1690s Furniture

A stunning late 16th-century Flemish historical tapestry, possibly from Oudenaarde, woven with rich gold, blue, and green threads. The central field possibly depicts the story of Pom...

A fine and rare William & Mary long case or grandfather clock by London maker Daniel LeCompte. c.1690, London, the fine marquetry case having oval panels of birds and flowers, the movement signed Daniel LeCount (LeCompte) having a silver chapter ring and seconds dial, brass spandrels of cupids supporting a crown; including key, weights and pendulum. LeCompte was a French Huguenot...

17th Century Antique French Tapestry Rare Verdure Fine Wool & Silk 8x11ft "This is an incredible antique 17th century French tapestry...

17th Century Antique French Tapestry Rare Verdure Fine Wool & Silk 8x11ft "This is an incredible antique 17th century French tapestry...

This rare and fascinating map, titled "Atlantis Insula a Nicolao Sanson Antiquitati Restituta" by Guillaume Sanson, presents an unusual interpretation of the Western Hemisphere, comb...

17th. Century rare antique French tapestry fine wool & silk 5'9" x 10' (6' x 10') 175cmx305cm "This is a very fine high quality rare authentic Antique French Tapestry made wit...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Maker's mark unidentified, Nürnber...

Horses Kano Tanshin Morimasa (1653-1718) Two-panel tea-ceremony Japanese screen or furosaki Ink on gold leaf, late 17th-early 18th century Measures: H 55 cm x W 182 cm The Kano school was closely aligned with the warrior class in Japan. The samurai, who lived in a closed and rigid hierarchical society established by the Shogunate, were drawn to the energy and freedom horses symbolize; Kano school artists commonly depicted the equine creatures as they are here, in unfettered and carefree family groups. China originally introduced horse paintings to Japan; the works typically focused on capturing the essence of horses in their various environments and often involved integrating human figures into the images. Kano Tanshin Morimasa (1653-1718) was the son of Kano Tanyu...

A stunning late 16th-century Flemish historical tapestry, possibly from Oudenaarde, woven with rich gold, blue, and green threads. The central field possibly depicts the story of Pom...

Anonymous (corpus after a model by Giambologna) circa 1700; Netherlandish or Northern Rhinish Ebonized wood, gilt bronze appliques and statuettes, textiles and relics Approximat...

17th century Antique Flemish Tapestry Wool & Silk Verdure Art Nouveau 4x6ft 122cm x 178cm "This is a very fine high quality rare authentic Antique Frenc...

An exquisite Chinese late Kangxi period (1661 - 1722) blue and white porcelain charger of large size made for export to Europe, of circular form with raised convex central roundel pa...

Handwoven in wool, this 8x10 Flemish Verdure tapestry from the late 17th Century is a rare and special new curation from Rug & Kilim—featuring a particularly popular aesthetic with l...

Description: Antique print, untitled. Two decorative maps on one sheet of the middle east in biblical times. Source unknown, to be determined. Artists and Engravers: Anonymous...

Large 17th-Century Coronelli Map of Europe with Mythical Islands and Rich Detail This exceptional two-sheet map of Europe by Vincenzo Maria Coronelli, published in Venice in 1692,...

Handwoven in wool, this 8x10 Flemish Verdure tapestry from the late 17th Century is a rare and special new curation from Rug & Kilim—featuring a particularly popular aesthetic with l...

17th. Century rare antique French tapestry fine wool & silk 5'9" x 10' (6' x 10') 175cmx305cm "This is a very fine high quality rare authentic Antique French Tapestry made wit...

Lane Accent 991-05 Mid Century Walnut Side End Table Rare and hard to find vintage Lane table with a great unique design. Has condition issues as sh...

AUTHOR: MACHIAVELLI, Nicolas TITLE: The Works of the Famous Nicolas Machiavel, Citizen and Secretary of Florence. Written originaIly [sic] in Italian, and from thence newly and fait...

AUTHOR: MILTON, John. TITLE: A Defence of the People of England, by John Milton: in Answer to Salmasius's Defence of the King. PUBLISHER: n.p., n.p., 1692. DESCRIPTION: FIRST EDI...

