Late 19th Century Furniture

This is an antique workman's tool chest. An English, teak and brass capped craftsman's trunk, dating to the late Victorian period, circa 1880. Delightfully time-worn chest with a ro...

A stunning Large French majolica wall platter, late 19th century, with high relief decoration of colored apples dangling from a vine. At the end of the 19th century, Longchamp and F...

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, before 1912. Elongated baluster shape with pronounced neck. Floral ornament with bl...

A Mid-Victorian antique brass and iron bed finished in hand paint blue verdigris, with decorative castings and three arch design. This bed has a low foot board, suitable for a smalle...

A fine antique English Staffordshire pottery figurine. Depicting a seated Spaniel. With confetti fur and painted black highlights. Simply a wonderful Staffordshire dog figurine...

1900 Japanese Satsuma porcelain huge vase with Samurai scenes.

Pair of decorative glass lusters created in Bohemia. This is a beautiful pair of antique Bohemian glass lusters created during the Victorian period, between the 1870 and 1900. They ...

A black-white, antique Italian single chest, commode in the Arte Povera technique, made of hand crafted painted Pinewood in good condition. The Tuscan cab...

Decorative Brass Bowl with Banded Agate Inlays, Late 19th Century An elegant and unusual bowl in polished brass, adorned with beautiful cabochon-cut banded agates set around the rim...

More information coming soon… A French chayère throne chair, hand-carved in the late 1800s, using older Gothic-style panels. Multiple panels of Gothic tracery and linenfold were in...

A French copper repoussé jardinière with Lion's head ring handles and paw feet.

This lithograph portrays a fashionable woman from 1889, elegantly dressed in a sophisticated gown that exemplifies the style of the late Victorian era. The gown is made from a richly...

Antique Persian Tabriz Hadji Jalili oriental carpet, circa 1890, room sized. An antique Persian Tabriz Hadji Jalili oriental carpet, circa 1890. Size: 13'4" x 9'2". This large siz...

This vibrant print from "Der Ornamentenschatz" showcases a diverse array of Indian decorative arts including metalwork, embroidery, weaving, and painting. Compiled by H. Dolmetsch an...

19th-century Majolica oyster plate Wasmuel, the wells are divided by blues lines, and red stars. One minor chip on the back. Reference / Page 48 "Oysters plates" of J. Karnitz.

Italian Florentine hand carved wood torchère as floor lamp, a tall solid cembran pinewood pricket carved on three sides, with a deep acanthus leaf and flowers carving, resting on tri...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

73159 Late 19th Century Antique Turkish Oushak Rug, 10'01 x 13'09. Steeped in the golden legacy of Anatolian artistry, this exquisite, hand-knotted wool antique Turkish Oushak rug fr...

An antique Japanese Meiji period cloisonne enamel vase. Baluster shaped vase richly adorned with multicolor floral motifs within swirl and scale like patterns. Decorated with a few m...

A fascinating collection of ten antique French apothecary bottles, dating from the late 19th to early 20th centuries. Each piece tells its own story, with a beautifully aged mix of g...

Victorian mahogany serpentine chaise upholstered in a red floral fabric with buttoned back, raised on cabriol legs with castors. Dimensions Width190c...

From Northern Spain, constructed of solid walnut, the rectangular top with molded edge atop a conforming case housing two drawers over two doors, the doors paneled with solid walnut,...

Rare market-fresh pair of Chrysanthemum sterling silver 9-light candelabra. Made by Tiffany & Co. in New York, ca 1892. Massive baluster shaft on 4 round knobbed supports, each moun...

This beautiful antique mirror was made in central France at the end of the 19th century, around 1890. The mirror features a convex-concave-shaped top. The frame is made of pine wood ...

Napoleon III Gilt Bronze Mantel Clock, the enameled dial signed "Raingo Freres A Paris", the movement stamped "Raingo Freres," strike on bell, the case surmounted by two cherubs, put...

