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Christ on Cross, 'Corpus Christi', Enamel, Copper, Limoges, 12th-13th Century

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Virgin with Child. Carved and polychrome wood. Spanish school, 13th century.
Located in Madrid, ES
Virgin with Child. Carved and polychrome wood. Spanish school, 13th century. It has faults. Polychrome wood carving that shows the Virgin sitting on a throne, with her right hand r...
Category

Antique 15th Century and Earlier Spanish Gothic Religious Items

Materials

Other

Reliquary Pendant, Flagellation of Christ, Silver, Enamel, 16th Century
Located in Madrid, ES
On one side of the pendant, Christ appears tied to a tall column in the center of the composition, being whipped by two sayones or soldiers with branches, following a customary compo...
Category

Antique 16th Century European Renaissance Religious Items

Materials

Silver, Enamel, Other

Christ with angel. Oil on canvas. 18th century.
Located in Madrid, ES
Christ with angel. Oil on canvas. 18th century. The painting depicts Christ, dressed, supported by the shoulders or back by an angel, both figures situated in an indeterminate space...
Category

Antique 18th Century Spanish Neoclassical Religious Items

Materials

Other

Christ of Burgos. Wood, metal. Spanish school, 19th century.
Located in Madrid, ES
Christ of Burgos. Wood, metal. Spanish school, 19th century. A rectangular base serves as the base for a Latin cross with finials at the three upper ends. This has the usual “INRI” ...
Category

Antique 19th Century Spanish Other Religious Items

Materials

Metal

Still, Copper, Iron, 19th Century
Located in Madrid, ES
Still with flared copper body, cap on the top with the usual piece on these objects and a simple support to place the appliance on the fire. It has four iron handles to move it. This...
Category

Antique 19th Century European Neoclassical Scientific Instruments

Materials

Copper, Iron

Devotional Pendant, Oil on Aventurine, Gold, Enamel, Spain, 17th Century
Located in Madrid, ES
Devotional pendant or reliquary. Oil painting on aventurine, enamel, gold. Spain, 17th century. Medallion or devotional pendant or reliquary made of aventurine or aventurine with an octagonal shape and faceted fronts, enhanced with a series of enamels combining black and gold, which protect two oil paintings with a Catholic Christian religious theme, located one on each side of the piece. Protected, you can see a very particular Virgin with Child for being inspired by the Icon of the Madonna del Popolo (Rome, Italy), and a simplified Martyrdom of San Lorenzo (the saint, the grill and an angel with a crown and the palm corresponding to the subject). The edges of the piece have been protected with simple metal elements. The painting of San Lorenzo follows a common composition in the Spanish school, and would recall works such as the painting of the main altar of the Church of San Lorenzo de Huesca, for example, but also others such as the engraving by Marcantonio Raimondi (executed around 1527) in some details. The so-called icon of the Madonna del Popolo was well known for being considered as made by Saint Luke, and was brought to the church of the same denomination by Gregory IX from the Sancta Sanctorum of the Lateran Palace after a flood caused a terrible plague in the city and through a solemn procession with the image of Santa Maria del Popolo. Regarding the material of the piece, a certain type of glass and a type of quartz (which can be green or reddish-brown, and usually has tiny elements of yellow mica that give it golden reflections) is known as aventurine or aventurine. In the first case, it is known that “aventurine” or “stellaria” appears mentioned in the Murano workshops for the first time during the first quarter of the 17th century, in reference to a very complicated production paste (it is said that the name comes from of this circumstance, that is, that its creation was due to luck or luck) that imitates the effects of that stone (from India and Russia at that time) thanks to the inclusion of copper particles, and that it was used as if out of stone (cut) given the complexity of its use in blowing (practically impossible). And, dealing with this material, it is necessary to mention “The Nativity” by Pietro da Cortona, dated around 1656, which is kept in the El Prado...
Category

Antique 17th Century Spanish Baroque Religious Items

Materials

Gold, Enamel, Other

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María Noël, PINTA Art Fair, Aina Nowack Gallery, London, Nov. 12th-13th, 2011
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