This grand and distinctive piece of furniture from Northern Brittany is known as a “buffet malouin” and was created in the late 17th century. These types of cabinets were created for important homes in the historic port city of Saint-Malo. The design, with large octagonal molded panels, double colonettes, and finely cut brass fittings, is unique to other French furniture of the period. The design was directly influenced by the Dutch mariner carpenters living in Saint-Malo at the time (the Dutch beeldenkast cabinet shows similarities) The large four-door cabinet was carved in oak, as was most of the other “malouin” furniture pieces. It is an imposing and impressive piece, standing over 7 feet tall and nearly 7 feet wide. The front of the piece has twisted, double colonettes, multi-profiled cushion-shaped octagonal panels, and finely cut brass key hole escutcheons, drawer pulls, and lozenge plates. There are 3 drawers, 2 of which are full sized, with a smaller drawer in the center. 3 large bun feet along the front hold up the entire piece, while 2 block feet support the rear. Each door has its own functioning key and lock, with a yet another key for the center drawer. Door and drawer panels are solid and impressive old pieces of oak, which still open and close with ease, indicating the quality of construction and great care that this piece has received over the centuries. The “meuble malouin” in the form of a large 4 door buffet is not often easily found. Research shows photos of several models in various states that have come to surface, but they were not nearly pervasive as French case...

"But I will wear my heart upon my sleeve" AUTHOR: SHAKESPEARE, William. TITLE: Othello, The Moor of Venice. A Tragedy. As it hath divers times Acted at the Globe, and at the Black-Friers: and now at the Theatre Royal,... PUBLISHER: London: for Richard Bentley, 1695. DESCRIPTION: SIXTH EDITION. (ii)76pp., complete, quarto, 8-5/8" x 6-1/4", several leaves with untrimmed bottom edges, some toning and foxing to pages, closed tear to F2 mended without loss, a few headlines slightly trimmed but generally good wide margins, ex-libris Viscount Mersey of Bignor Park with book label...

Italian Polychrome Majolica Albarello, Late 17th Century.

Extremely rare Italian Rococo “Lacca Comodino”, 17th-18th century, Venice Chamber pot lift-top bedside commode with polychrome painted decoration. This beautiful furniture has a lif...

A fine and rare William & Mary long case or grandfather clock by London maker Daniel LeCompte. c.1690, London, the fine marquetry case having oval panels of birds and flowers, the movement signed Daniel LeCount (LeCompte) having a silver chapter ring and seconds dial, brass spandrels of cupids supporting a crown; including key, weights and pendulum. LeCompte was a French Huguenot...

Lane Accent 991-05 Mid Century Walnut Side End Table Rare and hard to find vintage Lane table with a great unique design. Has condition issues as sh...

A William and Mary Gilt-Japanned Chinoiserie cabinet on gilt wood stand. The cabinet depicting Court and rural scenes, with pierced and engraved strapwork mounts and elaborate escutc...

Stunning life-size carved wood sculpture of a man's head dating from circa 1700 in the south of Europe.  

Large rare vase painted with petal-shaped panels of 'Landscapes and Flowers' pattern. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 51cm (Height), 20cm(Diameter), 12cm(Mouth Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Paris 30 NOV – 14 DEC 2023 - Art of Asia - Lot 618 2) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 3) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 4) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

This rare and fascinating map, titled "Atlantis Insula a Nicolao Sanson Antiquitati Restituta" by Guillaume Sanson, presents an unusual interpretation of the Western Hemisphere, comb...

Antique map titled 'Exactissima Tabula, qua tam Danubii Fluvii Pars Superior'. Very finely detailed map covering the region of northern Italy, Austria, Slovenia and Croatia. The co...

This is a very good example of a late Jacobean carved oak Tavern table. The generous 30 inch round top is an unusual feature as the majority of tavern ta...

The central field depicting two mythological feng-huang (phoenix's) encircling chrysanthemum blossoms & scrolling vines within a band of ruyi-heads, the cavetto rising to an iron red...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

The first road maps of England. London to Holyhead and London to Carlisle. Nicely framed and matted. These are plates removed from a book. These are fir...