74394 Late 19th Century Antique Aubusson Rug, 14'06 x 25'03. A French Aubusson rug refers to a type of flat-weave rug that originated in the town of Aubusson, located in the Creuse region of central France. These rugs have a long history dating back to the 15th century, and they are renowned for their exquisite craftsmanship, intricate designs, and fine materials. Exuding an aura of true decadence, this Late 19th Century antique French Aubusson rug emerges as a mesmerizing testament to handwoven beauty. Its intricate details and luxurious texture captivate the senses, offering a glimpse into the opulent world of Aubusson craftsmanship. At its heart lies an elaborate design reminiscent of a palatial facade. A central acanthus leaf oval ceiling medallion, outlined by complementary scrollwork, evokes romantic connotations, while an array of quincunx motifs, reminiscent of the ceiling designs by Jules-Edmond-Charles Lachaise and Eugene-Pierre Gourdet, adorn the field in an alluring pattern. Trompe l'oeil filigree adorns a delicate light pink oval band encircling the inner composition, where a rose festoon intertwines with a floral swag, adding a touch of delicate elegance. Resplendent round cartouche pendants dangle from an undulating ribbon band entwined with floral swag borders, further enhancing the rug's grandeur. This antique Aubusson rug is enclosed by an acanthus ribbon border, coupled with an outer scallop border, creating a refined frame for its formal composition. These design elements, customary for Aubusson arrangements, showcase the style's predominant French influence, featuring ornate armorial medallions within intricate borders of rinceaux and garnished foliage. But it is not only the embellishments that captivate; the extraordinary use of color adds depth and allure to the rug's narrative. Each hue harmonizes with the next, creating a mesmerizing dance that speaks with a timeless voice of sensual decadence and stately elegance. In its entirety, this Aubusson masterpiece weaves together the tender, emotive, and vibrant details of human history, embodying the grand charm of a textile that transcends time, leaving an indelible mark on those who behold its beauty. Abrash. Desirable Age Wear. Some Discoloration. Handwoven wool. Made in France. Measures: 14'06 x 25'03. Hotel Lobby Size Carpet 15 x 25 Rug...

Not all antique Italian glazed Olive Oil Jars or Vases are created equal and this particular Olive Oil jar’s colors are simply beyond spectacular. Dating from the late 1800’s and discovered in a field in the south of Italy by an old friend. Most people refer to these as amphora jars, beginning in the Neolithic Period and running from approximately 9000BC to 3500BC. Generally, Amphorae were used in large numbers to transport Olive Oil and Wine. The design trade and most antique dealers simply call these vessels or Olive Oil Jars. For us, we look at the Olive Oil Jars as pieces of sculpture and they are as good looking outdoors as they are in your home. The color palette and the sheen of the glaze they are simply magical and create a truly great focal point. When we started in the antique business...

19th Century Enamelled Cast Iron Wood Burning Stove Le Scarabee Paris No 1 Beautifully made enamel cast iron wood burning stove, dating from 1860 /...

Infuse your space with early Americana character and practical utility via this authentic 19th-century chestnut washstand—a rugged, heartwarming piece that blends country craftsmansh...

A late 19th Century, antique French Versaille coffee or sofa table made of hand crafted Oakwood, in good condition. The detailed parquetry wooden top is resting on four sculptural wr...

Japanese Woodblock print by Sadanobu Hasegawa III,(1881~1963), unframed. About the artist Born in Osaka, Sadanobu Hasegawa III combines traditi...

This colorful cross with holy water font was created in France, circa 1880. Crafted in bronze using the champlevé technique, the antique cross features intricate enamel work in a vibrant palette of turquoise, navy, red, and pink. The decorative surface is adorned with floral and foliate motifs, and centered with a red medallion bearing the Christogram "IHS," symbolizing the name of Jesus. The base is fitted with a small enameled basin...

Neoclassical-Style, Continental Silver (.800), paw-footed chocolate pot with wood handle and hinged lid, Dutch, year-hallmarked for 1886, Ate deGroot Boersma Sneek - maker. Beautifu...

