Late 18th Century Furniture

Antique English George III Cuban mahogany extending d end dining table C.1780 An extending dining table, with two D shaped ends, a central section and two extra leaves. Presented i...

18th Century Porcelain Trompe-L'oeil Asparagus Spears Tureen, Probably German porcelain probably Thuringian Circa 1770-1800 The porcelain ...

This pair of gold gilt framed 18th century four-clawed dragons are quite stunning in both artistic composition and technical execution. Created c. 1796, these elegant pieces were mas...

Rustic French oak table with turned legs and crossed stretcher from the 18th century. This table has a rectangular top with rounded corners tha...

A late-18th century Italian hand-colored copper engravings, original Italian etchings by Remondini, from Bassano dating back to 1770 circa. The set of four etchings...

Antique fireplace mantels are the focal point and centerpiece for any room. Made circa 1790-1800, it has a nicely shaped shelf and paneled field and well formed moldings. This piece ...

European signal cannon from the late 18th-19th century. An antique piece made and used in Europe, circa 1800. This kind of small scale toys were made to be used in the navy of some ...

English bronze thunder mug signal cannon with decorative central ring, original side handle, lower fuse port, and resting on circular ringed base. Late 18t...

An exceptionally beautiful farm house table from the Tyrolean region of Austria in fruitwood with the rich patina of age acquired from its 250 year history! A multipurpose table, it would have served as a dining table as well as a table used in the preparation of food. Utensils and bread would have been stored in its deep and long drawers, which are decorated with small etched field flowers on the fronts. The box stretcher would have provided a footrest in addition to rendering the table stronger. Offers pegged construction, dovetailed drawers and original wooden pulls. This Alpine table...

Exceptional 18th century French iron planter.

An exceptional, fine and impressive antique George III Newcastle sterling silver tankard made by John Langlands I & John Robertson I; an addition to our Georgian silver tankard colle...

An exceptional, fine and impressive antique Georgian English 22k yellow gold toothpick case / holder with mirror - boxed; an addition to our ornamental ...

An Italian Rococo period walnut console table from the late 18th century, with cabriole legs, scrolling feet, carved apron and authentic patina. Born in Italy at the end of the 18th century, this walnut console table features a serpentine front top, sitting above three slender cabriole legs connected to one another in the lower section. Resting on scrolling feet and presenting its authentic patina, this console table will need to be secured to the wall. With its sinuous Rococo lines, this 18th century walnut...

Antique sideboard, buffet, chest of drawers with attachment South Germany walnut, plum etc. Classicism around 1770 Dimensions: H x W x D: 192 x 125 x 71 cm Description: Three-piec...

Magnificent and rare Late 18th Century Dutch Colonial decorative box. Striking Dutch design from the 1790s. Made out of Slavonian solid oak with original patinated iron handles and l...

18th Century mahogany and brass telescope by Nairne & Blunt of London, having a mahogany barrel with a thumb wheel to the side of the main barrel, supported on a solid brass tripod s...

Italian Neoclassical Bilboa marble and gilt wood foliage urn wall mirror. Mirror retains the original silvered glass and wood backing, Late 18th century

Fratino console table from the 1700s hand-made in Italy using walnut. The table has beautiful curvy lines given by the lyre legs that are balanced elegantly by the thick straight-edg...

Beautiful colorful Indian Agra hand knotted wool rug with a center medallion floral design on a beige field. This rug has a multi-color accent throughout the piece. This rug measu...

American Hepplewhite tilt-top candle stand with oval top of figured wood. The column has urn and concave turnings with delicate curve detail at th...

Botanical Trio with Butterflies – From Nicolaas Meerburgh’s 'Afbeeldingen van Zeldzaame Gewassen' This elegant trio of hand-colored botanical prints, featuring delicately illustrate...

Rare Swedish dark brown antique decorative wooden bowl made out of birch wood produced in Sweden, 1793. In good condition with some old and genuine repairs. Dimensions: H: 13 cm / ...

Carved wood frame. 2 dovetailed doors on bottom. 2 beveled glass doors on top containing 2 shelves. Metal hardware. 90" h x 70" w x 24" d. Condition Scratches. Finish loss. Dents al...