This is a historical sea chart titled "Carte Generale des Costes d'Irlande, et des Costes Occidentales d'Angleterre avec une Partie de celles d'Ecosse," which translates to "General Map of the Coasts of Ireland and the Western Coasts of England with a Part of Scotland." The map was first published in 1693 in the atlas "La Neptune Francois," created by Jaillot and published by Pieter Mortier in Amsterdam. This initiative was started by the French minister Colbert to improve maritime navigation. Details of the Map: 1. **Geographical Coverage:** - The map primarily focuses on the Irish coast. - It also includes the west coast of England and Wales. - Parts of the west coast of Scotland are also depicted. 2. **Inset Map:** - There is a detailed inset map showing the area around Chester and the course of the River Dee. 3. **Features:** - **Depth Soundings:** The Irish Sea is detailed with depth soundings to assist in navigation. - **Coastal Towns and Islands:** Numerous coastal towns, islands, and geographical features are indicated. - **Rhumb Lines:** The map includes extensive rhumb lines, which are lines used by navigators to plot a straight-line course. - **Key:** There is a key describing the quality of the terrain along the coast, important for navigators to understand the nature of the coastal landscape. 4. **Labels and Annotations:** - **Coastal Settlements:** Ports, forts, and villages along the coast are labeled. - **Geographical Features:** Islands and other significant features are marked. 5. **Artistic and Practical Elements:** - The map is printed on thick paper and is hand-colored, reflecting contemporary coloring techniques. - Detailed lines and soundings are included to help ships navigate around the numerous small islands and narrow inlets safely. 6. **Historical Context:** - The map was part of a significant French maritime project aimed at improving navigation and charting European waters more accurately. - It reflects the high level of cartographic skill and knowledge of the late 17th century. This map would have been a valuable tool for mariners of the time, providing them with crucial information about the coastal features, depth soundings, and safe passage routes around the complex coastlines of Ireland, England, and Scotland. About the Makers and the Atlas **1. Alexis-Hubert Jaillot (1632-1712):** - **Background:** Jaillot was a prominent French cartographer and publisher in the 17th century. He was known for his detailed and accurate maps and atlases. - **Work:** He collaborated with other notable cartographers of his time and played a key role in improving and publishing detailed maps. Jaillot's work was characterized by its precision and artistic quality. - **Contribution:** He was instrumental in the creation of "La Neptune Francois," a maritime atlas aimed at improving French naval navigation. **2. Pieter Mortier (1661-1711):** - **Background:** Mortier was a Dutch engraver, publisher, and mapmaker based in Amsterdam. He was well-known for his high-quality prints and maps. - **Work:** Mortier published several important atlases and maps, often collaborating with other cartographers and engravers. His work was recognized for its detailed craftsmanship and accuracy. - **Contribution:** Mortier published "La Neptune Francois" in Amsterdam, making significant contributions to maritime navigation by providing highly detailed sea charts. About the Atlas "La Neptune Francois": **1. Purpose:** - The atlas was created as part of an initiative led by Jean-Baptiste Colbert, the French minister of finance under King Louis XIV. The goal was to enhance the accuracy and availability of maritime charts for French naval and commercial vessels. - "La Neptune Francois" was designed to be a comprehensive and detailed reference for navigators, covering various European waters with a focus on the French coast and adjacent regions. **2. Content:** - The atlas includes a series of sea charts, each providing detailed information on coastal regions, depth soundings, rhumb lines, and other navigational aids. - The maps were printed on high-quality paper and hand-colored, reflecting the artistic standards of the time. **3. Historical Significance:** - "La Neptune Francois" was a landmark in the history of cartography, representing a significant advancement in the accuracy and detail of maritime maps...

A scarce Chinese Kangxi porcelain octagonal yen yen vase decorated with vases containing floral arrangements in the Famille Verte palette and ...

Antique map titled 'Kaart van Oost Indie'. Old map of the East Indies. It shows the routes of Captain William Dampier's voyage throughout the regio...

The image is an engraving titled “VEROVERINGE VAN RIO GRANDE IN BRASIL ANNO 1633.” This historical print depicts the Dutch conquest of Rio Grande in Brazil, known today as Natal, dur...

An outstandingly beautiful William and Mary oyster veneer olive wood cushion mirror. The frame is complete, with no losses and the original foxed beveled mirror plate. Small nicks to...

The Kendi is decorated with cobalt blue underglaze depicting flowers and a mythical bird, reflecting the artistic finesse and symbolic expressions of the era. These designs often carry symbolic meanings, with birds sometimes representing immortality or spiritual transcendence in Chinese mythology. The Kendi's form, with a bulbous body and spout for drinking, is a traditional vessel style in Asia, valued for both its functionality and aesthetic appeal. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

Rectangular with brass strapping and side handles. Lock plate and flap. Fitted sometime in the 19th century as a tea caddy. Labeled Orange Pekoe and Black tea...

