\\\'s Sea Atlas, as well as others with Pieter van den Keere, his brother-in-law. No doubt his temporary exile in London stood him in good stead, earning him an international reputation, for it could have been no accident that Speed chose Hondius to engrave the plates for the maps in The Theatre of the Empire of Great Britaine in the years between 1605 and 1610. In 1604 Hondius bought the plates of Mercator\\\\\\\\\\\\\\\'s Atlas which, in spite of its excellence, had not competed successfully with the continuing demand for the Ortelius Theatrum Orbis Terrarum. To meet this competition Hondius added about 40 maps to Mercator\\\\\\\\\\\\\\\'s original number and from 1606 published enlarged editions in many languages, still under Mercator\\\\\\\\\\\\\\\'s name but with his own name as publisher. These atlases have become known as the Mercator/Hondius series. The following year the maps were reengraved in miniature form and issued as a pocket Atlas Minor. After the death of Jodocus Hondius the Elder in 1612, work on the two atlases, folio and miniature, was carried on by his widow and sons, Jodocus II and Henricus, and eventually in conjunction with Jan Jansson in Amsterdam.
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