The large mirror with a wide openwork leafy scrolled surround. The pediment shaped crest with a leaf with scrolled top and bell flower applique over an open palmette. Matching palmet...

French Majolica bird with grapes plate signed Sarreguemines, circa 1880.

This Louis XVI Chest of Drawers has 3 drawers with a marble top. The hardware is brass lion carved rosettes with a drop ring pull. The finish has 2 stain colors (a darker color paire...

French Majolica Pansies cache pot, circa 1880.

Antique Byobu Four Panel Screen. Japan, late 19th to early 20th century. Taisho period.

74205 Antique Kurdish Persian Bijar Rug with Art Nouveau Renaissance Style, 12'02 X 18'04. Rich in color with beguiling beauty, this hand knotted wool antique Persian Kurdish Bijar r...

This impressive oak display cabinet has four upper cabinet doors and four panel cabinet doors below. Items displayed in upper cabinet are easily viewed through the chicken wire which...

This antique chest of drawers was crafted in the Early Meiji Era (1868-1912) . The gently worn finish, along with its beautifully weathered urushi (Japanese lacquer), reveals the pa...

Heriz rugs are one of the most famous rugs from Iran, because of their very unique and distinguishable style. Heriz is a city located in northwestern Iran, near the city of Tabriz, w...

France,1834-1917 Depicts a neoclassical woman in a diaphanous dress seated upon a swing decorated with leaves and tendrils.

From our antique collection, this 13x19 oversized rug is a rare antique Persian rug of Kermanshah provenance—hand-knotted in wool circa 1890-1900. On the Design Beige-brown and red...

Pair of 19th century ebonized mirrors, circa 1860-1889, France. Sold together and priced $9,900 for the pair.

Pair of very fine quality early Meiji period Japanese Satsuma vases, one with its 19th century paper label added by its retailer.

Constructed from Sugi wood (Japanese cedar), this tansu kitchen chest features 5 drawers and 2 slatted sliding doors. The drawers are adorned with iron handles the geometric style of...

Mirror in silver and mercury mirror made in the second part of the 19th century Ø cm 32 h cm 31,5 Mercury mirrors are a type of ancient mirror that uses a thin sheet of mercury to ...

Lovely botanical print Chromo-lithograph Original color Published, circa 1870 Unframed. Chipped top left corner Free shipping

19th century two-handled terracotta urns with aged patina, Spain.

Featuring Renascence Inspired Scenes From our collectables category, we are thrilled to introduce this outstanding French Gold and Enamel Perfume Bottle...

An antique Italian Arte Povera armoire made of hand crafted, solid painted Walnut in good condition. The tall detailed Tuscan wardrobe is composed with a single door, particularized ...

Very decorative 19th century scrubbed oak mirror French circa 1870’s with original mirror and backboards 140x 86 cms

Antique American Colonial Cherry Wood Wavy Glass Door China Cabinet Hutch Top. Item features individual panes of antique wavy glass, blue painted interior, solid wood construction, q...

Two Napoleon III style gilt ebonized parlor chairs. Larger arm chair: 26" W x 24" D x 40" H, seat height 17", arm height 24" Smaller chair: 18" W x 22" D x 38" H, seat height 17"

This is an old Japanese big pottery. It was used in an old teahouse in the Tohoku region of Japan. It was used to transport and store tea leaves. Since ...

Add elegant warmth, sophistication, and deep rich color to any space with this stunning antique Moser Bohemian parcel gilt emerald green glass decanter. circa 1900 Born in Bohemia (...

The Holy Bible, Containing the Old and New Testaments, Translated out of the Original Tongues: And with the Former Translations Diligently Compared and Revised, by His Majesty’s Spec...

Finnish folk art chair made during the late 1800s. The chair is hand-crafted from pine with beautifully sculptured seat and backrest. The legs, seat and vertical backrest have a intr...

Vintage Design 19th French hand carved oak wood table desk with iron stretcher. This antique French hand carved oak wood desk features a bea...