Metal Coat Racks and Stands

Vintage original Wolf 1956 dress form mannequin, New York. Well worn Benjamin model dress form mannequin in size 14 on a cast iron base with casters. The form is wrapped in linen an...

Italian design hall tree with a glass shelf for your hat over mahogany stained hardwood compass legs and faux black crocodile leather with brass hooks for hanging coats.

Questo mobile appendiabiti anni ‘50, disegnato da Eugenia Alberti Reggio, si presenta con una struttura semplice ma funzionale. È costituito da una griglia di listelli di legno orizz...

It is a sign of a most mature culture when articles of everyday use also come to catch the aesthetic eye. Otto Blümel‘s coat stand Nymphenburg is an archet...

Carl Auböck Model #4994 patinated brass hook. Designed in the 1950s, this versatile and Minimalist Viennese hook is executed in patinated brass by Werkstätte Carl Auböck, Austria. ...

Naturalistic Hand Forged Iron Wall Coat Rack with 3 Hooks, Spain, 1950s Rare find. This coat rack was entirely made in hand forged iron. It features an intrincate of branches and lea...

Mid-Century teak and metal slatted wall mount coat rack with black enameled metal bent wire hooks. This handsome piece also has a few moveable components: a hat rack, a smaller teak ...

An English, Aesthetic Period cast iron hall tree by John and Thomas Cox of Birmingham. This design was registered on October 6, 1884. This Victorian hall tree features a mirror, shel...

Elegant women's handbag stand from the 50's, made in Italy. The bag stand is totally made in brass. Ideal to display necklaces, bracelets, scarves.... T...

Detail of clothes hangers. The aluminium hooks are from the 1940s, mounted on a new shiny black plexiglas plate.  

This beautiful 20th Century French coat rack embodies classic French craftsmanship with a blend of style and functionality. Constructed from warm, rich wood, it features a tall centr...

Mid-Century Brass Lizard Wall Coat Hooks, 1950s, Set of 2, in Very Good conditions. Designed 1950 to 1959. Additional information: Material: Metal Color: Gold Styles: Mid-Century Mo...

The Arbor rack is an understated hand forged clothing rack, designed by Matt Adams. Perfect for hanging and showcasing your favorite coats. The Arbor rack was originally designed for...

"L'albero dei cappelli" the "hat tree" is a sculpture more than a simple home object, in fact since the early seventies Ugo Nespolo has been working with the ...

Rare 1960’s, Dutch Mid-Century, black enameled industrial coat rack by groundbreaking Dutch designer Tjerk Reijenga for the Pilastro company out of the Netherlands. The design is tal...

Impressive French hand-carved solid oak wall hanging coat rack from the early 20th century. This beautiful coat rack or hall shelf features stunning carvings of two lion heads at eac...

Vintage Art Deco Clothing Rack From France, Circa 1940. Superb model with original brass details. Excellent condition.

Up to six beautiful and elegantly curved Art Nouveau coat hooks. Sold and priced per piece. Designed circa 1916 by Adolf Loos (1870 - 1933) for the Jugendstil Café Capua in Vienna. M...

Wonderful and incredibly rare midcentury foldable coat stand in beechwood, brass and black enameled metal. This stunning piece was designed by Ico Parisi and produced by Fratelli Reg...

Handsome Italian teak coat rack or hall stand - Italy, circa 1950's Constructed of three solid teak wood planks with floating circular mirror with curved floating shelf Four large...

Vintage Italian valet coat stand (circa 1950s). Old world glamour and practicality all at once make this valet coat stand extremely appealing. Th...

Set of 6 wall coat hooks by Schönbuch , 1970s Germany

We kindly invite you to read the entire description, as we strive to provide detailed technical and historical information to ensure the authenticity of our items. This refined Itali...

Antique and sculptural, Dutch oak wall coat rack. This beautiful antique coat rack, according to us, depicts the new generation (or 'patri...

Ahrend De Cirkel standing coat rack with umbrella holder and heavy black weighted base. Flat hooks for coats and hats. Stylish and industrial design with rotating top and lower chrom...

Very Elegant Brass Wall Coat Rack in Hollywood Regency Style, 1960s Discreet and elegant, it floats on the wall. For wall mounting.

Butler made of fine wood with brass details. Made in Italy in the 1950s. Unique piece of rare difficult beauty. Made and created by Mice of Domenico Rugiano.

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900 Made by Shapland & Petter, a full blub on their life and works can be found below In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order Dimensions Height:- 205cm Width:- 113cm Depth:- 40cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Shapland and Petter of Barnstaple Introduction This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information. Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research The History of Shapland and Petter The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery Arts and Crafts designs of Shapland and Petter The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece Sources of inspiration There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..'' Collaboration with other companies There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...

Set of 2 model M-65 coat hangers produced in the 70s by the Luci Italia company. Each single coat hanger was made with a chromed metal structure and a circular knob in white enamelle...

Walnut wood structure coat rack with brass table anchored to the structure, embellished with brass circles creating harmony in the wooden panel. Crystal hood with brass anchors. 1950...

Enhance your hallway decor with the elegant and functional Emile Gallé hallway tree coat rack. Featuring exquisite craftsmanship and a timeless design. the coat rack comes with its ...

