Large English Victorian Sterling Silver Horse Harness Race Trophy, 1898

Set of 6 Victorian sterling silver equestrian place card holders. Made by Samuel Jacob in London, 1896-1902. Cut out with chasing, stippling, and tooling. Each different with jockeys...

Victorian Neoclassical silver covered urn. Made by Edward Barnard & Sons Ltd in London in 1896. Bowl with half-gadrooning interspersed with acanthus leaves; leaf-capped flying side h...

Edwardian sterling silver covered urn. Made by William Comyns in London in 1908. Bowl has straight sides and curved bottom with leaf-capped and wrapped s-scroll side handles and step...

Edwardian Neoclassical sterling silver trophy bowl. Made by Charles Stuart Harris in London in 1901. Round and girdled with leaf-capped flying scroll handles; raised foot. Enough roo...

Unusual antique two-handled silver trophy cup with cast and hand chased detail including a cavalry horse riding scene depicting a competition of horsemanship inside an arena. There i...

This is a handsome sterling silver trophy dating to circa 1923. Detailed in raised relief on the the goblet-shaped trophy is an energetic cricket scene. It shows a cricket batter as ...

Antique English Silver Plated Soccer Trophy.

A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason & Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect & esteem by the workpeople in the employ of Messrs Richard Johnson & Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson & Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...