Circa 1691 Frederick de Wit Map: Middle East with Arabia, Persia & More This exquisite hand-colored map, circa 1691, by Frederick de Wit, illustrates the Middle East, spanning from Turkey and Egypt to Afghanistan, with a detailed representation of the Arabian Peninsula. The map's detailing in Arabia is based on Nicolas Sanson's influential 1654 map, which was one of the most accurate and detailed depictions of the region up to the mid-seventeenth century. The decorative title cartouche is richly adorned with images of exotic figures, animals, and a merchant ship, symbolizing the region's historical trade importance. Additionally, a mapmaker is shown working with traditional tools, adding a touch of authenticity to the cartographic art. This is the fourth state of the map, published between 1691 and 1696. The map measures 21.8 inches in width by 18.5 inches in height, featuring a sharp impression, with minimal staining and a carefully repaired centerfold separation at the bottom. Keywords: - Middle East historical map - Frederick de Wit map - 17th century maps - Arabian Peninsula map - Persia (Iran) map - Turkey and Egypt map...

A wonderful 17th Century oak refectory / serving table dating to circa 1680, having a lovely figured top with a warm rich colour, the base has four gun barrel legs united by moulded ...

Exceptional Swedish Stump Chair ca 1650–1700 Crafted from driftwood sourced in Dalarna, Northern Sweden, this remarkable chair is made from a sing...

Rare 17th century carved walnut chest of drawers, bracket carved feet. Italy , Emilia PLEASE NOTE THAT THE EXPORT AUTHORIZATION BY THE ITALIAN MINISTRY OF CULTURAL HERITAGE TAKES ...

17th century Antique Flemish Tapestry Wool & Silk Verdure Art Nouveau 4x6ft 122cm x 178cm "This is a very fine high quality rare authentic Antique Frenc...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

William and Mary period Band Sampler, 1693, by Sarah Maydman. The sampler is worked in silk threads on a linen ground, in a variety of stitches. Divider lines in various patterns. Co...

Featured is an extremely rare 17th century Dutch William & Mary Chinoiserie style coffer trunk on stand. This gorgeous piece was constructed of oak in the traditional William and Mary style. The trunk is japanned with red lacquer and was hand painted with Chinoiserie scenes of life in China. There are two iron straps that mount the top to the case. There is also one iron lock, although the key is absent the latch closes and holds the top securely in place. The lacquer is 90% complete with only small losses around the edges and in various places. The top has been reinforced with oak straps underneath to prevent the jointed board from moving. The lacquer has a warm patina throughout and shows very well. The lower stand is fitted with a pair of drawers that are also japanned and hand-painted with Chinoiserie scenes on the drawer fronts. Both drawers are fitted with Dutch style brass tear drop pulls. The stand itself is built of oak with turned legs that are pinned together with traditionally carved Jacobean Influenced leg stretchers on both the right and left sides as well as one main lower center stretcher. If you are looking for a very rare and well preserved piece this is the one. This item was almost surely on a Dutch East India Trading company...

Title: "1699 Hand-Colored Bird's-Eye Plan of Jerusalem with Ancient and Biblical Landmarks" This beautifully hand-colored, imaginary bird's-eye plan of Jerusalem, published in 1699,...

Panoramic View of Isfahan in the Late 17th Century by J.C. Haffner The translation of the German text on the engraving: "A. The Meidan or Great Market and Promenade Square in front...

This is a very good example of a late Jacobean carved oak Tavern table. The generous 30 inch round top is an unusual feature as the majority of tavern ta...

This map, created by Giacomo Cantelli da Vignola in 1695, represents the "General Government of Guyenne and Gascony" in southwest France. Cantelli da Vignola was a renowned Italian c...

18th Century Antique French Tapestry Verdure Wool & Silk 7x11ft 213cm x 323cm "This is very fine antique Flemish tapestry made of wool & silk depicting noblemen beneath a large verd...

Spirally moulded and painted with bands of overlapping petal panels of figured riverscapes Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

A superb quality 17th Century walnut Vargueno on stand, the rectangular case having the original iron carrying handles either side and strapwork decoration, the front having a shield...

Large rare vase painted with petal-shaped panels of 'Flowers' pattern. Decorated in underglaze blue with flower blooms borne on leafy stems. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Hallmarked in London in 1698 by James Chadwick, this very handsome, William III Period, Antique Britannia Standard Silver Tankard, is straight sided, with reed details to the rim, b...

From a crazy collection that was kept in storage for decades! All new UNUSED vintage 60's/70's Rugs! WILTON 2 Rectangulars Blues Rya Rug Creator: Hojer Eksport Wilton (Weaver) 100...

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...

The engraving is a historical depiction of Rosersberg Castle, a baroque estate in Sweden. These engravings, often created in the 1690s as part of Erik Dahlberg's collection, typically showcase a bird's-eye view of the castle and its elaborate gardens. Such prints are valuable for their detailed representation of Swedish architectural heritage from the era of baroque grandeur. They usually feature notable age-related toning and wear, indicative of their antique status. These pieces of art are collectibles that capture the essence and grandiosity of Swedish noble...