Italian antique armchair Louis XVI period. The shape of the chair is very linear with straight legs in perfect Louis XVI taste. Wide and com...

A large 18th Century French Aubusson verdure tapestry. Lots of lush, verdant foliage frames the view on to castle ruins. The tapestry is in good condition, with all its borders intac...

Pair of gorgeous decorative urns topped with flame-shaped finials. Hand painted, gilt gesso and hand carved wood detailing. They feature a carved vase with a gadroon detail and a fla...

18Thc Hand crafted Child's Windsor chair with original red painted surface.This bow back Windsor is from New England in very good condition.This chair came from a fifty year old coll...

An 18th century folk-art painting on board in wonderful colors including dusty blues and oranges, depicting finely attired characters in period costumes in a bacchanalian outdoor fes...

Late 18th Century N.W. Chinese Ningxia Carpet ( 2' x 3'4" - 62 x 102 ) In remarkably prefect condition considering it age.

Unique piece 18th century Spanish refectory table. Beautiful console. Impressive farm table with four drawers Geometrical carved in front and and sides with iron hardware in drawers ...

An original black painted portable desk from the end of the 18th century. With owner initials, the desk has a French hand-written address on the inside. ...

Hand Carved Stone Container Planter Jardinière Basin Fountain Trough Round Sink . A Beautiful 18th / 19th Century Hand carved stone container basin having a nicely textured surface and patina . It could be stand alone as a decorative object or used as a planter indoor outdoor .This Antique Stone vessel planter has a lot of charm , a great touch of rustic feel in an entrance entryway hallway with your favorite plants , simplistic in design , element to decorate any space in your home , in a living room by a mantle fireplace as a wood log holder bucket . This round stone trough would make a perfect dog water bowl or to hide the water hose in your garden, similar pieces were retrofitted by designers and used in a powder room or bathroom as sinks or simply flip this jardinière planter upside down to create a base pedestal to mount your sculptures or art or pots to elevate them. in a modern setting farm house or traditional design Spanish French Italian Mediterranean . It could be installed with a simple bronze spout creating wall or center fountain focal point . in a contemporary design landscape , provincial Italian on a center table or console . House warming gift idea dimensions. as seen in the pictures overall good condition, there’s a side drilled hole and some old patching, and a small crack and losses throughout as expected over centuries of use and elements. Rustic Hand Carved Stone Container Jardinière Trough Basin for a Farm . 18th Early Century small water fountain...

An exceptional Scandinavian folk art chair dating to circa 1790, originating from the border region between Norway and Sweden. Hand-carved from solid wood, this remarkable piece embo...

A fine antique Georgian Chippendale inlaid mahogany Welsh dresser with original plate rack, circa 1790. The dresser with a plate rack having a flared cornice & dentil molding and a s...

"Empire" cylinder writing desk, secretaire with pull-out top, internal drawers and four external drawers. Origin Italy Period Late eighteenth century Model Cylinder writing des...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

18th-19th century lost wax cast bronze Radha, wife of Krishna, India Radha was a one of the gopis (milkmaids or cowherds) who Krishna played and danced with as a child. They develop...

This engraving titled "Histoire Naturelle: le café" is a detailed botanical illustration, part of an 18th or 19th-century natural history text or compendium. It depicts the coffee ...

French Provincial Walnut two door hinged armoire with scrolled floral & shell carving , original polished steel hardware, brass escutcheons, and terminating on cabriole feet. Late 18...

Louis XVI chest of drawers in nutwood shellac hand polished Original Louis XVI (also: Louis-seize), France around 1780 Dimensions: Width: 77 cm Height: 77,5 cm Depth: 43 cm.

Exquisite pair of late 18th Century Directoire bergères featuring parcel gilt detailing, faded sea green paint and upholstered in Velluto Sforza Venetian velvet fabric with outside b...