Timeless Parisian Elegance – Original 1930s Art Deco Hall Stand / Open Wardrobe Bring the sophistication of a 1930s Paris apartment into your home with this authentic Art Deco hall ...

This beautiful and rare coat rack or wardrobe is a very special piece, that was designed by Tjerk Reijenga for Pilastro in The Netherlands in the 1950s. It is made of (original) off-...

Excellent quality Mid Century Italian valet or coat rack with a brass central swivel stand raised on four splay feet. The stand supports three double-sided panels beautifully veneere...

Etremely rare size of 121cm!

Mid Century 1960s Danish Modern Rosewood & Metal Standing Valet A beautifully crafted Danish teak valet from the 1960s, designed with functionality and style in mind. This sculptural...

2 of 40 Beautiful Mid-Century Modern cloth hangers designed and manufactured by Carl Auböck in 1960s. They are made of brass-plated solid steel. Of almost continuous organic shape wi...

Vintage mid-20th Century black steel hall, coat or hat stand. Lovely age and charm. Solid and strong with no loose joints. Overall maximum dimensions: 50cm diameter x 200cm high....

Large teak slatted wall mount coat rack with 4 large black enameled bent wire 's' hooks. The hooks can be positioned on any desired slat and each hold a hat or 2 jackets or shirts. I...

Up to five beautiful and decorative golden Hollywood Regency wall hooks from the 1970s. Made of golden anodized aluminum. The hooks are in good condition with marginal patina. Five h...

Brass and wood valet in the manner of Maison Jansen - a wonderful valet for the bedroom, dressing room or closet. Details on the brass and the pol...

"Acate" is an iconic coat hanger, designed by Borek Sipek and manufactured by Driade, featuring a matte brass structure with polished brass leaves. Indoor use only. DIMENSIONS: D. 1...

Iron and Wood Wall Coat Rack, Spain, 1960s Eye-catching rustic style hats an coats rack with oak leaves iron backplate and wood acorn hangers. This wall coat rack features two branch...

Mid-Century Kartell 'model 4788' coat rack as designed by Anna Castelli Ferrieri, Italy 1980s. Unique and eye-catching enameled metal wire grid with dark grey plastic base. This smar...

Over six feet tall with decorative cast iron embellishments. Six arms, each with three coat hooks. The base is a matching black iron with a brass pole running between. Please confirm...

Very wide Dutch 19th century oak coat rack with carved angels A Dutch 19th century oak coat rack with angel heads cut out and 9 copper h...

"Zanotta Servonotte Clothes Stand in Black Steel Frame by Achille Castiglioni Clothes-stand. Base in black or white painted polypropylene. Painted steel frame. Colours: black or whi...

Mid to late 20th century brass coat / hat hook featuring a swiveling multi-use design with one large and small double hook at the top and top smaller single hooks below. Made in Ital...

Up to 13 identical postmodern wall-mounted brass hooks from the 1980s, model SE 314, designed by Ettore Sottsass in 1985 and crafted by Valli & Valli, Italy. These hooks are sold ind...

French late 19th century coat and hat rack hall stand Hand carved chestnut, wrough iron and mirror The gothic style was often used in the 19th century, itd name is Neogothic style. ...

Set of 7 solid brass wall hangers coat racks , production Italy 1980s Please note that the items are original of the period and this shows normal signs of age and use. Price for 1t...

Handsome Italian valet in red mahogany designed by Fratelli Reguitti in the 1950s. Unique example with two-segment construction composed of a frame/hanger above a small brass hook an...

A set of five brass coat hangers designed and produced in Austria, c. 1950s. Dimensions: 10.25” H x 2.75” W x 3” D

1960s Italian midcentury Hollywood Regency Style Neoclassical brass floor coat hanger swivel four-hook hall tree stand dolphin standing coat ha...

Appendiabiti in ottone in ottime condizioni, mai usato con 10 accessori. Realizzato negli anni '60 del XX secolo. Il potenziale del pezzo è rinchiuso nella colatura in oro zecchino. ...

GIOBAGNARA Renowned for its elegant creations that convey luxury without ostentation, GIOBAGNARA adheres to the highest standards of craftsmanship. By pursuing a philosophy that inco...

Steel, powder-coated, fine structure, .198 black made of 2 parts, includes wall fixing holds up to 15 kg when evenly distributed A coat stand with a twist: LINNEA by Yuno Design cha...

Thonet Art Nouveau Wall Mounted Coat Rack Vienna c.1900 Bentwood - Art Nouveau - 1900s Anteroom coat rack model N°10806 with eight coat hooks and a flap door acting as a pocket holde...

Modern blue vintage coat rack model Dilemma by Giancarlo Piretti and produced by Castilia, Castel S. Pietro (Bo), Italy 1984. This amazing object features a coat rack and a ladder in one piece and could easily be transformed into a five steps ladder, also for hanging up clothes. The steps made from cast aluminum show stable condition. As you take the coat rack from the base, the rack folds out to a ladder, after using the ladder easy to handle the re fold and return into the base. Gorgeous and bold design piece from the 1980s. Gian Carlo Piretti ( 1940 ) has designed many gorgeous design pieces as Plia chairs, Platone desks...

Luigi Caccia Dominioni's iconic brass adjustable coat rack for Azucena, Italy, 1950s. Measurements closed 15 x 16.5 x H 42 cm.