The engraving depicts the city of Kalmar, a historically significant city on the east coast of Sweden. This panoramic view captures the bustling port and the city's skyline during th...

Large 17th-Century Coronelli Map of Europe with Mythical Islands and Rich Detail This exceptional two-sheet map of Europe by Vincenzo Maria Coronelli, published in Venice in 1692,...

Untitled print of an Arab smoking a pipe, sitting on a carpet. This print originates from 'Reizen van Cornelis de Bruyn, door de vermaardste deelen van Klein Asia, de eylanden Sc...

Pair 17th century Louis XIII barley twist armchairs are perfect for adding an Old World touch to any decor. handcrafted from solid old-growth French...

A fine and impressive small antique 17th century English sterling silver mug; an addition to our silverware collection. This fine and impressive antique William & Mary* sterling silver mug has a cylindrical tapering form. The surface of this hand raised silver mug is embellished with the impressive engraved chinoiserie decoration depicting simplified figures farming. The decoration to the body incorporates an organic bordered cartouche ornamented with the contemporary engraved initials 'SH'. The body of this sterling silver mug is further embellished with bands of tooled decoration, in addition to applied moulded decoration to the upper and lower rims. This 17th century silver mug is fitted with an impressive cast silver S scroll handle ornamented with thread decoration. Such examples from this period are rare to the market and becoming increasing difficult to locate. * This period of history saw the co-reign of King William III and Queen Mary II from 1689 until her death in 1694. Mary was the princess royal and daughter of Charles I and William III, who was also known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s. NOTE: After surviving the Great Fire of London the records at the London Assay office were destroyed by fire in 1681; their catalogues and documentation began again in 1697. Due to this unfortunate event we are unable to associate a maker to this mug. Condition This 17th century silver mug is an excellent gauge of silver, excellent quality and in excellent condition. The engraved decoration is all crisp in keeping with age. Full hallmarks struck to the underside of the mug are very clear. Reflections in photographs may detract from the true representation of this small antique silver...

Vung Tau Shipwreck Coralized Blue Underglazed Porcelain Lidded Vase. Almost perfectly Identical piece from Vietnamese Royal Family in United States provenance have been sold at other auction in California. This stunning porcelain lidded vase is elaborately decorated in a vivid blue underglaze with an ornate scene of concubines in a flower garden. The bottom of the vase bears a conch marking in underglazed blue, is a symbol of royalty, dignity and high rank, the 'Sacred Lungs of Buddha' and spiritual authority. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

The engraving is a historical depiction of Rosersberg Castle, a baroque estate in Sweden. These engravings, often created in the 1690s as part of Erik Dahlberg's collection, typically showcase a bird's-eye view of the castle and its elaborate gardens. Such prints are valuable for their detailed representation of Swedish architectural heritage from the era of baroque grandeur. They usually feature notable age-related toning and wear, indicative of their antique status. These pieces of art are collectibles that capture the essence and grandiosity of Swedish noble...

The image is an original antique copperplate engraving by Swidde, completed in 1695. The scene is a meticulous depiction of an elegant palace and its formal gardens, rendered in the ...

An handcolored original antique print of Svartsjö Castle, located on the island of Färingsö in Ekerö Municipality, Sweden. The castle has a rich history, with the current building da...

The engraving depicts a grand manor house surrounded by formal gardens. It is titled "Facies Splendidissimi Ornatißimique Palatii," which suggests it is an illustration of an opulent and ornate palace. The year noted for the engraving is 1696, and it was engraved by Swidde, referring to Willem Swidde, a Dutch artist known for his work in Sweden and his significant contributions to the collection "Suecia Antiqua et Hodierna" by Erik Dahlbergh...

This is an antique hand-colored print depicting the manor known as Schelenora, showing the building's facade and garden. The engraving is part of the collection "Suecia Antiqua et Hodierna" ("Ancient and Modern Sweden") by Erik Dahlbergh, a monumental work illustrating the grandeur of Sweden during its period as a great power. Sköldnora Manor, previously known as Skällnora, is located in Fresta parish, Upplands Väsby municipality, Stockholm County, on the eastern shore of Lake Norrviken. The estate dates back to 1276 and has a rich history including ownership by Birger Persson, the father of Saint Bridget, in 1296. The original main building depicted in "Suecia antiqua et hodierna" was demolished in 1718. The current main building, completed in 1741, showcases Rococo...