A rare one-of-a-kind pair of large rustic antique European hand carved stripped and scraped wood Santo church altar figures. 18th/early 19th century, primitive hand-crafted construction, finely detailed and sculpted, depicting Saint Francis of Assisi with arm raised and Madonna with her hands folded in prayer, stripped bare wood with section of original heavily worn distressed chippy paint finish adding to the overall antique character and charm! Dimensions: (approx) St Francis: 14.75" Tall, 5.5" Wide, 5" Deep Mother Mary: 14.5" Tall, 4.75" Wide, 3" Deep Superb examples of religious folk art, in great antique condition. Strip scraped with area showcasing remnants of original polychrome painted finish. Warm, rustic, with nicely aged patina over the whole. Free-standing statue, mounted on later base. A wonderful addition to any Santos collection, Catholic church, home prayer room, shrine, or as farmhouse decor We here at Lynx Hollow Antiques absolutely love decorating with religious antiques! From all religions, periods and cultures, from a Spanish Colonial altar table, Italian tabernacle, Gothic reliquary, relic monstrance, liturgical objects, ecclesiastical icons, white-washed limed monumental Christian crucifix...

Pair Of George 111 Bright Cut & Pierced Salt Cellars Dated 1793 London Made by the celebrated London Silversmiths Peter & Ann Bateman This prestigious firm was started in the 1760's ...

Dimensions (Each screen): H. 176 cm x W. 378 cm (69’’ x 149’’) This pair of Japanese folding screens depict blossoming plum trees amongst young pines. They are designed to capture t...

A Federal walnut drop leaf dining table with bold wood grain, tapered square legs terminating with brass and porcelain casters, and dovetailed construction. Very good overall conditi...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

A lovely rare late 18th century French ironstone pitcher for olive oil, HUILE D' OLIVE. A beautiful and quite a rare piece as I've never seen another for olive oil. The glaze is crac...

Louis XVI period Trumeau mirror with cream painted frame and pastoral oil on canvas painting, circa 1780.

A pair of rare and beautiful French Directoire candlesticks in gilt bronze from the late 18th century. In very good antique condition. Marked in the lower part of the foot with "13...

Wedgwood's Etruria factory, Staffordshire, 1786. Green Jasper dip on solid white Jasper ware ground, with finely tooled, applied white Jasper bas-relief. White figural Pegasus surmou...

Italian table lamp model LT328 designed by Carlo Nason for Mazzega vetri di Murano composed of 4 pulegosi glasses and metal base, Italy 1970s Note that the lamp is original to the ...

Beautiful antique oak coffee table with 2 drawers. In perfect condition. Beautiful weathered table. Origin: France Wood type: Oak Period: 18th century Size: 124cm x 64cm x h.47cm

The Konigliche Porcelain Manufactur of the 18th Century was finaced by Friedrich II. The fabrication of porcelain was stricktly controlled as far as productivity as well as quality w...

An early 19th century European hand carved and painted sculpture of a medieval tower in wood with its old patina.

Dutch Delft blue and white 'Peacock' platter, second half 18th century, with ochre rim, the center decorated in cobalt with a vase containing an arrangement of peacock feathers and flowers. The rim decorated with stylized flower heads against a scrolling ground. Marked factory 'The Claauw' or 'De Klaauw', (meaning 'the claw' in Dutch) 1661 - 1840. Good condition; light chipping and usual wear to the rim, one larger chip on the lower side. Pairs well with my other Peacock dish...

Antique religion print titled 'Het Heilige der Heilige binnen den Tempel van Salomon'. This print depicts Solomon's Temple, the Holy of Holies, showing the Ark of the Covenant...

Anonymous Possibly Florence, Italy; 18th century Wood, iron Approximate size: 37 (h) x 48 (w) x 21 (d) in. each These Late 18th-century Italian cupboards stand as a captivating tes...

"Convolvulus Jalapa Botanical Engraving - Icones Plantarum Medicinalium, 1788" Description This hand-colored engraving presents the Convolvulus Jalapa, commonly known as the Jalap b...

Set of four architecture prints depicting various building facades and plans. The prints state 'Toises', which was one of the fundamen...

A George II style, burr walnut fretwork wall mirror, dating from the late 19th century, Victorian period. This small wall mirror with burr walnut veneered fretwork frame, an oblong ...